I love the fact that Gravity Rush exists. How rare is it these days to see a major publisher produce something so wholly original, so defiantly non-commercial?

It's easy to fall in love with The Witness, and even easier to have your heart broken by the callous indifference of Jonathan Blow's beautiful island. A healthy challenge is good for any game, but the puzzles on display here offer few inroads to understanding for those who can't think exactly like their creator.

By shoving the story aside and doubling down on its great battle system, Paper Jam smartly emphasizes what the series does best. Some of the padding can be a little annoying, but the way paper-thin characters add new angles to enemy encounters makes this crossover more than just a simple gimmick.

I can't say enough nice things about Darkest Dungeon. Its presentation is brilliant, its systems are smart and well-constructed, and it does a lot to subvert what we should expect from the average dungeon crawler. For a game built around slowly grinding up multiple parties of adventurers, it's remarkable how fresh it can feel even after more than 50 hours. It's only January, but Darkest Dungeon is already one of my favorite games of the year.

While Gone Home's experience is rather short, its characters will stay with you for days after you've finished the game - despite you never meeting them.

Aviary Attorney might look like nothing more than a silly riff on Ace Attorney, but thankfully, there's a lot more to it than that. The era-appropriate illustrations and music set the perfect atmosphere, while the short cases with multiple endings provide a great incentive to jump back in and shoot for happier resolutions. Aviary Attorney doesn't quite hit the heights of Capcom's own series, but it's still a fine way to kill an afternoon.

Looking and playing very similarly to the 2003 original, the new Amplitude packs a thumping good progressive electronica soundtrack which suits its slick and nicely polished gameplay perfectly. Where the game does fall a little flat is in its lasting appeal. It doesn't take long to beat the campaign and unlock almost all of its tracks, and once you've done that, the leaderboards are the only place where a long-term challenge can be found.

DariusBurst Chronicles Saviours perfectly replicates the original arcade experience, and delivers a ton of old-school-feeling shoot 'em up content in the process. However, despite looking and sounding excellent, the action doesn't vary much, meaning that it will likely only appeal to hardcore fans of the series.

What more can I say? I loved SteamWorld Heist and I think everyone should play it. Even if you don't normally like tactics games, Heist might be able to change your mind. It might not make a lot of Game of the Year lists, but I can assure you that it is one of 2015's best.

Although the single-player side of the game is weak, Rainbow Six: Siege's multiplayer modes are a huge amount of fun. Tense, thoughtful, and tactical, they play very differently to most run-and-gun shooters. While the game's content does feel a little slim at launch, there's no denying it's highly enjoyable to play - especially when you have a team of players working together.

Just Cause 3 is a lot like Just Cause 2, but a host of additions including the wingsuit and gear mods make the game a joy to play. Add in some amazing graphics, stunning explosions, and a huge world and you have a nearly perfect title. One only brought low by online connection issues.

Legacy of the Void has been a long time coming - so long that in some ways it feels like a bit of a throwback. But Blizzard has packed plenty of value into their final expansion, piling co-op missions on top of their solo campaign while tinkering with the multiplayer's pacing and mechanics. The story is ultimately disappointing, but on a mission-to-mission basis, StarCraft II represents the apex of old-school real-time strategy design.

From Software has always excelled when it comes to DLC, and The Old Hunters is no exception. It's simply some of the best Bloodborne content you'll ever find, especially if you blazed through the game last Spring and need a valid reason to relive the nightmare all over again.

In a way, Rise of the Tomb Raider lives up to its name: You can see the classic Tomb There's far too much predictable, uninspired gunplay, but despite its mandatory nature it still comprises only a tiny portion of the overall game experience.

The effort that DICE has put into the visuals pays off in one of the best-looking games of the year. But every facet of the game is hurt by the lack of variety in the environments, vehicles, weapons, and even enemies. It's a startlingly limited package made more disappointing by the fact that the actual gameplay is really fun. It may reach its potential in a year; but for now, it's one more potentially great game sabotaged by what appears to be a cynical marketing plan.

LEGO Dimensions feels like the bare minimum required to qualify as a video game in this day and age—it's a shallow, repetitive experience that leans heavily on the appeal of LEGO toys and a dozen very expensive licenses... which probably explains why the $99 starter set only gives you access to a fraction of the total game content.

Black Ops III offers few surprises, but even so, it's a great package. The campaign sometimes feels like it's trying too hard, but is ultimately solid and enjoyable. Zombies mode is a nice bonus. But really, it's the multiplayer that steals the show. It doesn't stray far from the usual formula, but it's been honed and polished to perfection to deliver seriously brilliant multiplayer competition.

Bethesda plays it surprisingly safe with the formula, but they also do a much better job with the story this time around, serving to elevate the game as a whole. While there's no denying that it can be a bit ridiculous at times, its sheer scope speaks for itself. Bethesda has succeeded in crafting yet another fascinating open-world RPG.

Don't let Yo-Kai Watch's kiddie appeal fool you: It might not be as deep as your average, adult-style RPG, but that isn't necessarily a bad thing. Level-5's gradual evolution of their "house style" has amounted to a true successor to Pokemon—one entirely free of its predecessor's 8-bit baggage.

Anno 2205 is a satisfying city builder for those who may think that Cities: Skylines can be a bit complex. It looks great, building your cities is a breeze, and managing resources is easy. Unfortunately, once you've finished the campaign, there's not much left but more optimization and expansion. No mods or DLC make this a rather finite game.

A gorgeous-looking, very well designed game that offers five different racing styles to tackle - and a bevy of interesting cars to modify and make your own. Its story is a lot of fun, and it's set in an impressively large environment that is very enjoyable to drive around. A great arcade racer that's both challenging and addictive.

After a solid start, Minecraft Story Mode Episode 2 is disappointingly short. Coming in at around an hour in playtime, the adventure is brisk and active, but it ends right when you're getting into it. A lot happens, but the impact is dulled due to the breakneck pacing.

A fast, twitchy and highly challenging racer that's essentially a glorified arcade game. It's a lot of fun, and, most importantly of all, it works as it should - delivering excellent multiplayer and social challenges. A good expansion to DriveClub that offers a whole new way to play the game.

Disney Infinity suffers from some very short-term flaws (that interface, ugh!) and long-term challenges (the price of the game adds up quickly). If you're willing to grapple with those issues, however, you'll find an excellent, expansive, and remarkably well-crafted action game brimming with variety.

Bedlam's concept is absolutely brilliant, and it's voiced very well too. Unfortunately, its stiff, unforgiving gameplay just isn't much fun, and what you're left with is a great idea whose potential just hasn't been fully realized.

Nintendo had a fantastic idea with Tri Force Heroes, but the premise is underserved and undermined by some fundamental design issues and shaky online infrastructure. It's nothing short of a tragedy to wait a whole decade for another multiplayer Zelda and receive what feels like a largely unfinished idea with great potential.

The campaign mode hits some great highs over its somewhat short 15-mission span, but also occasionally suffers from a lack of variety, and some boss fights that feel disappointingly one-note. Halo 5: Guardians' strength is found in its PvP. Arena and Warzone offer two distinctly different flavors of action, and both are solid, very well designed, and a lot of fun to play. Ultimately, campaign is a good way to ease you into the game - but it's the PvP that delivers the best of what this game has to offer.

Life is Strange comes to its ultimate conclusion by asking players what's more important: one person or an entire town? This is an emotionally strong episode that's unfortunately padded out by sequences that justify its overall running time and reinforce that you're playing a game. Life is Strange was great as a whole, but there are missteps in this episode.