USA Today's Scores

  • Movies
  • TV
For 4,677 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4677 movie reviews
  1. Furious 7 offers edge-of-the-seat excitement with outlandish action sequences, inventive stunts, hilarious cartoonish moments and even some touching emotion.
  2. Who's more pretentious: hipster Millennials or bourgeois Gen Xers? It's a question While We're Young toys with, if only to provide a context for a sharply observed and witty dark comedy.
  3. Get Hard is hard to sit through and hardly funny. So unless you're really hard up for entertainment, stay away from this tone-deaf raunchfest.
  4. Home could have fashioned a more original story, dug deeper into a theme of cultural understanding and jettisoned the toilet humor.
  5. This second installment, based on Veronica Roth's series of YA novels, feels cobbled together and less focused than 2014's Divergent, and lacks tension and excitement.
  6. The only redeeming feature about The Gunman is its exotic locations.
  7. Kikuchi brought humanity to the robots-vs.-monsters action of Pacific Rim in a small supporting role, and she ups that much more with the meek title character of Kumiko, directed by David Zellner from a screenplay co-written with brother Nathan.
  8. Like an uneven album, the movie has some harmonious, authentically lilting moments and other off-putting ones.
  9. Director Kirby Dick has gone from examining sexual assaults in the military in 2012's "The Invisible War" to investigating rapes on college campuses. His is an impassioned and well-researched film that will incite outrage.
  10. With its vibrant sparkle and enchanting visuals, Cinderella almost makes you believe in magic.
  11. These movies can't possibly be the best chance Neeson has got. Certainly he's offered more nuanced dramas that call on subtler acting skills and don't entail a mounting body count.
  12. More like a serving of lukewarm treacle than savory tikka masala.
  13. Chappie is meant to inspire questions about what it means to be human, and at times it does. However, director and co-writer Neill Blomkamp doesn't explore its intriguing premise deeply enough.
  14. A bland road-trip film that falls flat while heaping on the raunchiness.
  15. Focus never quite comes into clear view. It's a muddled and twisting romantic caper that at times feels like Steven Soderbergh lite.
  16. If a pointless and nasty Hollywood satire filled with vile characters and no one to root for sounds like a good time, go see Maps to the Stars.
  17. With its homages to "Frankenstein," "The Exorcist" and "The Shining," director David Gelb's The Lazarus Effect is at least smarter and tenser than last year's crop of tame horror films.
  18. If you've seen "Mean Girls" or "Easy A," you've seen a far better version of The DUFF.
  19. A cross-cultural charmer, an endearing true story told with intelligence and warmth by director Niki Caro (2002's Whale Rider).
  20. Some of the gags are stupid-funny, others are just puerile, making for a hit-or-miss experience.
  21. Mashing up satire, subtle social commentary, clever gadgetry, keen wit and high-octane style, this spy saga — based on the comic book series The Secret Service — is bolstered by a terrific cast.
  22. Sitting through the turgid and tedious S&M melodrama that is Fifty Shades of Grey may feel like its own form of torture.
  23. The quirky film is simultaneously bizarre, humorous, disturbing and suspenseful.
  24. Moore goes into operatic mode as Mother Malkin, a nasty witch who morphs into a menacing winged dragon. The worst performance, however, belongs to Jeff Bridges as a marble-mouthed, curmudgeonly knight named Master Gregory.
  25. The live-action elements — mostly in the person of Antonio Banderas as cranky pirate Burger Beard, who spends most of his time addressing a flock of seagulls — don't mesh seamlessly with the animated sequences. It almost feels like two movies awkwardly melded together.
  26. The sci-fi film's reported $175 million budget must have gone largely into loopy production design, wild costumes, outlandish hairstyles and colorful make-up. It certainly didn't go into developing a coherent script or coaching believable performances.
  27. Claustrophobic, compelling and suspenseful.
  28. Give Binder credit for addressing racial divides even if not as profoundly as one would hope.
  29. What was once fresh and innovative now is tired and overdone.
  30. With a varied wardrobe of retro men's finery and a hirsute upper lip, the title character of the silly comedy Mortdecai is the center of a whirlwind of horrible British accents, too much gagging, not enough good gags and weak dialogue that, while not exactly terrible, is terribly boring.

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