USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. Max Payne couldn't be more appropriately named. Sitting through this stylish-looking but derivative, vacuous and bullet-riddled movie inflicts maximum pain.
  2. The computer animation of the monsters here is a herky-jerky cartoon blur that is anything but scary.
    • USA Today
  3. It's an improvement on some of Perry's other films that strike a heavy-handed moralistic note. And it lacks the silly slapstick humor of his Madea movies.
  4. Actually does manage to be the best of the BDSM bore-fests in the forgettable erotic saga based on E.L. James’ Fifty Shades novels.
  5. Mannequin Two desperately wants to be magical. But the spell it casts is one of idiocy. [21 May 1991, p.4D]
    • USA Today
  6. With its homages to "Frankenstein," "The Exorcist" and "The Shining," director David Gelb's The Lazarus Effect is at least smarter and tenser than last year's crop of tame horror films.
  7. A pitiful update that saddles poor Cedric the Entertainer with the unenviable task of taking over Jackie Gleason's premier creation, Ralph Kramden.
  8. Lucky Numbers is anything but lucky for stars John Travolta and Lisa Kudrow.
  9. Is there a word that means the opposite of Cowabunga? If so, that's the word for the charmless, dull and derivative new take on the Teenage Mutant Ninja Turtles.
  10. Superficial and lurid, Perfect Stranger is the cinematic equivalent of spam and should, like those trashy messages, be avoided.
  11. Misguided raunchfest.
  12. Silly action sequences grow tedious and rarely blend with the wannabe madcap comedy.
  13. That's My Boy is puerile, mean-spirited and charmless.
  14. A glossy wisp of a cautionary tale.
    • USA Today
  15. Only the makers of "Freddy Got Fingered" might crack a smile because it now has competition for worst movie of the year.
    • USA Today
  16. Robbins' performance as Winston is the best thing in the movie.
  17. Far from redundant. That's because (Kirk) Wong deftly balances the outrageous stunts. [24 April 1998, p. 6E]
    • USA Today
  18. Filmmakers must have been tripping pretty badly when they made High School, a flub that's about as lucid as a stoner at a spelling bee.
  19. Poor Rutger Hauer - the new decade apparently isn't his. This hearty trouper's latest, Blind Fury, is nobody's swell time at the multiplex. [30 Mar 1990, p.5D]
    • USA Today
  20. This Hellboy leans more into super-gory horror comedy than its predecessors, trading nuance for ripped-off limbs and boasting as much subtlety as a stone fist to the face.
  21. An American Affair is sordid business blandly portrayed and not worth meddling with.
  22. Envy is in the unenviable position of saddling two of Hollywood's most talented comic actors with a script that doesn't do them justice.
  23. Doesn't make the movie worth watching -- even if you're monstrously bored.
  24. Life is a crock -- or something like it.
  25. Only those with paranoid fantasies of an en masse invasion on American soil will find Red Dawn remotely powerful. The concept should have been updated to allow for more complex and surreptitious kinds of warfare.
  26. Deception is not the cool, noirish thriller it tries to be. Despite a cast that includes double-crossers Hugh Jackman and Ewan McGregor and Michelle Williams caught in the middle, the film is a yawn.
  27. Fire Birds may actually be duller than Clint Eastwood's Firefox. It's doing a full-tilt boogie to 3 a.m. cable right now. [25 May 1990, p.4D]
    • USA Today
  28. You have to work hard to make an African vacation seem unpleasant. And Adam Sandler nearly pulls it off in Blended.
  29. The conclusion is a sweet bit of frosting on an otherwise unremarkable confection.
    • USA Today
  30. While compellingly watchable, it's as overheated as Cage-the-actor's 1991 soft-core (and direct-to-video) "Zandalee," also set in New Orleans.

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