USA Today's Scores
- Movies
- TV
For 4,670 reviews, this publication has graded:
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61% higher than the average critic
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3% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 64
| Highest review score: | Fruitvale Station | |
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| Lowest review score: | Amos & Andrew |
Score distribution:
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Positive: 2,963 out of 4670
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Mixed: 1,021 out of 4670
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Negative: 686 out of 4670
4670
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mike Clark
One hesitates to call David Cronenberg's movie of David Henry Hwang's Tony-winning play conventional or tame, but certainly it is zestless given a filmmaker whose last three outings have been "The Fly," "Dead Ringers" and "Naked Lunch." [01 Oct 1993]- USA Today
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Reviewed by
Mike Clark
Rob Reiner's self-congratulatory Ghosts of Mississippi portrays Medgar Evers' slaying from the viewpoint of a white guy and can't even do a capable job of that. [20 Dec 1996]- USA Today
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Reviewed by
Scott Bowles
Never works as a gum-snapper concert movie and does provide a glimpse into instant stardom in the Twitter generation.- USA Today
- Posted Feb 10, 2011
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Reviewed by
Claudia Puig
Though the blending of archival footage into a faux documentary is occasionally clever, ultimately it's banal and unconvincing.- USA Today
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Reviewed by
Mike Clark
Put to the sequel litmus test, queasily spectacular Vengeance would only rate a footnote without a strong original to exploit - or a protracted telephone-terrorist subplot to steal from Dirty Harry 1. [19May1995 Pg.01.D]- USA Today
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- USA Today
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Reviewed by
Claudia Puig
Though the premise is clever -- everything comes to life at night in New York City's Natural History Museum -- this movie doesn't make the best comic use of the concept.- USA Today
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Reviewed by
Mike Clark
It isn't really dull (only dulled), and the leads are remarkable; one could, in fact, lavish a lot more praise if this labor of love weren't burdened by the year's dopiest movie wrap-up. [23 Nov 1990]- USA Today
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There are some laughs, Murphy is appealing and the ancient theme of love conquering all is beguiling. But America's mean-spiritedness lingers after its pastel-pretty ending.- USA Today
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Reviewed by
Claudia Puig
Plausibility aside, the key to making the scenario work is comedy. Much can be forgiven if it delivers enough laughs. That's the main problem here. It's short on clever humor and big on convention and formula.- USA Today
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Reviewed by
Claudia Puig
The D Train is long on high-concept comedy, then runs out of steam and becomes a forced and far-fetched drama.- USA Today
- Posted May 7, 2015
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Claudia Puig
A ceramic gnome by any other name is still a kitschy little figure.- USA Today
- Posted Feb 10, 2011
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Reviewed by
Mike Clark
Peter Pan is the boy who wouldn't grow up, and Hook is the movie that grows unbearable once a grown-up Peter arrives in Neverland with a merciless 90 minutes to go. [11 Dec. 1991, p.1D]- USA Today
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Reviewed by
Susan Wloszczyna
Those who adore horror movies so much that they crave Count Chocula cereal may be amused. The rest can skip this walk on the Darkside. [07 May 1990, p.4D]- USA Today
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- USA Today
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Reviewed by
Mike Clark
Though the picture falls apart whenever the two leads aren't on screen together, you can argue that That isn't that inferior to its predecessor.- USA Today
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Reviewed by
Mike Clark
It's just too soon after those silly talking dinosaurs to put up with any movie about a talking horse.- USA Today
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Reviewed by
Scott Bowles
It plays more like a "21 Jump Street," full of pretty people and a thumping soundtrack but offering little in the way of something to say.- USA Today
- Posted Aug 15, 2013
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Scott Bowles
Nancy Drew is 16, dresses like she's 12 and acts like she's about 45. And therein lies the problem with this adaptation of the beloved book series. The movie can't quite decide how old it wants to be -- or who it's for.- USA Today
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Mike Clark
Transforms Charles Dickens into a Chuck. Ground Chuck, unfortunately. [30 January 1998, p. 7D]- USA Today
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Reviewed by
Mike Clark
It's all fast and furious up to its draggy finale, and yes, it could spark a sequel. Prepare yourself for coming dread in 18 months: "A Man Together."- USA Today
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Reviewed by
Claudia Puig
One thing it doesn't do is offer a revealing look at the mercurial entrepreneur. The movie that bears his name settles on a blandly superficial treatment of a deeply complex man.- USA Today
- Posted Aug 15, 2013
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Claudia Puig
After "Monsters, Inc.," this movie may be a bit of a letdown, but there are some scenes that will delight elementary-school-age children and older preschoolers -- notably the gross-out moments.- USA Today
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Mike Clark
Jenny Wingfield's script is ripe enough to include icky man-in-the-moon allusions; mom Tess Harper's pregnancy seems tacked-on; and the climax is pat melodramatic sap. But Sam Waterston (as dad) has his moments. [04 Oct 1991, p.6D]- USA Today
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Susan Wloszczyna
Higher Learning: John Singleton's ambitious potpourri of on-campus tensions - date rape, black power, white supremacy - all too quickly lapses into pandering preachiness. [17 Feb 1995, p.4D]- USA Today
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Claudia Puig
Not so admirably, the film feels at times like a giant commercial for Universal Studios.- USA Today
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Reviewed by
Mike Clark
The movie, which has a rusty photographic veneer, is monotonous and drags toward the end.- USA Today
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Reviewed by
Claudia Puig
While Kristen Wiig fully commits to her bizarre, mentally ill character in Welcome to Me, the result still feels more like an extended sketch than a movie.- USA Today
- Posted May 7, 2015
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Reviewed by
Mike Clark
The civilized running time and breezy editing between scattershot plot threads keep the attention in a superficial way, and it would be misstating the case to deny that the movie has some chuckles (the kind that don't linger).- USA Today
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- USA Today