USA Today's Scores

  • Movies
  • TV
For 4,670 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Amos & Andrew
Score distribution:
4670 movie reviews
  1. A wisp of ghost story that promises insight but is strictly soft focus.
  2. Likely one-week box office wonder.
  3. Glum and preachy.
  4. Not so much a movie as an amusement park ride.
  5. The cinematic equivalent of an elaborate and poetically constructed non sequitur.
  6. Love Happens is an oddly upbeat title for a movie that is surprisingly sad.
  7. Too langorously European for slasher fans, and too dopey for others, Vanishing 2 may fall between the cracks. See it to savor Bridges playing a heavy. [05 Feb 1993, p.5D]
    • USA Today
  8. Mirren is about the only reason this slow-moving revenge tale tingles at all.
  9. Instead of being an intriguing look at an emotional breakdown, “Lucy” is more interested in being a sporadically trippy (and ultimately forgettable) soap opera that by the end has the camp factor of your average Lifetime revenge thriller.
  10. The bone-crunchingly violent film has luridly entertaining moments. But by its resolution, this sleazy Southern Gothic nightmare has simply gone off the rails.
  11. Spend 60 years in jail with Eddie Murphy and Martin Lawrence, and you'll understand why they call it the pokey. [16 April 1999, Life, p.5E]
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  12. One thrilling shot of land's discovery - so good it's reprised at the end - hints at what might have been. But despite production values that advertise a first-class journey, 1492 is a long haul in steerage. [09 Oct 1992, p.8D]
    • USA Today
  13. The new Wuthering Heightsis all gloomy moors and muck, but not much convincing passion.
  14. The follow-up is a toothless, fleetingly funny revisit with some moments of greatness yet too much of the same old story to feel fresh.
  15. Home could have fashioned a more original story, dug deeper into a theme of cultural understanding and jettisoned the toilet humor.
  16. Vince Vaughn and Owen Wilson may be the worst interns since Monica Lewinsky.
  17. But the film's emotional core is father-son reconciliation, and Pete Postlethwaite is very sympathetic as Dad. [29 Dec 1993 Pg. 01.D]
    • USA Today
  18. It's the first film to include both a cameo appearance by Jesus and a full-frontal nude shot of Harvey Keitel dancing in a drugged stupor. [20 Nov 1992, Life, p.4D]
    • USA Today
  19. What do you have to smoke to understand this?
  20. Even the nasty zingers here seem tiresomely windy. [16May1997 Pg 02.D]
    • USA Today
  21. Lovelace is a lackluster, skin-deep biopic.
  22. Running With Scissors lacks the edge of Augusten Burroughs' best-selling memoir. The result is an inconsistent tragicomedy that attempts to be cut from the same darkly humorous cloth as "American Beauty," but fails.
  23. Has a near-impossible mission: its title.
  24. Starts out with promise but staggers under the weight of trying to take on too much. The tone is murky: The story attempts to blend adolescent angst with fantasy adventure, and the result is rather clunky.
  25. Despite a terrific cast, Jack Reacher comes up empty-handed.
  26. What emerges is a banal horror film and a tepid action-adventure.
  27. While Mission: Impossible has found a popular way to reimagine an old show for modern times, Man is immersed in all things retro — from the ginchy fashion to a jazzy score — but for an action adventure, it’s a mostly tedious affair with fleeting moments of cool.
  28. If you've seen "Mean Girls" or "Easy A," you've seen a far better version of The DUFF.
  29. How Do You Know must have started with a good idea that got lost in the translation from concept to screen.
  30. Final is a bad-line hoot-a-rama. Gere after aiding an Hispanic criminal: ''If Pepe is safe, then we are all safe.'' Basinger on her marriage: ''We share an apartment - emphasis on apart.'' But every joke needs a punchline. Alas, the finale of Final Analysis - the worst case of Vertigo sickness since Mel Brooks' High Anxiety - is just punch-drunk. [7 Feb 1992, p.5D]
    • USA Today

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