There might not be much of a game to Echo Grotto (though there’s a lot more to it than its predecessor), but it’s the type of VR experience that proves you don’t always need objectives and plot twists as motivation to push on. This is an experience where your own sense of curiosity and discovery is all you’ll need to keep going, speaking to the power of VR’s immersion. It carries a rare sense of authenticity that really makes you feel like you’re descending into the depths, and the deeper you go the more engulfed you’ll become. This is a great example of what really makes VR tick.

As an on-rails shooter, Dimension Hunter offers simple, stylish shooter fun with an appreciated free locomotion option. Ultimately it’s little more than an hour or two of brainless shooting, but there are some great highlights along the way that made me happy I took the trip. If you’ve got an itchy trigger finger, Dimension Hunter will serve you just right.

Bloody Zombies has a confusing existence. On the one hand the gameplay is fun enough to entertain for a few hours, especially if enjoyed with friends, but it lacks enough pull as an original concept to really offer much in the way of innovation. For all intents and purposes this is a very by-the-numbers sidescrolling brawler with a zombie theme that just so happens to let you look around at levels in a VR headset. Unless you’re dying for a Streets of Rage-esque experience in VR then you can probably survive by just passing on this one.

Duck Season is more than a tribute to a beloved retro game; it’s a love letter to an entire era of pop culture and childhoods well-spent on a healthy dose of screen watching. As a showcase for VR it does a brilliant job of highlighting the tech’s current strengths with small, intimate environments that breathe authenticity and organic storytelling that never pulls you from the experience. I can’t wait to see how Stress Level Zero applies what it’s learned here to something that pushes the medium even further.

Prison Boss VR is a breath of fresh air. In a market that’s over-saturated with shooters, and blood, and gore, and zombies, it’s nice to experience something with a much more light-hearted and whimsical tone. Fans of Job Simulator and tycoon-style games will find a lot to love here and far more content than expected, but what it gains in breadth it sacrifices in depth. Even still, this is a VR game we’d happily return to as a reward for good behavior.

Don’t Knock Twice feels very much like it was conceived by making a checklist of features and ideas, doing just enough to include those core essentials, and then stopping short of delivering much in the way of true horror game inspiration. The versatility of playstyles in and out of VR is commendable, but once you settle on a way to experience it the actual game is over far too soon. While you’re there the scares are good and the atmosphere is rich, but it doesn’t do enough to really break new ground.

Sparc is an immensely exciting game that excels by honing in on its core mechanic and perfecting it. Fans of Tron’s disc battle premise will find a lot to love here and I could easily see myself losing dozens of hours to digital arena battles with my trusty orb in hand. The lack of AI to play against offline and the absence of many additional arenas or match customization options is a bummer, but the excitement of online play more than makes up for it.

Paranormal Activity: The Lost Soul is a relatively solid VR horror game. There is a strong foreboding sense of terror, a thickly developed atmosphere, and excellent use of sound and lighting to convey a real sense of fear. The adaptive scare system also works well, for the most part, and keeps you guessing. However the poor control system, occasional bugs (which will likely be addressed soon with patches,) short length, and inconsistent pacing keep it from being as successful as it could have been.

Out of Ammo: Death Drive comes and goes without making much of an impression. Its 90 – 120-minute campaign fails to ever excite or amuse, and there’s only the beginnings of what could have been a great tower defense game to experience. VR has moved beyond the need for raw content for the sake of having something to play, and Death Drive is firmly stuck in the past as a result. [Tested with Oculus Rift]

Killing Floor: Incursion isn’t the best zombie game I’ve played in VR (that would still go to Arizona Sunshine) but it does a lot right. The unsettling atmosphere is pervasive through each level and the excellent gameplay mechanics between melee and gun combat feel visceral and satisfying. While it does clock in a bit shorter than I’d have liked with only four levels, they are each large and fun to explore.

Just in Time’s premise alone is brilliant enough to warrant a look, though the game only scratches the surface of its potential. When it gets it right, saving lives in slow-motion is a silly thrill, but many of the game’s levels are simply unmemorable. Second Wind is onto something here, but its short campaign never successfully mixes the comedy, action, and puzzle-solving into one truly satisfying package. These elements instead remain separate, creating an inconsistent, albeit promising, experience.

Neptune Flux is short and inessential, but serves as a good example of a satisfying, self-contained VR short story. Perhaps Zoxide once had dreamed of it being more than that, but the immersive atmosphere and interesting — if flawed — story still made this a journey I was glad I went on.

Monkey King isn’t a bad VR animation, but it’s just not that great either. The three episodes dovetail together nicely, but it never feels like it really takes advantage of VR as a medium. Visually it felt underwhelming and left a lot to be desired.

Dino Frontier has a great concept behind it and the foundations for an entertaining city-building game, but it never gets deep enough. The single town you’ll build provides very little room for personalization and the game is so easy that you’ll stroll through to its unexpected ending in no time. This feels like a concept demo for a much bigger and better experience, the one I suspect that Uber Entertainment first dreamed of when starting out. Sadly, Dino Frontier is far from being that game.

Theseus is a game that had a lot of promise. The dark and creepy setting comes through with a strong, foreboding atmosphere that’s often difficult to capture in VR games. But unfortunately the actual gameplay itself feels like more of a chore than anything else. It’s over far too soon and doesn’t feel properly designed for VR from the ground up. The Minotaur is terrifying and intimidating, but getting through everything else just to face him isn’t going to be worth it for most people.

Don’t let Tiny Trax’s steep learning curve put you off what’s an otherwise compelling and addictive racer. FuturLab has managed to capture the rewarding mechanical finesse that made its Velocity titles so much fun to play and apply it to an entirely different genre that can be enjoyed with friends. If you’re adamant about not playing online then there’s not much here for you, but if you put the time in you’ll find a whole new obsession for your PSVR.

Archangel is an ambitious game, just in the wrong ways. The on-rails gameplay provides a few hours of forgettable fun, but the emphasis on a generic story and cast is to its detriment. VR can blend narrative and interaction together in meaningful ways, but Archangel fails to capitalize on them. Still, this is one of the more polished VR shooters out there at the moment, especially on PSVR, and those of you with itchy trigger fingers will probably find a satisfying distraction here.

Lone Echo is a landmark achievement in three key areas of the VR experience: locomotion, UI, and interaction. The winning blend of intuitive movement, discovery-based gameplay and character-driven storytelling create a compelling sense of presence that few VR games could hope to match, while the considered pacing gives it a fresh identity. I hate to mark it down on such a trivial aspect as length, but the package simply feels incomplete, rounding off in the second act and depriving you of both the narrative and mechanical evolutions I was expecting to encounter in the third. If there’s a silver lining, it’s that I expect its sequel to be one of VR’s very best.

Sublevel Zero Redux isn’t a shooter for everyone. It’s intense and demanding, and that simply isn’t something some people will want inside their VR headsets. For fans of Descent and the emergent rougelike genre, though, this is something of a treat. Polished, tight gameplay gives this unique brand of action an engaging edge. 6DOF is enjoying a small resurgence right now and, if that’s something that interests you and you’d love to try the genre in VR, Sublevel Zero Redux is your best bet.

Front Defense feels like a game that was made without an audience in mind. The dedicated VR users that have enough space (it needs approximately three square meters of room) will have played plenty of VR shooters by now, many that are just better than this. The core gamers a WWII shooter is supposed to appeal to will get bored far too quickly with the lack of depth. And the small sliver of people left in the middle that are hungry enough to buy just another wave shooter will leave disappointed that this isn’t a more complete experience from Vive Studios.

Arizona Sunshine combines the narrative power of a fully-featured 4+ hour campaign mode, with the intensity of a wave-based horde mode, and then adds multiplayer to both experiences. The protagonist’s witty humor make it worth recommending on his charming personality alone, with enough depth and variety to keep people coming back for several hours. By doing so many things so well, Arizona Sunshine quickly rose to the top of the pack as the best overall zombie shooter we’ve seen yet in VR.

The solution to Ancient Amuletor’s problem is simple; it just needs a lot more content. It’s like Ti Games established the game’s basic mechanics and then decided that would be enough for a full product. With just a few hours of content on offer it’s hard to recommend this otherwise promising game.

Its atmosphere is dense and engaging and its puzzles capture a strong sense of discovery, resulting in a brilliant blend of gameplay and experience. The flood of VR puzzle games could learn a lot from the foundations that Charm Games has laid here. [Tested with HTC Vive]

The Mage’s Tale is one of the best examples of how to take a tried-and-true existing gaming genre and adapt it for the new VR medium. While it retains plenty of design decisions that make it clear where its roots lie, The Mage’s Tale iterates on principles that truly move the first-person dungeon crawler RPG subgenre forward in big ways. This is easily one of the longest and most involved adventures to grace the VR market thus far and is a must-play for RPG fans.

Star Trek: Bridge Crew is a triumphant recreation of what it means to be on the bridge of an Enterprise-caliber ship from the classic sci-fi universe. If you play with friends then you’re bound to have an amazing time full of laughs, stress, and action. Playing alone is tough, but doable The bulk of your time will likely be spent with the randomized Ongoing Voyages mode since the campaign is brief and shallow. If you’re searching for a game that captures the esoteric and cerebral nature of Star Trek, though, then you’ll be a bit disappointed.

Despite the lack of multiplayer and the horror of ham-fisted progression gates, To The Top is still one of the most singularly fun experiences I’ve ever had inside my VR headset. It’s gameplay is simple, but addictive, and rewards skillful play while never demanding you become an expert all at once. The progression gates are annoying but mostly because they held me back from tearing into more of this truly amazing experience.

Farpoint’s best moments are some of the best slices of entertainment I’ve seen in VR to date. When the action is pumping and the tracking is cooperating, I forget I’m even holding a plastic peripheral at all and truly feel immersed in the world itself. Shooting feels great and the atmosphere is convincing. But then the levels start to feel repetitive, the campaign is a bit brief, and the design limitations rear their ugly head. For better and for worse, based on current capabilities, Farpoint is the game that PSVR deserves -- an exhilarating, but flawed, AAA-quality VR shooter.

Overall Conductor is a good example of the simple thrills that come from VR escape room games. If you find yourself easily frustrated by puzzle games then this is a great example of how to set the right amount of challenge without feeling too easy, and it builds an intriguing world in the process.