Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 81 Metascore
    • 80 Critic Score
    It's a beautiful collection of genre-hopping songs. [Apr 2026, p.37]
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    • 81 Metascore
    • 80 Critic Score
    The Mods return with fury unabated. [Apr 2023, p.36]
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    • 81 Metascore
    • 80 Critic Score
    It's the sound of two people deeply interlocked. [Feb 2022, p.25]
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    • 81 Metascore
    • 80 Critic Score
    May be Lucero's finest album yet. [Apr 2023, p.32]
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    • 81 Metascore
    • 80 Critic Score
    What Acoustic Recordings best illustrates, though, is a consistency to White's songwriting that has endured through his myriad projects, even as his music has swung unpredictably between playfulness and intensity. [Oct 2016, p.48]
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    • 81 Metascore
    • 70 Critic Score
    Konoyo draws inspiration from Tokyo Gaksu, players of gagaku, a Japaneses classical music. You can discern this in the gentle drones and fluting of the opening "This Life," but it's soon all transformed by the producer--as it is on the fizzing "Keyed Out" or the lovely "Mother Earth Phase"--to the subordinate role in Hecker's rather more epic sonic drama. [Nov 2018, p.30]
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    • 81 Metascore
    • 80 Critic Score
    Elliott is better at world-weariness than he is at sass, but has enough guile to mould the songs in his own image.
    • 81 Metascore
    • 80 Critic Score
    Northern Passages is just that [promises both new delights and reassuring old comforts], their banked harmonies as warm and familiar as the blissful psych-country of "Riverview Fog" or the Clarence White-era Byrds stylings of "God Bless The Infidels." [Mar 2017, p.39]
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    • 81 Metascore
    • 80 Critic Score
    A knottily intricate yet oddly inviting album. [Jan 2024, p.30]
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    • 81 Metascore
    • 80 Critic Score
    The singer-guitarist somehow manages to deliver passages of remarkable intimacy within this sonic immensity, as if the sounds were an externalisation of the ravaged psyche he first exposed on the 2014 modern-day landmark Lost In The Dream. [Dec 2024, p.39]
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    • 81 Metascore
    • 90 Critic Score
    Unironically majestic set pieces that offer a ray of hope as this wild ride ends. [Oct 2020, p.28]
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    • 81 Metascore
    • 60 Critic Score
    Gira's Angels side... loses its way in bluster and dirge. The Akron tracks, however, are a revelation. [Dec 2005, p.109]
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    • 81 Metascore
    • 80 Critic Score
    Baltimore multi-instrumental duo Jenn Wasner and Andy Stack have raised their game with this third LP. [Apr 2011, p.103]
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    • 81 Metascore
    • 80 Critic Score
    Anderson's admiration and affection for this feminist icon is such that you come away from Amelia with a greater respect for those who keep on taking risks. [Sep 2024, p.28]
    • 81 Metascore
    • 80 Critic Score
    Packed with big, epic pop. [Jun 2003, p.102]
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    • 81 Metascore
    • 70 Critic Score
    Entertainingly eccentric pop, even if at times it seems to pull in too many directions. [Jun 2006, p.103]
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    • 81 Metascore
    • 70 Critic Score
    They raise a lively ruckus, but never venture far from the sounds pioneered by groups like Steeleye Span and The Albion Band. [Aug 2017, p.35]
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    • 81 Metascore
    • 80 Critic Score
    As ever, it's as unpredictable as it is beguiling. [Jan 2021, p.31]
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    • 81 Metascore
    • 80 Critic Score
    This pleasing mix of exploratory guitar tones and ever-shifting rhythms that switch between the kinetic and flowing makes for an arresting debut. [Jun 2022, p.25]
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    • 81 Metascore
    • 80 Critic Score
    The expanded palette, majoring on warm, Dylanesque waltzes and rolling country-rock, brings out the colours of the songs even if, at 17 tracks, it trades in the focused intensity of Ruminations for something looser. [Apr 2017, p.35]
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    • 81 Metascore
    • 60 Critic Score
    The Antlers, fronted by the sepulcral warble of Peter Silberman, manage to distinguish themselves slightly from these shuffling, mournful legions by bringing to bear a gently epic sensibility that verges on the orchestral. [Jul 2011, p.77]
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    • 81 Metascore
    • 70 Critic Score
    There’s acreaky Sunset Boulevard synth-pop air of nostalgia to much of Nonetheless, but just when you’re ready to dismiss it, they pull out “Love Is The Law”, adream collaboration between WH Auden and John Barry, which shoots straight into the Top 10 of their indisputably greatest songs. [Jun 2024, p.37]
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    • 81 Metascore
    • 80 Critic Score
    Avatar... feels like the work of a band bursting with ideas, and with the confidence to realise them. [Sep 2006, p.96]
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    • 81 Metascore
    • 80 Critic Score
    "The Look You Gave (Jerry)" feels plucked from an '80s synth-pop record. The album manages to avoid nostalgia however, instead offering the pair's own doomy electronic voyage into the uncertainties of the future. [Mar 2019, p.24]
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    • 81 Metascore
    • 80 Critic Score
    Chris Stapleton rides roughshod over country music formulas on Starting Over, with assistance from a pair of Heartbreakers. [Dec 2020, p.39]
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    • 81 Metascore
    • 90 Critic Score
    This is the most approachable and therefore unexpected Osees album for some years. [Sep 2023, p.32]
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    • 81 Metascore
    • 80 Critic Score
    Niño’s adventurous, meditative spirit is a worthwhile companion for Ntuli’s masterful piano and expressive voice, resulting in an album that is vivid and subdued in equal measure, the vitality of a battle cry rendered as a warm embrace. [Jan 2024, p.29]
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    • 81 Metascore
    • 90 Critic Score
    Platform is not a manifesto, but it feels like a galvanising challenge to Herndon's peers to embolden their ideas, broaden their horizons and push on into an undiscovered continent of sound. [Jun 2015, p.70]
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    • 81 Metascore
    • 60 Critic Score
    Oddball, but articulate, brimming over with a delight in language, "Bury" is a wonderful example of Mark Smith's transformative science fiction, and pretty much what one would hope to find on The Fall's first album for Domino records.
    • 81 Metascore
    • 80 Critic Score
    It takes some skill to make these sentimental songs sound this effortless. [Apr 2015, p.77]
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