Uncut's Scores

  • Music
For 11,996 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11996 music reviews
    • 81 Metascore
    • 80 Critic Score
    [Swim Inside The Moon] consists primarily of intricately constructed acoustic guitar lines and De Augustine's soft, high whisper of a voice. [Sep 2017, p.26]
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    • 81 Metascore
    • 80 Critic Score
    Tortoise's John McEntire, producing, keep the whole rhapsodic jam on an even keel. [May 2018, p.30]
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    • 81 Metascore
    • 90 Critic Score
    [African Scream Contest's] successor is every bit as thrilling, extending its remit to cover the years from 1963-1980 and thus offering a more diverse range of cross-cultural fusion. [Jul 2018, p.49]
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    • 81 Metascore
    • 70 Critic Score
    The result sees them maintain high energy levels while showing off a richer musical palette and a keener sense of flow. [Sep 2023, p.31]
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    • 81 Metascore
    • 70 Critic Score
    The album finds the 69-year-old musing on mortality and checking in on his past with poetic articulacy. [Oct 2023, p.37]
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    • 81 Metascore
    • 80 Critic Score
    It's a strong, seductive set, with the soul-blues burn of "Prophet" and tender "If You Think It's Love" standouts. [Dec 2019, p.29]
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    • 81 Metascore
    • 80 Critic Score
    They're not best known for melodicism, but in a funny way the slow-blooming compositions here are full of charming, playful melody, detailed in exotic colours. [Nov 2022, p.25]
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    • 81 Metascore
    • 70 Critic Score
    Remember The Humans makes sumptuous use of its star talents Feist and Hannah Georgas. .... But a handful of hazier, more ruminative mantras are harder to grab hold of. [Jun 2026, p.36]
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    • 81 Metascore
    • 80 Critic Score
    A beautiful paradox of angsty noise and beguiling craft. [Oct 2017, p.40]
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    • 81 Metascore
    • 80 Critic Score
    Throughout, Crowell’s versatile, impassioned voice is in fine fettle, a confident mix of goofiness and longing, anticipation and excitement, sadness and sentimentality, as if he’s just now entering a new prime. He might well be.
    • 81 Metascore
    • 60 Critic Score
    While it's not a great record, the world would be a marginally better place if people were drooling over John Wizards rather than Vampire Weekend. [Sep 2013, p.90]
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    • 81 Metascore
    • 80 Critic Score
    A generous and expansive set of sensual pop. [Apr 2017, p.39]
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    • 81 Metascore
    • 80 Critic Score
    Broken Politics is a thoughtful, reflective record that twines the political and the person. [Nov 2018, p.26]
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    • 81 Metascore
    • 80 Critic Score
    The accumulative effect is transformative but focusing on the moving parts, the elaborate patterns and the mazes that constantly expand and unwind is fascinating. The stark reality of the music's often caustic infrastructure is never far from the surface; it nags and vies for your attention amid the hum. [Jan 2023, p.26]
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    • 81 Metascore
    • 90 Critic Score
    A Major new British talent is born in William Doyle's solo debut, which sounds like the great lost album that Brian Wilson, Eno and Bjork should have made together. [Feb 2014, p.75]
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    • 81 Metascore
    • 80 Critic Score
    The music is purposeful and powerful. [Jul 2003, p.114]
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    • 81 Metascore
    • 70 Critic Score
    When she's raised the stakes so high, anything less than the reinvention of music comes as a disappointment. [Jan 2003, p.122]
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    • 81 Metascore
    • 70 Critic Score
    It's odd to praise a record for lacking assurance, but her avoidance of contrived resolution feels appropriate. [May 2015, p.84]
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    • 81 Metascore
    • 80 Critic Score
    He has produced his most sonically consistent album in years. [Oct 2018, p.35]
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    • 81 Metascore
    • 70 Critic Score
    Problems are timelessly ordinary, loneliness lightly worn, and Webster's music is enriched by her unique cultural blend. [Jun 2019, p.37]
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    • 81 Metascore
    • 80 Critic Score
    1992 – 2001 does a fine job of collating their best moments from a career that spawned four albums and two EPs, as well as offering nine unreleased tracks from the hours of music they recorded in an empty bedroom that served as a regular rehearsal space.
    • 81 Metascore
    • 80 Critic Score
    It's not quite experimental, but there is evolution in this superbly judged set. [Nov 2022, p.21]
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    • 81 Metascore
    • 80 Critic Score
    While nowadays one might be tempted instead to call this ‘post-jazz’. Nonetheless, perhaps the best way to think of Butterss’ work is as simply ‘jazz plus’. It’s suitably inclusive and ultimately most reflective of her sweeping ambitions. [Nov 2024, p.32]
    • 81 Metascore
    • 70 Critic Score
    An engaging exercise in psychedelic computer music that sees him exploring a more satisfying style of production after the itchiness of 2016's Unstepping. [Oct 2018, p.26]
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    • 81 Metascore
    • 60 Critic Score
    The atmosphere is organic and engaging, the only problem being that amid the fug of good vibes, no one remembered to write a killer song. [July 2008, p.94]
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    • 81 Metascore
    • 60 Critic Score
    A madly ambitious, darkly despondent and goofily exuberant grand folly of a record. [Album of the Month, Dec 2005, p.98]
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    • 81 Metascore
    • 80 Critic Score
    it's not just a band getting back together after nearly a decade apart, but a band reaffirming the ideals that animated them in the first place. [Nov 2025, p.29]
    • 81 Metascore
    • 70 Critic Score
    The departure of bassist Alanna McArdle to front Welsh noiseniks Joanna Gruesome doesn't seem to have dented the band's bruised vitality and pleasing lyrical spikiness. [Apr 2015, p.75]
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    • 81 Metascore
    • 80 Critic Score
    Kidal sounds like a high tide. [May 2017, p.40]
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    • 81 Metascore
    • 80 Critic Score
    Surprisingly experimental. [Mar 2018, p.28]
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