Uncut's Scores
- Music
For 11,996 reviews, this publication has graded:
-
50% higher than the average critic
-
5% same as the average critic
-
45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Miles Davis at Newport: 1955-1975 The Bootleg Series, Vol. 4 | |
|---|---|---|
| Lowest review score: | Let Me Introduce My Friends |
Score distribution:
-
Positive: 9,015 out of 11996
-
Mixed: 2,907 out of 11996
-
Negative: 74 out of 11996
11996
music
reviews
-
- Critic Score
[Swim Inside The Moon] consists primarily of intricately constructed acoustic guitar lines and De Augustine's soft, high whisper of a voice. [Sep 2017, p.26]- Uncut
Posted Aug 23, 2017 -
- Critic Score
Tortoise's John McEntire, producing, keep the whole rhapsodic jam on an even keel. [May 2018, p.30]- Uncut
Posted Apr 11, 2018 -
- Critic Score
[African Scream Contest's] successor is every bit as thrilling, extending its remit to cover the years from 1963-1980 and thus offering a more diverse range of cross-cultural fusion. [Jul 2018, p.49]- Uncut
Posted Jun 5, 2018 -
- Critic Score
The result sees them maintain high energy levels while showing off a richer musical palette and a keener sense of flow. [Sep 2023, p.31]- Uncut
Posted Aug 10, 2023 -
- Critic Score
The album finds the 69-year-old musing on mortality and checking in on his past with poetic articulacy. [Oct 2023, p.37]- Uncut
Posted Aug 23, 2023 -
- Critic Score
It's a strong, seductive set, with the soul-blues burn of "Prophet" and tender "If You Think It's Love" standouts. [Dec 2019, p.29]- Uncut
Posted Oct 24, 2019 -
- Critic Score
They're not best known for melodicism, but in a funny way the slow-blooming compositions here are full of charming, playful melody, detailed in exotic colours. [Nov 2022, p.25]- Uncut
Posted Sep 19, 2022 -
- Critic Score
Remember The Humans makes sumptuous use of its star talents Feist and Hannah Georgas. .... But a handful of hazier, more ruminative mantras are harder to grab hold of. [Jun 2026, p.36]- Uncut
Posted May 4, 2026 -
- Uncut
Posted Sep 20, 2017 -
- Critic Score
Throughout, Crowell’s versatile, impassioned voice is in fine fettle, a confident mix of goofiness and longing, anticipation and excitement, sadness and sentimentality, as if he’s just now entering a new prime. He might well be.- Uncut
- Posted Apr 11, 2014
- Read full review
-
- Critic Score
While it's not a great record, the world would be a marginally better place if people were drooling over John Wizards rather than Vampire Weekend. [Sep 2013, p.90]- Uncut
Posted Aug 30, 2013 -
- Uncut
Posted Mar 21, 2017 -
- Critic Score
Broken Politics is a thoughtful, reflective record that twines the political and the person. [Nov 2018, p.26]- Uncut
Posted Oct 15, 2018 -
- Critic Score
The accumulative effect is transformative but focusing on the moving parts, the elaborate patterns and the mazes that constantly expand and unwind is fascinating. The stark reality of the music's often caustic infrastructure is never far from the surface; it nags and vies for your attention amid the hum. [Jan 2023, p.26]- Uncut
Posted Nov 15, 2022 -
- Critic Score
A Major new British talent is born in William Doyle's solo debut, which sounds like the great lost album that Brian Wilson, Eno and Bjork should have made together. [Feb 2014, p.75]- Uncut
Posted Jan 15, 2014 -
- Uncut
-
- Critic Score
When she's raised the stakes so high, anything less than the reinvention of music comes as a disappointment. [Jan 2003, p.122]- Uncut
-
- Critic Score
It's odd to praise a record for lacking assurance, but her avoidance of contrived resolution feels appropriate. [May 2015, p.84]- Uncut
Posted Apr 2, 2015 -
- Critic Score
He has produced his most sonically consistent album in years. [Oct 2018, p.35]- Uncut
Posted Sep 11, 2018 -
- Critic Score
Problems are timelessly ordinary, loneliness lightly worn, and Webster's music is enriched by her unique cultural blend. [Jun 2019, p.37]- Uncut
Posted May 21, 2019 -
- Critic Score
1992 – 2001 does a fine job of collating their best moments from a career that spawned four albums and two EPs, as well as offering nine unreleased tracks from the hours of music they recorded in an empty bedroom that served as a regular rehearsal space.- Uncut
- Posted Oct 3, 2017
- Read full review
-
- Critic Score
It's not quite experimental, but there is evolution in this superbly judged set. [Nov 2022, p.21]- Uncut
Posted Oct 4, 2022 -
- Critic Score
While nowadays one might be tempted instead to call this ‘post-jazz’. Nonetheless, perhaps the best way to think of Butterss’ work is as simply ‘jazz plus’. It’s suitably inclusive and ultimately most reflective of her sweeping ambitions. [Nov 2024, p.32]- Uncut
- Posted Oct 15, 2024
- Read full review
-
- Critic Score
An engaging exercise in psychedelic computer music that sees him exploring a more satisfying style of production after the itchiness of 2016's Unstepping. [Oct 2018, p.26]- Uncut
Posted Sep 6, 2018 -
- Critic Score
The atmosphere is organic and engaging, the only problem being that amid the fug of good vibes, no one remembered to write a killer song. [July 2008, p.94]- Uncut
-
- Critic Score
A madly ambitious, darkly despondent and goofily exuberant grand folly of a record. [Album of the Month, Dec 2005, p.98]- Uncut
-
- Critic Score
it's not just a band getting back together after nearly a decade apart, but a band reaffirming the ideals that animated them in the first place. [Nov 2025, p.29]- Uncut
- Posted Oct 21, 2025
- Read full review
-
- Critic Score
The departure of bassist Alanna McArdle to front Welsh noiseniks Joanna Gruesome doesn't seem to have dented the band's bruised vitality and pleasing lyrical spikiness. [Apr 2015, p.75]- Uncut
Posted Mar 5, 2015 -
- Uncut
Posted Apr 14, 2017 -
- Uncut
Posted Feb 20, 2018