Who Will You Believe is the sound of a man who has not only grown into himself, but is finding that, despite dents and losses, he's kind of enjoying life. His trademark country-rock jangle glistens. [Apr 2024, p.39]

Pop-minded producers Dimitri Tikovoi and Dan Grech-Marguerat add a sheen to the Up The Bracket-style clatter, and unexpectedly stately arrangements. [Mar 2024, p.32]

The predominant flavour here is a sort of manic hedonism, but scratch the sequinned surface and you find some witty social commentary and a seam of vulnerability. [May 2024, p.35]

The highlight is "I'll Do Whatever You Want", a gentle nimbus of melody featuring fellow flute convert Andre 3000 and Floating Points' Samuel Shepherd on twinkling Rhodes. [May 2024, p.39]

There are surprises everywhere. While "R&B" and "Nearly Daffodils" are sprightly, irreverent post-punk, the influence of Black Country, Nee Road nd Radiohead are evident on the complex, proggy title track and the diverse, hushed final third of the album. Lily Fontaine's lyrics, to are deep and funny. [Apr 2024, p.32]

The result is a richly produced album of breezy, melodic and infectious indie-rock with hooks galore. [May 2024, p.31]

Characterised by a laid-back, full-band sound, this heartfelt music exudes the warm thrill of catching up and looking back among old friends. [Apr 2024, p.35]

Little Sun is one of his strongest sets in a while, whether he’s lost in the hypnotic reveries of “Bearhead Lake” or finding Michael Hurley-esque playfulness through “Ten Watt”. [Apr 2024, p.39]

Lyrically and vocally, Houck is as witty and insightful as the come, with that cacked voice making everything sound sacred or profound. [Mar 2024, p.33]

El Magnifico finds him much the same bruised piano troubadour, surveying red-blooded romantic scars. [March 2024, p.28]

It broadly succeeds because her songs - worked on with R&B guv'nor Jai Paul and her father Pino, a seasoned session player, and siblings Rocco and Giancarla - are elegantly poised. [Apr 2024, p.38]

Beck appears on half the tracks –his deadpan gospel is especially discernible on “Beautiful People (Stay High)” – Noel Gallagher on three songs, and an invigorating hip-hop influence is contributed by Juicy J, Lil Noid and Dan The Automator. The sum of these disparate parts is an album with that infectious quality of sounding like it was a total blast to make. [Apr 2024, p.29]

Love In Constant Spectacle, is by some distance her most satisfying album. Full of surprises and tantalisingly familiar, it’s the sound of Weaver stretching out and drawing from her wealth of experience to fashion a heartfelt, head-spinning account of grief and solace. [Apr 2024, p.28]

The charisma, charm, galvanising dynamism and radical positivity of frontman Bobbie, aka Pascal Robinson-Foster, works better on stage than in the studio; even so, his hilarious takedowns of Marx-quoting armchair revolutionaries and Brexitvoting Top Gear fans reveal a sharp, self-aware wit behind the headbanging polemic. [Apr 2024, p.31]

By comparison [to 2019's Father Of The Bride], Only God Was Above Us is off its meds - grimier, sonically and spiritually; more compressed, more stressed. Lyrically, conflict is everywhere and nothing is stable. .... It would all be so much showing-off if the narrative ache Koenig displays wasn't so palpable, and the craft wasn't so meticulous. These guys listen hard, sometimes applying different processing effects on each word, even syllable. [May 2024, p.33]

For all of the album's lushness, Grip may be most defined by its unabashed lustfulness. [May 2024, p.39]

While Live Laugh Love could benefit from more of the tension that builds in "Tethered" lest it all start seem too comfortably slack, Chastity Belt's blend of blissed-out effervescence and sly wit remains very appealing. [May 2024, p.32]

Their fourth album sees them on more soulful, though no less seductive ground, having worked up old song ideas into 12 new, mid-tempo tracks which are compositionally and emotionally diverse. [May 2024, p.35]

This set is a confirmation and welcome addition to the catalogue of recorded Alice Coltrane music and spiritual jazz. [May 2024, p.48]

Bold, brilliant and experimental. [Apr 2024, p.34]

Shook unpicks destructive relationships, self-determinism, mental health struggles and romantic yearning over backings that switch between rockabilly, mid-tempo ballads and ringing outlaw country. [Apr 2024, p.41]

Here [on "Yesterday Is Only A Song"] and on the best tunes of Interplay, Ride feel wonderfully, unexpectedly, younger than yesterday. [Apr 2024, p.36]

A loose, luscious listen, with a timeless sound. [Apr 2024, p.32]

An impassioned and resolute statement imbued with clarity of vision, emotional depth and the hum of boundless creativity. [Apr 2024, p.33]

Beautifully now. [Mar 2024, p.29]

Organic set of gorgeously gilded songs which English folk sensibility mixes with the freewheeling spirit of Californian Canyon rock. [Mar 2024, p.35]

Every song contains a clever new idea. [Mar 2024, p.35]

His most expansive statement to date, a swaggering collage of blues, boogie, hip-hop and fuzzy rock riffs on which - unlike with, say, Joe Bonamassa - the songs are never subjugated to grandstanding guitar pyrotechinics. [Apr 2024, p.31]