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If I don't make it, I love u Image
Metascore
87

Universal acclaim - based on 9 Critic Reviews What's this?

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  • Summary: The third full-length release from London-based rock trio Still House Plants was recorded by producers Shaun Crook and Darren Clark.
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Score distribution:
  1. Positive: 9 out of 9
  2. Mixed: 0 out of 9
  3. Negative: 0 out of 9
  1. Apr 12, 2024
    100
    David Kennedy’s drumming is riveting, both finicky and louche as he sways through Dilla-time funkiness and math-rock detail. Guitarist Finlay Clark is in some ways a minimalist, repeating pretty riffs or expertly chosen chords, but there’s nothing minimal about his generous playing. .... Most astonishing of all is Jessica Hickie-Kallenbach, singing with more power and confidence than ever before. Her luminously soulful voice is a distinctive instrument, with vibrato that makes whole songs shudder with life.
  2. Apr 12, 2024
    100
    If I don't make it, I love u is magnificent, the peak of their recorded output to date, the sound of a band solidifying and pushing forward into something genuinely their own. A truly brilliant piece of work.
  3. Apr 12, 2024
    90
    The glowering strength of If I don't make it, I love u is in its commitment to both sides of the coin, an album both experimental and laid fully bare — The result is one of the best rock records of the year.
  4. Apr 23, 2024
    85
    This is a bolder, clearer, preternaturally vivid iteration of their music.
  5. The Wire
    May 14, 2024
    80
    Finlay Clark and David Kennedy ride a similar wave to improv duos like 75 Dollar Bill or Orcutt/Corsano, recalling their own thrilling work on 2020’s Fast Edit. The sliced mayhem of that set is missing here: instead, the group seem to have spent the years working on stitching themselves ever more tightly together. [Jun 2024, p.58]
  6. Mojo
    May 14, 2024
    80
    Chewy but excellent. [Jul 2024, p.95]
  7. Uncut
    May 24, 2024
    70
    Jess Hickie-Kallenbach’s woozy, bluesy, melismatic moans, Finlay Clark’s detuned guitar crackles and David Kennedy’s scrambled action-painting drums can become a little unrelenting over the long haul. But standout tracks like the combustible, centrifugal “Silver Grit Passes Thru My Teeth” and the brooding, tempo-twisting “M M M” reward patient listeners with hypnotic intensity and off-kilter beauty. [Jul 2024, p.39]

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