Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 86 Metascore
    • 90 Critic Score
    The clutch of pre-album demos on LP3 of the boxset reveal how tightly plotted her vignettes were before The Breeders even entered the studio.... The post-Last Splash EPs are manna from heaven for college rock connoisseurs.... The only black mark against LSXX is that the brighter, re-recorded single versions of “Divine Hammer” and “Saints” serve to make the album originals sound a little underpowered.
    • 86 Metascore
    • 80 Critic Score
    Jaar, the son of conceptual artist Alfredo Jaar, can weave a heady spell, presenting himself somewhere between David Byrne and Ricardo Villalobos. [Jun 2011, p.85]
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    • 86 Metascore
    • 80 Critic Score
    Commissioned by Nike as an exercise mix for iPods, this euphoric, largely electronic set finds Murphy adapting DJ dynamics for the running machine.
    • 86 Metascore
    • 100 Critic Score
    What's in here finds the band inventive, unfailingly tuneful, and, rather belying the title, mellowing magnificently with age. [Aug 2009, p.87]
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    • 86 Metascore
    • 80 Critic Score
    The album maintains its hallucinatory aura throughout; it’s a dazzling aural anime from a wildly original artist. [Oct 2022, p.29]
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    • 86 Metascore
    • 60 Critic Score
    Musically, it's not exactly mould-shattering, a blend of surf and chirpy indie rock. They're at their most effective when they deliberately fray the edges. [May 2019, p.29]
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    • 86 Metascore
    • 100 Critic Score
    It's like the best music of the '70s compressed under '80s new wave dynamics. [Feb 2005, p.74]
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    • 86 Metascore
    • 80 Critic Score
    A Kind Revolution shows that Weller's Indian summer of creativity--one that started with 2008's 22 Dreams--shows no sign of ending. [Jun 2017, p.20]
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    • 86 Metascore
    • 80 Critic Score
    A 25-track bonus disc of rarities makes this a feast for Barlow heads. [May 2011, p.94]
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    • 86 Metascore
    • 70 Critic Score
    The few weak moments on their third album stray into rambling hippy-busker terrain. But standout tracks, like the fuzzy0warm collective singalong "Friendship (is a Small Boat in a Storm)" and Right Off The Back," sound like relics of some lost jam session between Curtis Mayfield and Carlos Santana. [Apr 2017, p.25]
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    • 86 Metascore
    • 80 Critic Score
    Sensibly sequenced to feature the biggest hits at the top of the order and end with the newest single, "Devotion". The latter matches their standards for sparkling, dancefloor-friendly synth-pop with underlying notes of melancholy and wry humour. [Oct 2025, p.43]
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    • 86 Metascore
    • 80 Critic Score
    It's the haunted croak of the band's main singers, Ibrahim and Abdallah, that are the main draw: the sound of heartbroken gangleader, the world-weary soldier, bravado replaced by tenderness. It's a sound that suits them perfectly. [Mar 2017, p.22]
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    • 86 Metascore
    • 90 Critic Score
    Double Negative is their biggest step forward to date, an album that scrambles their sound completely; it sounds nothing like Low and everything like Low. ... Low have made what might be their most relevant album, one that holds a mirror up tot he world. [Oct 2018, p.18]
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    • 86 Metascore
    • 80 Critic Score
    Her elegantly emotive voice locates the dark matter in these songs about the complexities of love, lighten by sweet melodies and a stirring concoction of pop-country and honky-tonk. [Dec 2015, p.75]
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    • 86 Metascore
    • 100 Critic Score
    There is an unassuming brilliance to much that they do and, as ever, We Used To Think The Freeway Sounded Like A River is a-bristle with finely-tooled detai.
    • 86 Metascore
    • 80 Critic Score
    This 3CD/5LP set ably performs the mixed blessing of making you feel that you are there, and annoyed that you weren't. [Feb 2016, p.74]
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    • 86 Metascore
    • 80 Critic Score
    The septuagenarian may not possess the range he once had, but Bell's voice wears the years gracefully. [Aug 2016, p.71]
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    • 86 Metascore
    • 80 Critic Score
    Fans of Steve Reich - an admirer of Perich's 2009 1-Bit Symphony, whose release required listeners to plug headphones into a CD case - will revel in his latest, as will those who've tired of "New Classical's" limited palette. [Jan 2021, p.31]
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    • 86 Metascore
    • 90 Critic Score
    First Farewell is wistful as well as smart and engaged. [May 2021, p.32]
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    • 86 Metascore
    • 80 Critic Score
    For all the record’s sonic invention, though, its Sangaré’s voice that commands attention, a rich, textured instrument that has only grown more nuanced and subtle with age. [May 2022, p.34]
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    • 86 Metascore
    • 80 Critic Score
    All are rapturous in their repetition and irresistibly otherworldly. [Apr 2023, p.29]
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    • 86 Metascore
    • 80 Critic Score
    They're both incredibly deft players, executing taut riffs with obvious charisma. [May 2023, p.35]
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    • 86 Metascore
    • 80 Critic Score
    Mehldau brings the influence front and centre, with bittersweet, often lovely arrangements of even the darkest moments in the Smith songbook. [Sep 2025, p.33]
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    • 86 Metascore
    • 80 Critic Score
    consider this the handiwork of a special group of musicians who know the value of what they've inherited, yet have made an album that feels avidly and thrillingly contemporary. [Jan 2026, p.28]
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    • 86 Metascore
    • 80 Critic Score
    Raven is her triumphant move forward, 15 tracks of sensual R&B with a subtle strength at their core, wrapped in vaporous synths and variously edged with UK garage, '80s R&B and techno. [Mar 2023, p.29]
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    • 86 Metascore
    • 90 Critic Score
    On No Name, he’s done something special on his own terms, delighted and surprised his audience, and provided one of the great rock moments of the year. [Oct 2024, p.30]
    • 86 Metascore
    • 70 Critic Score
    Sheff's novelistic lyrics and the dextrous blend of country, folk and nervy indie-rock suggest a band approaching the peak of their powers. [Aug 2005, p.87]
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    • 86 Metascore
    • 80 Critic Score
    Upgraded in every sense: songs with deeper meanings, mountainous crescendos and choruses to communitise large crowds. [May 2020, p.32]
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    • 86 Metascore
    • 80 Critic Score
    On this mostly splendid debut, meanwhile, Hawk actually fuses two of his previous recording identities bridging the shiny electronic of his Weird Tapes alter ego with the hazy lo-fi psychedelia of its "feminine" mirror image, Memory Cassette. [Jan 2010, p. 116]
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    • 86 Metascore
    • 80 Critic Score
    Woozy, off-track beats blend with video game blips and organic strings, harp and sax, while a cameo from Thom Yorke is woven neatly into this lush, psychedelic fabric. [Jun 2010, p.86]
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