Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 85 Metascore
    • 90 Critic Score
    This duo's songs are genetic pop mutations, scampering out of control. [Apr 2013, p.73]
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    • 85 Metascore
    • 90 Critic Score
    A tightly visionary work addressing the isolation and mutilation of World War I soldiers; if it’s unforgiving and unflinching in focus, that’s needed, to give voice to such suffering. [Oct 2022, p.29]
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    • 85 Metascore
    • 90 Critic Score
    The intimacies of David Briggs' production and the pure strength of the songs suggest an album that, with a few overdubs and a bit more polish could have worked as that desperately anticipated follow-up to Harvest. ... Pride of place, though, goes to the two unreleased tracks {Give Me Strength and Hawaii]. [Oct 2017, p.
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    • 85 Metascore
    • 80 Critic Score
    Spoon display their signature style, precision and immediacy in real time, locked together through 10 taut tracks. [Mar 2022, p.36]
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    • 85 Metascore
    • 90 Critic Score
    The Window Is The Dream is sonically richer than Horn's often sparse 2022 debut, Optimism, but each choice - the temporary Band-esque folk-rock swagger of "The Dream", the way "Old Friend" hovers at the edge of an extended jam that never quite breaks - is in service of, rather than overpowering, the song. [May 2023, p.30]
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    • 85 Metascore
    • 70 Critic Score
    Alongside matters existential, there are plenty of personal expressions here. [Nov 2015, p.81]
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    • 85 Metascore
    • 80 Critic Score
    Warmth and easy elegance dominate, yet Korkejian's songs aren't without mood upsets. [Aug 2017, p.25]
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    • 85 Metascore
    • 80 Critic Score
    A strong start to a (hopefully) fresh chapter. [Dec 2024, p.37]
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    • 85 Metascore
    • 80 Critic Score
    The musical tone of Panhandle rambler is rich, yet supple. [Dec 2015, p.70]
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    • 85 Metascore
    • 80 Critic Score
    From clanging rock songs to eerie ambient pieces to sensual acoustic reveries, it's all highly detailed and perfectly weighted. [Aug 2008, p.98]
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    • 85 Metascore
    • 90 Critic Score
    Runaway's Diary is a record with hugely impressive depth and emotional range. [Jun 2014, p.79]
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    • 85 Metascore
    • 80 Critic Score
    The follow-up comes from a more confident place musically. [Sep 2018, p.31]
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    • 85 Metascore
    • 90 Critic Score
    Collins' first album since 2013 sees the singer in pleasingly superb form. [Apr 2019, p.26]
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    • 85 Metascore
    • 80 Critic Score
    A dozen young singers from Guinea, Ivory Coast, Benin, Algeria and beyond [lend] a youthfully purposive and fearless energy to songs about misogyny, sexual identity, force marriage and FGM. [Mar 2020, p.30]
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    • 85 Metascore
    • 80 Critic Score
    The result is both viscerally corporeal music, full of gristle and breath, and richly ambient. [Oct 2022, p.27]
    • 85 Metascore
    • 80 Critic Score
    13 toe-tapping and soul-stirring treatises against hate, inequality and violence. [Apr 2023, p.26]
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    • 85 Metascore
    • 80 Critic Score
    Swamp Dogg shows how music can speak truth to power on the ballad “Songs To Sing” and rousing “Rise Up”, which features that rarity in bluegrass: a face-melting electric guitar solo, courtesy of Vernon Reid. [Jun 2024, p.39]
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    • 85 Metascore
    • 80 Critic Score
    This new pin-sharp remaster of Talking Heads: 77 emphasises the freshness of the whole endeavour. .... But the real find of this Super Deluxe Edition, and the main justification for its existence, is a previously unreleased live set, forged in the white heat of CBGB on October 10, 1977. Taped a month or so before the performance featured on Side One of The Name Of This Band Is Talking Heads, it underlines what an incredible live band Talking Heads were from the get-go. [Dec 2024, p.44]
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    • 85 Metascore
    • 90 Critic Score
    On this inspired album, jittery characters sketches alternate with introspective ballads bearing echoes of Simon & Garfunkel, astride variations on the exotic rhythms that have propelled his music since Graceland. [Jul 2016, p.79]
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    • 85 Metascore
    • 70 Critic Score
    These cuts are fresh'n'funky with a strong Seventies soul influence. [Feb 2002, p.113]
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    • 85 Metascore
    • 60 Critic Score
    While they are at their most comfortable when laying down the ZZ Top meets Black Flag hardcore boogie of 'Skull Socks and Rope Shoes,' it's difficult not to be charmed by their wit, style and salute to Southern rock. [Sep 2008, p.89]
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    • 85 Metascore
    • 80 Critic Score
    From austere, absurd materials, the cumulative effect is remarkable. [Dec 2011, p.76]
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    • 85 Metascore
    • 90 Critic Score
    It features a stellar setlist built around tracks from that album, liberally peppered with Horse classics and deep cuts. In all this, the Horse prove themselves dependably elastic. [Apr 2021, p.49]
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    • 85 Metascore
    • 90 Critic Score
    12
    As much as these graceful and meditative pieces became threnodies for Sakamoto's condition, 12 is also something of a personal and creative victory for the composer. [Mar 2023, p.30]
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    • 85 Metascore
    • 80 Critic Score
    With Fox Confessor, she has defiantly come into her own. [Apr 2006, p.106]
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    • 85 Metascore
    • 70 Critic Score
    These songs, dehydrated after 50 years, sound bright and timeless. [Jun 2012, p.97]
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    • 85 Metascore
    • 80 Critic Score
    Generally excellent, sporadically sublime. [Aug 2019, p.39]
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    • 85 Metascore
    • 80 Critic Score
    The songs boast a quality of spaciousness and delicacy that was rarer on 2018's otherwise very fine Lionheart. [Sep 2020, p.32]
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    • 85 Metascore
    • 90 Critic Score
    Where Ryan Adams replicates old records, this is something new. [Album of the Month, Feb 2005, p.72]
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    • 85 Metascore
    • 80 Critic Score
    Not bad for four young men barely out of their teens playing rowdy, undiluted hardcore. That has a lot to do with the excellence of their debut album. [Jun 2011, p.85]
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