Uncut's Scores

  • Music
For 11,994 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11994 music reviews
    • 87 Metascore
    • 80 Critic Score
    Stevens' strumming often has an unworldly quality that transcends folk archetypes. [Apr 2004, p.92]
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    • 87 Metascore
    • 80 Critic Score
    She twangs the boundaries of taste both lyrically ("Take me on a genocide tour/Take me on a trip to Darfur") and musically. But a knockout's a knockout, however messy the bout.
    • 87 Metascore
    • 80 Critic Score
    The expanded set illustrates the inventiveness of their playing and the original template of their sound was a strong one--these were louder protest songs for a louder time. [Feb 2013, p.94]
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    • 87 Metascore
    • 80 Critic Score
    It's a heavyweight set. ... In this music Badu sees a path to self-betterment, a chance to grow. [Feb 2018, p.48]
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    • 87 Metascore
    • 90 Critic Score
    Bursting with warmth and character even when nearly tweaked beyond the point of recognition, Murphy's voice has rarely had a more satisfying showcase. [Oct 2023, p.31]
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    • 87 Metascore
    • 80 Critic Score
    She's radio-ready with the first cut from Train On The Island. Taster single "One Stop" is the earworm of the album. [Jun 2026, p.24]
    • 87 Metascore
    • 80 Critic Score
    Emotions played out against a backdrop of upbeat, urbanised alt. folk and groovy pastoral soul. [Apr 2018, p.23]
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    • 87 Metascore
    • 80 Critic Score
    A lovingly rendered family portrait. [Jul 2018, p.37]
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    • 87 Metascore
    • 80 Critic Score
    Amid the superior pieces like "No Expectations" and more minor moments of parody and innuendo, jammed endings on songs like "Salt Of The Earth" embrace a real joy in improvisational ensemble playing. ... "Sympathy" also sits apart from the rest of the songs as a separate 12in, much as it towers above the rest of the songs on the album. [Jan 2019, p.40]
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    • 87 Metascore
    • 90 Critic Score
    Every song here has its merits; there isn't a dud among them. [Oct 2019, p.40]
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    • 87 Metascore
    • 80 Critic Score
    Listeners seeking more of those exquisite harmonies are well served by glorious opening track "Silver," among others. [Apr 2020, p.35]
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    • 87 Metascore
    • 80 Critic Score
    If there are occasions when the rugged soloing gets a little bogged down in detail, there are many others where the trio achieve moments of adrenalising magic.
    • 87 Metascore
    • 90 Critic Score
    There's a purity to them that's as much a product of her spirit and artistic choices as a demo's function. ... The Demos in particular still overwhelms with its conviction and visceral wallop, almost 30 years on. [Sep 2020, p.47]
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    • 87 Metascore
    • 90 Critic Score
    Either of Dwyer's bands would be a fine fit for Yonkers' primitive but inventive garage rock - best examples are the pummelling "sold America" and "The Thunder Speaks," both hyped-up takes on Yonkers' originals - but Damaged Bug are better equipped to tackle his more tender moments. [May 2020, p.26]
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    • 87 Metascore
    • 90 Critic Score
    It may have been assembled as a lockdown stopgap, but Songs From An Old Guitar is overall glorious, a career highlight in a career full of them. [Feb 2021, p.47]
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    • 87 Metascore
    • 80 Critic Score
    It’s her voice, always expressive and active, that anchors even the wildest experiments, whether it’s the children’s choir at the end of the title track or the ratatat rhythms of “Obligation”. [Apr 202, p.32]
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    • 87 Metascore
    • 80 Critic Score
    An album that uses traditional African instrumentation and state-of-the-art electronica with a boldness that is extraordinary. [May 2023, p.31]
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    • 87 Metascore
    • 90 Critic Score
    Supremely inviting, warm and ruefully radiant. .... A crown on a career still going strong. [May 2024, p.31]
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    • 87 Metascore
    • 90 Critic Score
    A sublime composition. [Feb 2024, p.37]
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    • 87 Metascore
    • 80 Critic Score
    V
    An audacious vault into Depeche Mode and U2 territory. [Oct 2017, p.30]
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    • 87 Metascore
    • 80 Critic Score
    Without sacrificing urgency, outrage or compassion, Alynda Lee Segarra gives these story-songs a light touch musically, favouring airy, even breezy arrangements driven by insistent drumbeats. [Mar 2022, p.31]
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    • 87 Metascore
    • 90 Critic Score
    An album of hope and humour and beauty, Phantom Power is frequently as deep and mysterious as the title intimates. [Aug 2003, p.100]
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    • 87 Metascore
    • 80 Critic Score
    These 10 songs feel bold, nourishing and emotionally resonant. [Nov 2016, p.34]
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    • 87 Metascore
    • 90 Critic Score
    Musically, this is probably the richest collection of songs Vlautin has written.
    • 87 Metascore
    • 80 Critic Score
    The chronological sequencing, kicking off with the delightfully sloppy "Gardening At night" from the "Chronic Town" EP, charts a course from indie college jangle to pensive AOR, and tracks fro their latter days on the IRS label sparkle with eloquence and grandeur. [Jan 2012, p.96]
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    • 87 Metascore
    • 80 Critic Score
    This four-CD box demonstrates Bedhead to be a band incapable of missteps. [Jan 2015, p.86]
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    • 87 Metascore
    • 80 Critic Score
    There is so much on Nashville Obsolete that impresses, but what lingers longest is rare and persuasive ability to tap into the ageless mythos of true American folk. [Oct 2015, p.85]
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    • 87 Metascore
    • 90 Critic Score
    The album works in isolation but maybe watch the film on Netflix first. ... Tonally, we're in the territory of Nebraska, Tom Joad and Devils & Dust, but there's also the deep romantic melancholic tones of Darkness and The Rising. [Feb 2018, p.18]
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    • 87 Metascore
    • 80 Critic Score
    This is rebel music as passive resistance, blissfully embodying change. [Dec 2022, p.29]
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    • 87 Metascore
    • 80 Critic Score
    Her most gently ambitious and dazzlingly diverse album to date. [Apr 2025, p.32]
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