Uncut's Scores

  • Music
For 12,008 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
12008 music reviews
    • 83 Metascore
    • 80 Critic Score
    Dwyer's unique hiccupping rhythm continues to dominate, ensuring the band are distinctively Osees, but this is the group's most experimental and unusual record for a few years. [Sep 2024, p.37]
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    • 82 Metascore
    • 80 Critic Score
    All American Made marks both a hardening and a deepening of Price's sound. [Nov 2017, p.25]
    • 81 Metascore
    • 80 Critic Score
    Allas Sak marks another gentle shift in direction for Gustav Ejstes, and though Dungen are not saying anything new, they're at least articulating timeless emotion in a classy fashion. [Nov 2015, p.75]
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    • 81 Metascore
    • 80 Critic Score
    An album heavy on moody atmospheres and dese riffs. ... There's also pleasing variety to this immersive and enveloping debut. [Jun 2023, p.36]
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    • 84 Metascore
    • 80 Critic Score
    The most intense record of Cash's career. [Feb 2006, p.68]
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    • 84 Metascore
    • 80 Critic Score
    Better than simply a personal or a confessional album, The Ballad of Darren is clever in what it does and doesn't say about its creator's life. [Sep 2023, p.16]
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    • 68 Metascore
    • 80 Critic Score
    Bainsbridge's achievement is to take a style of music defined by its emotional directness and render it mysterious, aloof and enthralling. [Dec 2014, p.77]
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    • 77 Metascore
    • 80 Critic Score
    It may just be the most satisfying record he's made since the group's stellar 1995 debut. [Mar 2017, p.24]
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    • 81 Metascore
    • 80 Critic Score
    Dawes have never sounded more musically sophisticated. [Sep 2022, p.23]
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    • 81 Metascore
    • 80 Critic Score
    Scott's ability to weave between monster guitar eruptions, refined pop and stripped-back moments that allow her voice to soar is a constant. [Sep 2021, p.35]
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    • 71 Metascore
    • 80 Critic Score
    Crucially, it always feels as if Crystal Antlers are having a blast, continually cold-shouldering the obvious and pushing each other to the limits of their musicianship and beyond. [May 2009, p.87]
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    • 78 Metascore
    • 80 Critic Score
    While "Neon Dad" proves their aptitude for the same sort of psych-pop that Black Moth Super Rainbow use to free minds, "House of Glass" and "Crapture" suggest Holy Fuck are happier putting their rubbery grooves and vintage gear under serious duress. [Jul 2016, p.74]
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    • 84 Metascore
    • 80 Critic Score
    A voyage in time and space - exploring the Amazon rainforest and transversing the African Diaspora. [Apr 2024, p.32]
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    • 78 Metascore
    • 80 Critic Score
    Steve Albini is admirably restrained here, preserving the raw power of Niblett's guitar, allowing it to throb and hum beneath--and sometimes above--her bell-like voice. [Apr 2010, p.95]
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    • 74 Metascore
    • 80 Critic Score
    He still writes lovely, dreamy psych-pop songs that position Luxury Alone as a strange, introverted companion to Tame Impala's Currents. [Jul 2016, p.82]
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    • 85 Metascore
    • 80 Critic Score
    The follow-up comes from a more confident place musically. [Sep 2018, p.31]
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    • 81 Metascore
    • 80 Critic Score
    His latest album triumphs on levels beyond its inimitable Holley-ness. On the one hand, it reads like another act of spontaneous divination, revisiting past traumas with pained understanding, yet also hopeful and celebrating the wonder of life. But it’s also his most substantial and accessible album yet. [Apr 2023, p.18]
    • 88 Metascore
    • 80 Critic Score
    While there's room for marvellous deeper cuts such as "Goodnight Tonight", "Wild Life" and "Arrow Through Me", there's also filler like "Getting Closer" and "Call Me Back Again". In true Wings fashion, perhaps there really is something for everyone here. [Review of the Year 2025, p.45]
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    • 81 Metascore
    • 80 Critic Score
    As ever, it's as unpredictable as it is beguiling. [Jan 2021, p.31]
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    • 73 Metascore
    • 80 Critic Score
    Caracal has the market in mind, but not at the expense of quality. [Nov 2015, p.75]
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    • 77 Metascore
    • 80 Critic Score
    Recorded in Nashville with Ken Coomer producing and former Sturgill Simpson guitarist Laur Joamets adding minimal country flourishes, it goes some way to understanding what to do with Oren's voice, a low, conversational rumble which manages to disguise the clipped poetry of his lyrics as easy conversation. [Dec 2017, p.32]
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    • 74 Metascore
    • 80 Critic Score
    A quietly glorious affair. [Apr 2006, p.110]
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    • 83 Metascore
    • 80 Critic Score
    The result is the most accessible Scott Walker album since Tilt, perhaps even longer. [Nov 2014, p.74]
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    • 79 Metascore
    • 80 Critic Score
    He has risen to the occasion with an album full of the necessary girth and scope, which doesn't succumb to the forces of inertia. [Mar 2020, p.18]
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    • 86 Metascore
    • 80 Critic Score
    It is ambitious music, even compared with Big Inner and it also sounds rich with potential. [Feb 2015, p.67]
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    • 77 Metascore
    • 80 Critic Score
    The Lucky Ones frames this new worldview in a punchier, tauter, leaner sound--less fuzz but more crunch. [July 2008, p.104]
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    • 64 Metascore
    • 80 Critic Score
    Starting with irresistible lead single 'Pork and Beans', a chunk of Weezer’s sixth album delivers the band’s trademark combo of crushing power chords, pop-culture references and a healthy dose of ironic self-ridicule.
    • 71 Metascore
    • 80 Critic Score
    Tracks like 'Knickerbocker' or 'Pussyfooting' are complemented by David Best's whispering voice intoning gibberish lyrics and rhythmic vocal tics over maddeningly catchy riffs. [Oct 2008, p.90]
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    • 74 Metascore
    • 80 Critic Score
    This box set might test that familiarity [of the Beatles catalogue]. It's like returning home to find the furniture has been moved around, or thayt someone has built new rooms to put your stuff in. It's not that these are bad rooms--they're just not quite where you expect them to be, and certainly not how the architects conceived the building. [Mar 2014, p.90]
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    • 84 Metascore
    • 80 Critic Score
    Every song on Big Bad Luv seems to stem from emotional trauma, but he's pragmatic enough to get something good out of each one. [Jun 2017, p.36]
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