Uncle Barky's Scores

  • TV
For 951 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 0 points lower than other critics. (0-100 point scale)
Average TV Show review score: 67
Highest review score: 100 Back to Life: Season 1
Lowest review score: 0 Perfect Couples: Season 1
Score distribution:
  1. Mixed: 0 out of 583
  2. Negative: 0 out of 583
583 tv reviews
    • 51 Metascore
    • 50 Reviewed by
      Ed Bark
    Aggressively stumbles along without leaving any lasting footprints.
    • 66 Metascore
    • 50 Reviewed by
      Ed Bark
    Fear the Walking Dead probably is in no danger of becoming and out-and-out flop in its first season. But its opening episode is appreciably less gripping than the 2010 unveiling of the smash hit original.
    • 45 Metascore
    • 50 Reviewed by
      Ed Bark
    Although its title is needlessly sub-juvenile, Oh Sit! does manage to be stupidly entertaining during its small handful of best moments.
    • 58 Metascore
    • 50 Reviewed by
      Ed Bark
    Crossing Lines isn’t breezy enough for a summer diversion. Instead it’s ponderous, pretentious and too predictable.
    • 58 Metascore
    • 50 Reviewed by
      Ed Bark
    Weird Loners instead re-shuffles the aimless singles deck before falling well short of coming up aces.
    • 52 Metascore
    • 50 Reviewed by
      Ed Bark
    [Ricci's] performance in the first two episodes of Lizzie Borden Chronicles is more a collection of telling looks than substantive scenes. In the early going at least, Hauser makes a stronger impression as the doggedly pursuing Siringo, who otherwise has a soft spot for the abused wife of a prosperous hotel owner.
    • 62 Metascore
    • 50 Reviewed by
      Ed Bark
    Matador is fairly jaunty and breezy in the only episode sent for review. But it also throws in some serious-minded violence as part of the mix.
    • 34 Metascore
    • 50 Reviewed by
      Ed Bark
    A few nice turns by Brawith as Saget aren’t enough to make The Unauthorized Full House Movie more than a connect-the-dots, dish-a-little-dirt, spoon-a-little-sugar, cut-print diversion. Still, it’s nowhere near a desecration, giving fans of the series a basically harmless glimpse at how the thing came together and somehow stayed together.
    • 33 Metascore
    • 50 Reviewed by
      Ed Bark
    Beauty and the Beast won't hurt all that much to watch, but the dialogue and plot stretches can add up to a lot of little ows.
    • 41 Metascore
    • 42 Reviewed by
      Ed Bark
    Outlandish and thoroughly TV Land-ish, Malibu Country belongs on the network of Hot In Cleveland, Happily Divorced and other broad, blast-from-the-past sitcoms.
    • 36 Metascore
    • 42 Reviewed by
      Ed Bark
    You might not want to have a TV relationship with these guys either. They're just not much fun on any level.
    • 49 Metascore
    • 42 Reviewed by
      Ed Bark
    Expect nothing new under the sun from a drama set in San Antonio, filmed in New Mexico and falling flat wherever the cameras might roll.
    • 60 Metascore
    • 42 Reviewed by
      Ed Bark
    The World According to Dick Cheney instead is nuts-and-bolts bland and overly deferential.
    • 48 Metascore
    • 42 Reviewed by
      Ed Bark
    There’s considerable techno-talk in the premiere episode, with little of it making much sense.
    • 48 Metascore
    • 42 Reviewed by
      Ed Bark
    This is, however, one of those shows that a viewer easily can love to hate. And in that context, Love in the Wild is very well equipped to both go the distance and even be invited back next summer.
    • 53 Metascore
    • 42 Reviewed by
      Ed Bark
    Above all, there’s a world to be saved. But Heroes Reborn so far is anything but a world-beater when it comes to cohesive, comprehendible storytelling.
    • 55 Metascore
    • 42 Reviewed by
      Ed Bark
    Viewers in a sense are going to another carnival freak show.
    • 42 Metascore
    • 42 Reviewed by
      Ed Bark
    There’s ample cringe-worthy bawdiness. ... The diminutive Jordan, speaking in a deep drawl, is something of a scene-stealer, even if it’s only petty theft. And Lawrence seems to have a fairly firm handle on her boss lady character.
    • 60 Metascore
    • 42 Reviewed by
      Ed Bark
    Its graphic and constant violence, including some very bad treatment of those two Swedish girls, is gratuitous, upsetting and prurient.... AHS: Hotel has the subtlety and texture of Gaga’s ill-considered meat dress.
    • 53 Metascore
    • 42 Reviewed by
      Ed Bark
    This is a frothy, giggly, historically silly, pop tune-themed trifle, with mid-16th century France as its backdrop.
    • 36 Metascore
    • 42 Reviewed by
      Ed Bark
    The bedeviled moms can be bawdy fun on occasion in this broad Fox sitcom. But their unctuous, obnoxious 14-year-olds basically ruin every scene they're in.
    • 37 Metascore
    • 42 Reviewed by
      Ed Bark
    It's simply not coherent enough to sustain weekly interest.
    • 47 Metascore
    • 42 Reviewed by
      Ed Bark
    A disappointing film that can’t seem to rise above room temperature.
    • 56 Metascore
    • 42 Reviewed by
      Ed Bark
    Angel From Hell is without a laugh track or any real sense of purpose beyond letting Lynch fire away. Some of her darts can be amusing. And her delivery system remains intact. But even by Episode 2, the premise is wearing thin.
    • 49 Metascore
    • 42 Reviewed by
      Ed Bark
    Salem is replete with scenes that make little sense. It’s mostly a jumble of decent enough special effects, less-than-decent acting, a script that also should be lashed with “10 hard ones” and lots of blood-curdling screaming.
    • 50 Metascore
    • 42 Reviewed by
      Ed Bark
    It’s hard to discern the overall intent here. Most of the characters are either sad sacks or in Jandice’s case, demonstrably unhinged. But whatever situations they’re put in, Camping all in all is less fun than waves of dive-bombing mosquitoes.
    • 58 Metascore
    • 42 Reviewed by
      Ed Bark
    The Crazy Ones may not be fall’s worst new comedy series, but its premiere episode easily is the biggest underachiever.
    • 42 Metascore
    • 42 Reviewed by
      Ed Bark
    Mob Doctor is one of those classically bad concepts that somehow got green-lighted as a series.
    • 61 Metascore
    • 42 Reviewed by
      Ed Bark
    It all ends predictably--and flatly. A grin or two may intrude amid all the bountiful bad taste. It’s certainly not enough, though, to redeem a series that false starts and then keeps stumbling. Full of grace it’s not.
    • 60 Metascore
    • 42 Reviewed by
      Ed Bark
    Chris Carter seems to be creatively bankrupt at this point, with Episode 3 screaming out a vote of no confidence. For a while at least--early in Episode 1--it was kind of nice to see Scully tell Mulder, “I’m always happy to see you.” And for him to reply in turn, “And I’m always happy to have a reason.” But then the story went on, straining, lurching and tripping before falling flat on its face.

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