TVLine's Scores

  • TV
For 365 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Will Trent: Season 4
Lowest review score: 16 Twin Peaks: Season 1
Score distribution:
  1. Mixed: 0 out of 243
  2. Negative: 0 out of 243
243 tv reviews
  1. NBC’s breezy new comedy The Good Place manages to tackle thorny issues like morality and religion while still delivering the most laughs of any new series this fall. In short, it’s a godsend.
  2. It takes until Episode 3 for everything to gel fully, and that wait may feel interminable to those who haven’t read the book and can’t anticipate what’s ahead. Viewers who are familiar with the work, however, will be happy to know that the novel’s interstitial segments--which offer snapshots of gods at work in the lives of ordinary people--not only have survived the adaptation but provide some of the richest moments in the first part of the season.
    • 77 Metascore
    • 100 Critic Score
    WandaVision is primarily designed with MCU fans in mind, though casual viewers can more or less jump right in with no prior knowledge. (Everyone on this show is confused, too, so that helps.) But don’t let the show’s outside-the-box approach worry you: Yes, WandaVision is unlike anything Marvel has done before — but it turns out that’s a very good thing.
  3. Season 3 of The White Lotus covers familiar territory, but it still delivers top-notch performances and some wild twists.
  4. As a whole, the new season of "BEEF" is a stunning achievement: fiendishly funny and deeply thought-provoking. Sign me up for 10 more seasons, please.
  5. Mare of Easttown’s creator has crafted another riveting HBO crime drama in Task, packed with emotional complexity and powerhouse performances.
  6. With emotionally resonant dialogue and top-notch performances, This Is Us should fill that Braverman-sized hole in your heart.
  7. It has all the elements of a comedy, but it’d rather see us squirm than laugh, which makes it an intriguing but oddly uneven and unsatisfying series.
  8. The pilot spins an involving yarn, only to rush through it and wrap it up in too tidy a fashion. But the foundation is strong, and I’m interested to see where Herbers takes this complex character of hers. Mulder and Scully might not be coming back to primetime anytime soon… but Evil‘s dynamic duo might be the next best thing.
  9. It’s a true pleasure to see Stewart in his element again, and it’s a relief that Picard has managed to build a new universe around him that we’d actually like to spend more time in. By the end of Episode 3, I was starting to feel those familiar Next Generation vibes again.
  10. [Star Trek: Strange New Worlds] gets back to basics, closely hewing to classic Trek with an old-school vibe and an episodic alien-of-the-week format. (It even brings back the traditional uniforms and opening narration from the original series.) It’s a throwback, to be sure… and a welcome one.
  11. Die-hard "30 Rock" fanatics — like me — will find a lot to love about the show right away.
  12. Ripley boasts beautiful cinematography and a strong lead performance, but it stretches its story out so thin, it ruins the thrills.
  13. Hulu’s How to Die Alone is a dark comedy that is perhaps a little too dark.
  14. It’s a little bit Rear Window, a little bit Manhattan Murder Mystery — and a lot of fun, actually.
  15. What you need to know going in is that the show is funny, sexy, offbeat-as-hell and, with Sam Catlin (Breaking Bad) as showrunner, divinely dark.
  16. Stylishly shot and cleverly conceived, this Mr. & Mrs. Smith ultimately works so well because the two leads work together so well. In a show like this, it’s essential that Glover and Erskine have chemistry — and thankfully, they have lots of it. .... we’d be happy to watch John and Jane play spy games for years to come.
  17. It’s remarkably in-depth and at times revelatory, but a couple of missteps keep it from being truly insightful.
  18. It’s hard to judge an entire series off of just one episode, of course, and this reboot does get a lot of things right.
  19. It feel like no time has passed since our last visit to Neptune, Calif. ... At no point in the eight episodes did it feel like series creator Rob Thomas had run out of story.
  20. After a somewhat lackluster Season 2, it’s a treat to see Maisel shake off its own cobwebs and show us something new.
  21. The [series’ writers Bruce Helford, Bruce Rasmussen and Dave Caplan] struck what felt like the perfect balance between darkness and light, while also being respectful--almost reverential at times--to the character of Roseanne. But make no mistake: While The Conners is packed with poignant and tearful moments, it’s mostly really, really funny.
  22. Grease‘s live audience and inconsequential snafus served to underscore its meticulous production and allowed us to get swept up in a joyous and uniformly powerful set of performances.
  23. [A] very successful revival of one of TV’s all-time great series. A sequel that actually exceeds our expectations? Now that’s something to be thankful for.
  24. Big Little Lies is at its best when it plunges us into the trenches of the Monterey moms’ social warfare, fought on the battlefields of elementary-school functions and kids’ birthday parties... where words can cut almost as deeply as knives do.
  25. "A Knight of the Seven Kingdoms" offers a refreshing antidote to "Game of Thrones" fatigue, with crude humor and humble humanity.
  26. This is the Star Wars series you’re looking for. Don’t sleep on it.
  27. The solid cast, compelling overall storyline and deft twists (Rosalee’s mother is full of surprises) add up to an engrossing, enlightening drama.
  28. No matter how you watch it, The Patient is high-level drama told with admirable efficiency — all killer, no filler.
  29. The physical confidence exhibited by Sam in that set piece, followed by the fun banter between him and a government handler, quickly cements Mackie’s upgrade from sidekick to lead hero. ... If Disney+’s second Marvel series stays on track, it will be as well-received as WandaVision, even if it is a more traditional Avengers offshoot.

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