TV Guide Magazine's Scores

  • Movies
  • TV
For 7,979 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Badlands
Lowest review score: 0 Terror Firmer
Score distribution:
7979 movie reviews
  1. In the end the film has absolutely nothing to say.
  2. Amateurish performances from nonprofessional actors undermine this ultra-low-budget crime drama.
    • 65 Metascore
    • 50 Reviewed by
      Ken Fox
    Through Carax's eyes, even squalor looks fabulous.
  3. It has the air of a particularly accomplished student film, by a student whose philosophical concerns outweigh his interest in narrative filmmaking.
    • 78 Metascore
    • 60 Reviewed by
      Ken Fox
    A superb performance from Torreton, easily one of the finest actors working in France today.
  4. The film's tone is hard to pin down, especially with the actors dubbed flatly into English.
  5. Fiore captures various artists horsing around with groupies, smoking dope and hanging out backstage, and cuts the material together in the kinetic but meaningless manner of MTV promos.
  6. Uncomfortable hodgepodge of poignant fantasy, showbiz satire and crime thriller.
    • 75 Metascore
    • 60 Reviewed by
      Ken Fox
    The acting is superb.
  7. If Reeves weren't onboard this picture would have gone straight to video.
  8. A rapper doesn't make the story fresh.
    • 10 Metascore
    • 30 Reviewed by
      Ken Fox
    A misconceived roundelay that crosses the thin line dividing gross-but-funny from just plain gross.
    • 73 Metascore
    • 70 Reviewed by
      Ken Fox
    Holding nothing back, Walters is, once again, remarkable.
    • 79 Metascore
    • 60 Reviewed by
      Ken Fox
    Kurosawa's farewell film is full of sentiment, tears, toasts and songs.
  9. This convoluted, time and continent-tripping tale is heavy on the adolescent angst and swoony romanticism.
    • 28 Metascore
    • 30 Critic Score
    Meandering melodrama.
    • 75 Metascore
    • 70 Reviewed by
      Ken Fox
    Remarkable film.
  10. The winning cast makes the twist-heavy plot plausible.
  11. Engaging, high-spirited tale.
  12. The performances are uniformly excellent.
    • 61 Metascore
    • 80 Reviewed by
      Ken Fox
    A wildly entertaining detective thriller that succeeds entirely on its own terms.
    • 44 Metascore
    • 40 Reviewed by
      Ken Fox
    The kind of film only a mother could really love.
  13. Clearly Phish's appeal is fundamentally experiential, and the experience doesn't lend itself to being captured on film.
    • 67 Metascore
    • 70 Reviewed by
      Ken Fox
    Marvelously entertaining.
    • 52 Metascore
    • 60 Reviewed by
      Ken Fox
    Dazzlingly colorful.
  14. A romantic comedy whose sour take on romance never manages to be comic.
  15. Much better than you'd expect, largely thanks to an extremely game cast.
  16. Ambles to a surprisingly affecting conclusion, almost despite itself.
    • 38 Metascore
    • 40 Reviewed by
      Ken Fox
    Not everyone will be comfortable with a story that's as geared toward recruitment as any Army film, be it God's or Uncle Sam's.
    • 74 Metascore
    • 70 Reviewed by
      Ken Fox
    Deneuve has never been better.
    • 72 Metascore
    • 60 Reviewed by
      Ken Fox
    A rare treat for anyone interested in the American folk revival of early 1960s.
  17. The relentlessly self-congratulatory tone is oppressive.
  18. It's a compelling story, and very of its tumultuous time.
  19. The costumes are phenomenal, the set design ravishing and the sadistic inventiveness extraordinary.
  20. Fans won't want to miss this addition to the canon.
  21. Satanic silliness undermines this gloomy horror picture.
  22. Has a giddy silliness that's thoroughly endearing.
  23. A genial and instantly forgettable sports comedy.
    • tbd Metascore
    • 50 Reviewed by
      Ken Fox
    This relentlessly name-dropping comedy lacks the teeth that could have made it really interesting.
  24. The plot isn't what makes this movie worth watching anyway -- it's the performances and the ambiance.
    • 67 Metascore
    • 60 Reviewed by
      Ken Fox
    This short, gentle film is surprisingly involving.
  25. None of it really amounts to anything, even as a nostalgic snapshot of a time and place.
  26. Weepy, overwrought love story.
    • 72 Metascore
    • 80 Reviewed by
      Ken Fox
    A bold, remarkable film.
  27. So adorable you don't ever mind that the story's so slight it's in danger of shriveling up and blowing away, or that it drags a little in the middle.
  28. Thoroughly dotty and surprisingly endearing.
  29. Preachy and predictable, an afterschool special in all but name.
  30. It's all terribly schematic, thematically obvious and not in the least bit funny.
  31. This unsubtle parody probably worked better on stage; its candy-colored artifice looks more than a little strained on film, and the actors are all trying really hard to be camp.
  32. If only this amiable shaggy dog story...didn't degenerate into an implausible, second-rate thriller after takeoff.
  33. The bar scenes are the only reason to sit through this jello shot of a movie.
  34. This mean-spirited invisible man movie tries to hide its poverty of fresh ideas behind a load of state-of-the-art special effects.
  35. This genial little picture, which has been kicking around for more than a year, doesn't have a mean bone in its body.
  36. An amazing technical accomplishment that never becomes a coherent movie.
  37. This rather obvious parable about soul mates benefits from luminous B&W cinematography, Paradis and Auteuil's luminous performances and the picturesque carny atmosphere.
  38. The material is familiar, and doesn't have anything new to say about the ways men and women wound each other.
    • 46 Metascore
    • 60 Reviewed by
      Ken Fox
    Chock full of personality and irreverent detail.
    • 87 Metascore
    • 60 Reviewed by
      Ken Fox
    On the surface, nothing really happens, but to call it a nonevent would be to miss the point entirely.
  39. A welcome alternative to such hyperkinetic drivel as Pokémon.
  40. Balaban and Nairn are radiant, with none of the mannerisms that so often make Hollywood actresses look like Stepford teens.
  41. A sweet-natured and refreshingly uncartoonlike look at the trials of an unworldly Midwestern college boy negotiating his freshman year at NYU.
  42. Whatever the complicated truth about PTL, Tammy Faye's homespun charisma is undeniable; if only the Lord would give her the strength to say, "Get thee behind me, false eyelashes!"
  43. The main characters are defined by their problems, and the secondary characters (notably Brigette's parents) are so crudely drawn it's hard to imagine what Cates was thinking.
    • 68 Metascore
    • 60 Reviewed by
      Ken Fox
    That Techine manages to coax a somewhat happy ending from this staid, somber film is heartening proof that what doesn't kill us might indeed make us stronger.
  44. This slow, derivative chiller (which lifts liberally from "Ghost Story," "Rear Window" and "A Stir of Echoes") wastes far too much time on red herrings and telegraphs its plot points with painfully obvious dialogue.
  45. Manages to inject more than a little humor into this tension-filled genre classic.
  46. Imagine "Hansel and Gretel" by way of "The Texas Chainsaw Massacre."
  47. No better than the first.
    • 71 Metascore
    • 70 Reviewed by
      Ken Fox
    Make sure you catch this spooky and strangely moving portrait of this highly unusual artist while you can.
  48. The greatest mystery, though, is how this thoroughly trashy picture wound up opening theatrically, rather than going direct to video.
  49. While his film is less than satisfying, it's a refreshingly off-kilter experience.
    • 67 Metascore
    • 60 Reviewed by
      Ken Fox
    It exudes a slightly stale air that does nothing to dispel gay stereotypes.
  50. A self-consciously arty ensemble piece that's alternately exploitative, implausible and cliche ridden.
  51. Nearly strangles in its own stylishness but benefits from smoldering performances.
  52. Very entertaining, if thoroughly silly.
  53. Stylish, exciting and an occasionally poignant sci-fi adventure spectacle.
  54. The whole thing has the air of a parlor trick, but it's a good trick, beautifully acted.
  55. Deeply adolescent; its impact is visceral rather than intellectual.
  56. Arteta wrings some laughs from their bizarre (and more than a little frightening situation), but they're uncomfortable laughs, emotional protection from the freak show.
  57. Manipulative but fitfully entertaining "Twilight Zone"-ish comedy of redemption.
  58. The climactic shootout might have more impact if we actually cared about the so-called characters.
    • 77 Metascore
    • 60 Critic Score
    Spheeris succeeds in creating a touching portrait, although the depressing nature of their dead-end, emotionally numb lives offers little hope for a cheerful resolution.
  59. On the downside, it's slackly edited -- comedy is, after all, all about timing and there are way too many lengthy shots of Cho waiting for her audience to respond.
  60. This gentle, slow-moving film contains some charming sequences but no new insights into the pleasures and burdens of family.
  61. Most of the film's imagination and energy seem to have gone into the clever casting and flamboyant costume and set design.
  62. Surprisingly cohesive.
  63. Overall, the book is a far more rewarding experience than the movie.
  64. This megastar mix of CGI animation and live action is remarkably faithful to the spirit of the original.
    • 26 Metascore
    • 40 Reviewed by
      Ken Fox
    In the long, hit-and-miss career of writer-director Alan Rudolph, this misbegotten comedy falls squarely into the miss bin.
  65. Undeniably handsome..., but no cliché is left unturned, right down to the spray of toy soldiers falling from the hand of a dead child. Everything old isn't new again.
  66. Their doomed fling is oddly hypnotic and ultimately haunting.
  67. A disappointment that mines the same vein of gross-out romantic comedy as"There's Something About Mary," without that film's oddball charm.
  68. If this is even a reasonably accurate account of someone's real life, then we as a culture may be in worse shape than we imagine.
  69. Who'd have thought you'd find yourself caring so much about the fate of a flock of fryers? This chicken has legs -- lots of them.
  70. Not only one of the most spectacular cartoons ever made, but also a reasonably adult piece of sci-fi.
  71. It's a bad sign when audience enthusiasm peaks during the credits sequence.
    • 76 Metascore
    • 70 Reviewed by
      Ken Fox
    But for all the divine touches, FH is no Jesus, or even his son: He's just another wide-eyed American Adam on the road again, a dazed and confused Huck Finn of the highways.
    • 72 Metascore
    • 80 Reviewed by
      Ken Fox
    Resembles an Impressionist masterpiece come to life, and ends with a tremendously moving acceptance of art and mortality.
  72. Gorgeous but seriously unsatisfying.
    • 77 Metascore
    • 50 Reviewed by
      Ken Fox
    This curiously empty film was awarded the Jury Prize at the 1997 Cannes film festival.

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