To say that Disney's Extreme Skate Adventure has the worst soundtrack of any game EVER, is an understatement.

Manhunt is boring. Cash's standard walking pace is painfully slow, press R1 and his running speed is ridiculously fast. Navigating the game is therefore less than pleasurable and, should you not have anyone to dice up, a tedious experience.

Rugby 2005 still sucks. Why? Well, how about the dumbest AI we've witnessed in a sports game since, well, since "FIFA Street."

On one hand, it’s got quite a good structure and the technical style is impressive, but on the other it’s just not fun to play.

BloodRayne's dull gameplay, soul crushingly overbearing sexual innuendo and uninspired design adds up to a very below-par package that makes it hard for us to find it in ourselves to recommend it to anyone.

Fighting games are based on fast reactions and timing; this game doesn’t bother to interpret either of these fundamentals with fights being far less engrossing and hands-on than playing with plastic dinosaurs while making “grrroooar!” noises.

The camera angles are poor to the extent that Demon Stone plays almost like a side-scrolling game, progressing slowly and mundanely from one cluster of enemies to the next.

It's a Japanese RPG in the truest sense and conforms to all the clichs of the genre. It has its misfits, its central (male) character with a mysterious past (and a strange birthmark on his shoulder) and a turn-based battle system with magic and hit points. It has its world map.

The general feel of the game is a very slow and clunky fighter – a feature that ironically does suit the whole Godzilla setting quite well, but sadly does not work for the beat-'em-up genre. Perhaps the two were never meant to meet.

This game just isn’t finished. The frame-rate drops at the smallest suggestion, the mainstay combat is as orchestrated as band practise for the stillborn. Quite honestly this is a shambles of a magnitude that astonishes.

Step aside, gaming connoisseurs and parents, because it's most definitely a kids' game.

The meat of the game is, for lack of a better term, utter garbage.

One of the biggest disappointments on the PS2 so far, simply because it promised so much and should have been so much more impressive than this lazy rushed piece of software.

The characters and story seem horribly last generation with a complete lack of artistic design and sophistication.

The carefully crafted original is better than this half-baked piece of crapped-out garbage’ type arrangement.

There just isn’t enough depth here.

The only people we can imagine buying this are confused parents who do not understand the world of the mystical home entertainment that is the videogame.

A well-presented, bland, unforgiving and ultimately undesirable game that’s best avoided amongst an infinity of better racers on the market.

Name almost any gaming cliché and Ty is making you yawn by using it.

The implementation of ideas fell to the lowest common denominator, and the end game is a shallow and childish experience.

Admittedly, it has a streak of good humour running through it and a few unlockable two-player mini-games, but they're unlikely to encourage completion.

The chances of this game appealing to anyone other than hardcore TRON watchers or the odd PC geek who happens to think that Windows XP is the best game on home computer, are slim to say the least. Look elsewhere for your first-person thrills.

The biggest indictment against From Russia With Love, however, is that it makes the whole experience of being Bond seem about as much fun as an afternoon spent at a stamp-collecting convention, which is something 007 should never stand accused of. It's dull, banal, boring and any other adjectives that can be used to describe a game unworthy of your attention.

Take a bowl of Capcom's Dreamcast title "Powerstone," add a pinch of Sonic then empty half of the mixture into the sink, and you have Sonic Battle.

A dull, badly animated waste of money.

Ninety-five per cent of these games are rubbish, but you just can't help a quick trip down memory lane.

A tediously simple game, utilising all of two buttons and an analogue stick to do just about everything - which isn't much. This minimal depth repels any desire to want to return to this game ever again.

It's as if Overworks were so proud of their bland, boxy environments that they thought the camera would be put to much better use tracking the grey blocks that constitute 'the world' than actually following the gameplay. If you can actually call it that.