We never thought we’d say this but here’s a game that seems to be drawing inspiration from "Minority Report," itself an average, licensed title.

We don't like to say this about an X-Men game, but Wolverine's Revenge is an unplayable beast of a game.

Not only is it ugly, it’s just plain emotionless. You move around the lakes (which should look gorgeous) with all the connection of a robot.

A let-down of legendary proportions. It’s a resurrected beast of the gaming world, only rather than being intact and brilliantly playable, it’s rotting and bits are falling off in large chunks.

Another glitchy/stupid thing is the CPU AI. On occasions when surrounded and unable to attack the CPU character was literally just standing there, not helping.

A step back to the bad old days when the name was more important than the game -- a practice that Ocean was supposed to have left well behind.

Too slow-paced to keep the laughs coming and keep the game wacky, zany or at a lively pace for long-term entertainment.

Name almost any gaming cliché and Ty is making you yawn by using it.

Unfortunately the Dress-up system isn’t enough to save Evergrace from being very average. The horribly bland visuals, limited exploration and short life span (around 5 hours per character) drag down what could have been a rewarding and unique adventure.

A plodding beast of a wrestling game that’s been made even worse by the fact that the PS2-to-GC conversion process has rendered it almost unplayable.

To say that Disney's Extreme Skate Adventure has the worst soundtrack of any game EVER, is an understatement.

Step aside, gaming connoisseurs and parents, because it's most definitely a kids' game.

Sadly the effects you get on all these rarely impress and like the rest of the game they’re not much to look at.

A mediocre and rather flaccid RTS in the mould of "Command & Conquer"...an unoriginal and ultimately dull game.

The competing cars really don't have a clue that you exist, happily veering into your vehicle should it happen to occupy a piece of track that they fancy for themselves.

Movement is achieved by moving using a massively cut down version of Dance Dance Revolution (press buttons on cue) that if done correctly results in a Manga-esque cut scene of destruction. Effectively then, Time Dilation is an elaborate smart bomb. Like its name implies this game is merely a varied echo of what once was original.

It's not horrific in a way that will leave stains on your fingers, but standing alongside "Dead Or Alive: Ultimate" and "Mortal Kombat: Deception," Fight Club is like putting a teddy bear into a lions den.

The fact that the game is so difficult is purely down to the excruciatingly painful controls.

Yes folks, Cel Damage stinks – and what's worse it's not one, but a whole shopping list of things that makes it difficult to play with wanting to run away and never play a game ever again.

Admittedly, it has a streak of good humour running through it and a few unlockable two-player mini-games, but they're unlikely to encourage completion.

Indeed, it seems as though very little thought has been put into the single player campaign full stop...What's worse is the fact that the computer cheats like fury in the single-player campaigns.

The digital equivalent of a Steven Seagal movie or a Yorkie bar - a man's videogame if ever we saw one. Unfortunately, it's also a game to make grown men weep bitter tears of frustration.

This must rank as one of the blandest-looking shooters on the Xbox - after all, we have been treated to Mercenaries and Microsoft's own MechAssault 2, so there really is no excuse for the low-res, blandly textured environments found here, made all the worse by the disgracefully close draw distances.

The reasonably well-designed tracks are sold short by a ludicrously slow response to trick commands.

H3O’s problem, in a nutshell, is its subject matter – the wave, whilst a stunningly beautiful natural phenomenon, provides a most monotonous forum for a videogame imaginable.

This game rocks the party like it's 1996 for all the wrong reasons. It's a PSone game with sharper graphics.

There is just too much to think about whilst racing around the levels. Virtually every single part of the pad is used and some of the buttons are used twice! Add to this the multitude of power-ups and there’s just too much to handle.

The biggest indictment against From Russia With Love, however, is that it makes the whole experience of being Bond seem about as much fun as an afternoon spent at a stamp-collecting convention, which is something 007 should never stand accused of. It's dull, banal, boring and any other adjectives that can be used to describe a game unworthy of your attention.