Total Film's Scores

  • Movies
For 2,045 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Predator: Killer of Killers
Lowest review score: 20 Sir Billi
Score distribution:
2045 movie reviews
    • 34 Metascore
    • 30 Critic Score
    Loosely based on the 2001 game Silent Hill 2, Return to Silent Hill can be an atmospheric horror film with original creature designs worthy of Konami's legendary franchise. But a confusing plot, mediocre visual effects, and over-the-top acting might make director Christophe Gans' newest Silent Hill adaptation just as divisive as his first attempt 20 years ago.
  1. To be fair, Blood and Honey 2 is actually a notch above its predecessor, if only because the production values are (relatively) higher. But despite a watchable turn from Chambers, this is largely Neanderthal filmmaking, even with hospital janitor Simon Callow offering up a Scottish accent and a lot of pointless exposition.
  2. While the visuals are refreshingly clean and grounded for a modern superhero film, the story is bogged down by exposition and egregious product placement.
  3. A damp-squib horror with zero thrills. Russell and Condon deserve much better.
  4. Sly and Statham are always watchable – not least when the latter takes a job as security for an odious social media influencer. But they can’t save this mission from going painfully pear-shaped.
  5. You can at least say for the film that it’s clearly targeting a surreal, stoner vibe. But even cutting it that slack, there’s barely anything here to recommend.
  6. Meddle with sobriety and project it on a nightclub wall and maybe it works. As a film, not so much.
  7. This distinctly amateurish animation may be targeted at tots, but you’d have to particularly hate your children to inflict on them this tale of an elderly vet (Connery) trying to save a missing beaver.
  8. A huge misfire that even the most hardcore X-Men fans will find hard to warm to. Avoid, avoid.
    • 26 Metascore
    • 20 Critic Score
    An uneasy combo of adventure film and gag-heavy kiddie-com, Dolittle fails to satisfy on either front.
  9. For all their technical competence, the Spierig brothers don’t show great understanding of how ghost stories actually work.
    • 52 Metascore
    • 20 Critic Score
    Stenberg’s effervescent turn can’t save this from curdling early into manipulative, melodramatic mush.
  10. Strained, shrieky and lacking likeable characters, it bizarrely forgoes any insight into parenting, gambling, or the cost of education for Grand Guignol limb-lopping.
  11. Unfunny, unthrilling and unsexy, this doesn’t even reach the low bar set by the source material.
  12. Jones and Oldman are on autopilot, while Costner grizzles like a sore-headed bear. Only Gal Gadot, as Reynolds’ widow, has any cred in this utter pap.
  13. A-list sad-faces abound in a film where absurd concept is rivalled only by banal execution.
    • 11 Metascore
    • 20 Critic Score
    By the end you will quite possibly hate cats, Spacey, and the ’80s.
  14. Charmless, mirthless and witless, this waste of time is another black mark on Depp’s card, while his co-stars fare little better. Even low expectations won’t help you here.
  15. It’s poorly made and in poorer taste.
  16. The Devil may have all the best tunes, but this really is the worst sort of cinematic karaoke.
  17. “I will search for you through 1,000 worlds and 10,000 lifetimes!” Reeves promises his beloved. Anyone who sits all the way through this glossy folly will know exactly how that feels.
    • 33 Metascore
    • 20 Critic Score
    There are star names in the cast – Sylvester McCoy, John Hannah, Samantha Barks – but ultimately the film rests on Boyle, who sadly has all the acting nuance of a Speak N’ Spell.
    • 22 Metascore
    • 20 Critic Score
    Alas, director Courtney Solomon burns out all the cool potential, leaving us with a witless and unforgivably tame car wreck.
    • 38 Metascore
    • 20 Critic Score
    Any comparisons with Chicken Run are rendered poultry by half-baked gags. Even tykes will tell it to get stuffed.
  18. It’s the same sappy drivel as before.
    • 41 Metascore
    • 20 Critic Score
    Most ‘one crazy night’ movies (from After Hours to Superbad) thrive on a sense of escalation, but Stand Up Guys only seems to lower the stakes as it stumbles tediously on.
  19. The Big Wedding isn’t telling a story so much as selling a lifestyle – one that, rather like Heigl’s morning sickness, makes you want to vomit.
  20. That every jibe lands woefully wide is no surprise, though we’ll give leading lady Ashley Tisdale credit for giving her all to a film that mercifully won’t be around long enough to do any lasting damage to her post-High School Musical career.
    • 35 Metascore
    • 20 Critic Score
    Steven Spielberg famously retained his childhood sense of wonder. On this evidence, Meyer has maintained a nine-year-old's notion of titillating romance.
  21. Quite why A-listers Kate Winslet, Hugh Jackman and Emma Stone (among others) aligned themselves with this excruciatingly moronic compilation of shorts is anybody's guess.

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