Time's Scores

For 2,984 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2984 movie reviews
  1. The Beaver is serious about portraying mental illness. And whatever your opinion about Gibson the man, so is Gibson the actor.
  2. At its best moments, Thor weaves a spot of magic from the complex science of $150-million fantasy-film technology.
  3. An enthralled and mostly enthralling guided tour of what Herzog describes as "one of the greatest art discoveries in the history of human culture."
  4. The picture delivers the high-octane, testosteronic goods of a warm-weather smash, and maybe the first great film of the post-human era. It's just a shame that every theater showing this nonstop auto race, this animated car-toon, can't be a drive-in.
  5. The movie proved to be an exasperating, fitfully enjoyable jumble of Perryana, full of insult humor, a gospel choir and, not to give too much away, plot elements borrowed from "Chinatown," "Precious," "Imitation of Life" and "Cheech and Chong's Up in Smoke" - all restitched and Tyler-made.
  6. The proceedings get so slow and saccharine that viewers will relishes the film's moments of redeeming idiocy. In one of them, Marlena whispers to Jacob, "Bring Rosie to my tent and don't tell anyone" - as if the roustabouts wouldn't notice a 12-ft.-tall, 10,000-lb. creature striding down the midway.
  7. Existing in a self-contained universe, Scream 4 is its own remake (Screamake), sequel (shriekquel), parody and critique. Thus it taunts and pleases audiences, mocks and justifies itself and makes any review redundant.
  8. Rio
    If you don't go in panting for a Pixar-level masterpiece, you should have a blast at this cartoon carnaval.
  9. Wright's performance is the key to a movie that pulses with the sick thrill of historical discovery. The Conspirator reminds us that. when we surrendered so many of our Constitutional rights and judgments after 9/11, it wasn't the first time.
  10. It's a deceptively small piece of onscreen art that resonates afterward with such insistence that I felt positively nagged by it.
  11. Occasionally curious moviegoers will discover an especially rotten specimen of the genus Cinema stinkibus... a work of ur-awfulness, counterbrilliance and antigenius. Your Highness, the new medieval-fantasy farce starring and co-written by Danny McBride, is such a movie.
  12. It's a feast for the eyes, but we're still hungry.
  13. There is no denying that Schwimmer knows something about getting a performance out of an actor. Liberato, who is 15 now, is flat-out terrific. Shifting fluidly from demure to sullen and damaged, she is tremendously compelling.
  14. It is a tremendous downer when the second half of the movie shirks logic, defies its own established principles and raises more questions than it answers.
  15. Sucker Punch has vast empty patches, deserts of dead air.
  16. Rodrick Rules often feels like a mainstreamed version of that wonderful short-lived television series, "Freaks and Geeks."
  17. The story wraps up with a tenderness that feels true but completely without mush. The irony of the title fades as Win Win wins you over.
  18. Slick and senseless.
  19. Not bad, but certainly not good; classify the movie as lazy fun.
  20. Was Red Riding Hood masterminded by a cadre of particularly silly 11-year-olds undergoing withdrawal from Twilight? That's the only excuse for a movie this dopey.
  21. This remake hits the jackpot with Wasikowska (pronounced VashiKOVska) and, not far behind, Fassbender.
  22. The shaky-cam as used in "Cloverfield" and the Paul Greengrass "Bourne" films, and in TV shows from "NYPD Blue" to "24" to "The Office," is worse than amateurism; it's fake amateurism, the visual equivalent of a comedian pretending to have Parkinson's.
  23. It's a clever idea that, around the mid-point, stumbles into absurdity as the movie itself makes too many lunatic choices.
  24. Hardly unforgettable, but it is an amiable diversion, kept afloat by some comic moments of the raunchy, silly variety, and by something that does feel rather retro: a kindness to its youthful characters.
  25. No goggles, no gloom. And no competition for the coolest, orneriest, funniest, best-looking movie of early 2011.
  26. It is the rare conspiracy thriller that ripens as the villains' organization and motives are gradually revealed.
  27. There are gaping holes in logic throughout this sloppy, cheap-looking mess from "Disturbia" director D.J. Caruso.
  28. A loose but fairly snappy remake of the 1969 charmer "Cactus Flower."
  29. The result is a knockoff cinematic ceramic.
  30. The Other Woman earns a viewer's respect for the grace notes that director-screenwriter Don Roos finds beneath these familiar tunes, for the unassertive skill with which he paints upper-class life on the Upper East Side, and for the rightness of the performances.

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