Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. It is indeed impressive; and we mean not just this solid, satisfying final film - in which the Potter saga reaches its climax, if not quite its emotional apex - but the entirety of producer David Heyman's blockbuster franchise.
  2. Almost every actor in it outplays the material they're working with, particularly Jason Bateman. Horrible Bosses would be worth seeing if only for the pleasure of watching him delicately bat indelicate comedy around.
  3. It's all mildly deplorable and instantly forgettable. Kevin James remains a potentially appealing movie star - if only he didn't have to be in Kevin James movies.
  4. The scorekeepers at the various sites that rate critics' enthusiasm for a film shouldn't even try to elicit a Pass or Fail grade from me on T3. I'm a fascinated, stupefied outsider. Just mark me Present.
  5. Edgeless, it takes a wistful, hopeful approach to heartbreak and job loss. That's sweet, but when it comes to unemployment-themed cinema, I'll take the greater realism of last year's "The Company Men" or this year's "Everything Must Go" over Hanks's too rosy vision of life after the pink slip.
  6. Bad Teacher revels in being distasteful. But it can't just let a bad woman be bad; she also has to be burdened with physical insecurity, even if it makes no sense. Can you imagine if Billy Bob Thornton's character had become Bad Santa so he could steal to fund his penis implant?
  7. A Pixar movie is always lively, and this might be the studio's liveliest (and loudest) yet - but its leanest in terms of warmth and heart.
  8. Buck has the air of a beautiful little mystery; even knowing the uplifting outcome, you wonder at the strength that brought him to this place.
  9. Apart from some spiffy visual effects, which create coherent, scary textures and architecture for outer space, Green Lantern is the most generic of summer time wasters.
  10. The Trip may have familiar elements - it's pretty much "My Dinner With Andre" pinned to the plot of Alexander Payne's "Sideways" - but the badinage provides an immediate and lasting kick, as well as the spectacle of two champion combatants at the top of their game.
  11. Shrill and charmless. I didn't believe a word of it. I wanted to spank it and banish it to its room.
  12. It's a cagey delight, and an imposing feature directorial debut for one of Britain's TV stalwarts.
  13. Too bad that First Class torpedoes its lofty intentions with flights of idiocy so wrongheaded as to be almost endearing.
  14. The year's most thrilling, FEELING mainstream movie.
  15. The new Panda has a bright palette, an amiable vibe and enough vivacity to keep kids entertained and any accompanying moms from bolting for "Bridesmaids."
  16. The chemistry this trio has is special; the premise of the sequel seems worn, but the way they work against and with each other is what provides the pleasure.
  17. Whereas Italian fashion icon Valentino was larger than life in "The Last Emperor," Matt Tyrnauer's jazzy 2009 documentary, Saint Laurent in L'Amour Fou is mostly a rather sweet and anguished ghost.
  18. This might be a turning point in feminism and comedy, provided that both sexes can embrace it.
  19. Ferrell fits uncannily well into Carver country, and in this small but sturdy film, he challenges any assumption that he might be limited to comedy. Certainly this is the first time he's moved me to tears that weren't produced by hard laughter.
  20. The Beaver is serious about portraying mental illness. And whatever your opinion about Gibson the man, so is Gibson the actor.
  21. At its best moments, Thor weaves a spot of magic from the complex science of $150-million fantasy-film technology.
  22. An enthralled and mostly enthralling guided tour of what Herzog describes as "one of the greatest art discoveries in the history of human culture."
  23. The picture delivers the high-octane, testosteronic goods of a warm-weather smash, and maybe the first great film of the post-human era. It's just a shame that every theater showing this nonstop auto race, this animated car-toon, can't be a drive-in.
  24. The movie proved to be an exasperating, fitfully enjoyable jumble of Perryana, full of insult humor, a gospel choir and, not to give too much away, plot elements borrowed from "Chinatown," "Precious," "Imitation of Life" and "Cheech and Chong's Up in Smoke" - all restitched and Tyler-made.
  25. The proceedings get so slow and saccharine that viewers will relishes the film's moments of redeeming idiocy. In one of them, Marlena whispers to Jacob, "Bring Rosie to my tent and don't tell anyone" - as if the roustabouts wouldn't notice a 12-ft.-tall, 10,000-lb. creature striding down the midway.
  26. Existing in a self-contained universe, Scream 4 is its own remake (Screamake), sequel (shriekquel), parody and critique. Thus it taunts and pleases audiences, mocks and justifies itself and makes any review redundant.
  27. Rio
    If you don't go in panting for a Pixar-level masterpiece, you should have a blast at this cartoon carnaval.
  28. Wright's performance is the key to a movie that pulses with the sick thrill of historical discovery. The Conspirator reminds us that. when we surrendered so many of our Constitutional rights and judgments after 9/11, it wasn't the first time.
  29. It's a deceptively small piece of onscreen art that resonates afterward with such insistence that I felt positively nagged by it.
  30. Occasionally curious moviegoers will discover an especially rotten specimen of the genus Cinema stinkibus... a work of ur-awfulness, counterbrilliance and antigenius. Your Highness, the new medieval-fantasy farce starring and co-written by Danny McBride, is such a movie.

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