Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. It's mostly an ordeal--for actress and audience.
  2. You will simply want to shoot yourself by the third inning.
    • Time
  3. Not a bad concept, and Martin Lawrence is appealing. Unfortunately, the writers have no gift for comic writing.
  4. Fond, zippy new documentary about the Bruce who, on the Hollywood circuit, is the real Boss.
    • Time
  5. Kevin Spacey (gives) a truly great performance.
    • Time
  6. It's too empty to applaud, too insignificant to deplore.
  7. Director Kelly Makin has a gift for casually tossed-off farce.
  8. Perhaps the funniest movie for grownups so far this year.
    • Time
  9. A smart live-and-let-live parable.
  10. Unfolds with a patient intelligence. The Sixth Sense might not scare you out of your wits, but it could reward them.
  11. Sells out real satirical possibilities to its marketing potential as teen fluff. Everyone loses -- except Hedaya, who keeps faith with his character's nutsiness.
  12. Bringing Gonzo to his senses gives the Muppets briskly economical opportunities to satirize government, media excesses and cult sci-fi's more tiresome tropes.
  13. Here's another warning: you may laugh yourself sick--as sick as this ruthlessly funny movie is.
  14. Invigorating and annoying, Lola could use a dose of Ritalin. Best to take this 76-minute riff on alternate destinies as an antidote to Europe's minimalist art-house cinema and to enjoy Potente's sweaty radiance.
  15. An ideal play is degraded into an indolent film
  16. These stories, alas, are utterly predictable. Still, Samuel L. Jackson breaks through the crust of cliches as an expert called in to verify the instrument's provenance, and violinist Joshua Bell plays and Esa-Pekka Salonen conducts John Corigliano's score ravishingly.
  17. AP2 starts out bright and clever--shagnificent, we might almost say--before sinking into a swamp of shagnation.
    • Time
  18. Maggie Smith and Judi Dench are glorious comic actresses, while Joan Plowright provides a firm, touching moral center to the film. They almost make you forget Cher's totally out-of-it work as a disapproved-of American and carry the film to its destiny, which is one of inoffensive inconsequence, prettily staged. [24 May 1999, p.88]
    • Time
  19. Hopelessly overwrought and deeply dopey movie.
  20. Like the virtual game he plays on us, the film is weird, it's addictive, and Lord, it's alive!
  21. Tin tailspins into silliness and never regains its flight pattern.
  22. The real fun is in seeing Hong Kong pop cinema at its innocent, crowd-pleasing best. And for Jackie, that goes double.
  23. Go
    Here is a picture that has wit, a hairpin-turn narrative, high pizazz and ensemble star quality. Ready, set, Go.
    • Time
  24. Metroland finally makes a good, subtle case for the bearable weightiness of middle-class being, for the higher morality of muddling through.
  25. The film mostly simmers.
  26. Given a budget that encourages their kinesthetic skills, the filmmakers tend to go on a bit, but it's mostly a kind of quick, glancing hipness that's being indulged here.
  27. All its desperate plot maneuvers (Ben and Sandra making like Tarzan on a train roof) can't give the film wit; all the slo-mo sleet, rain and confetti can't give it style. [March 22, 1999]
    • Time
  28. Pfeiffer restores honor to the family drama.
  29. Chow Yun-fat, the epitome of swaggering suavity in John Woo's Hong Kong crime films, wears his role as a good-bad cop dapperly in this good-middling drama set in Manhattan's Chinatown.
  30. The first few minutes have promise (with an all-star list of Gen-X actors), and the last few minutes provide fun (with snapshots of lovers and losers). In between there is a void--feeble jokes, a lot of falling down and foolish declarations.

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