Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. Samantha Morton, as Emmet's "mute orphan half-wit" of a girlfriend, is the sweet revelation. Rarely has a performer mined such complex and potent emotion from such simple materials: a smile, a shrug, an attentive winsomeness.
  2. We have this movie--full of acceptant, sidelong glances at human quirkiness--to delight us.
  3. For all the carnage, Lee's tone is contemplative.
  4. Pixar's improved computer animation is up to all the demands of this excellent adventure.
  5. Sleepy Hollow may be late for Halloween, but this trick is a real treat.
  6. The most mature and satisfying work in a glittering, consistently surprising career.
    • Time
  7. Well acted, and it achieves a strong, smart, engaging life of its own.
  8. Seems to encompass all the humor, sadness and weirdness of ordinary life in an utterly winning, morally acute way.
  9. Apted...has the storytelling skills to weave a powerful and poignant snapshot of some decent folks who have become, collectively, Britain's first family.
  10. A tortured testament from a true believer.
    • Time
  11. A movie this implausible shouldn't be this dull.
  12. What it doesn't have is a central figure you can give a hoot about.
    • Time
  13. A lively, nutty film, one full of clumsy, clanging battles filmed by the gifted, eccentric Besson with bloody brio.
  14. The purity of Dequenne's performance inspires awe.
  15. It's kind of fun--if you have the stomach for its more grisly passages.
  16. The viewer almost has to be a journalist--or a good editor--to sniff out the meat under all the fat.
  17. This documentary, a gallivanting time trip through a bolder film era, is Herzog's final collaboration with Kinski: an act of love and exorcism.
  18. What saves this movie from hopeless sentimentality is Meryl Streep's subtle performance.
    • Time
  19. Weird, beguiling premise.
  20. This agitated comedy could be called "The Big Chillin'" if it had a smidge of the 1983 film's wit and charm.
  21. Like its title -- blunt, thruthful, uncompromising. It is hard on an audience, even harrowing. But that's exactly what Martin Scorsese was put on earth to do.
    • Time
  22. Mostly the movie is like the marriage: good casting, golden promise, yet somehow a grating ordeal.
    • Time
  23. Alvin's tragic memories give perspective to the triumph of his trek, even as Farnsworth's weathered brilliance makes this movie a G as in gem.
  24. Both actors are excellent--but there's something conventionally gimmicky about the way it plays its reality/unreality game.
    • Time
    • 14 Metascore
    • 50 Critic Score
    Given its budget, the quality of its writing, acting and production is remarkably high--about miniseries level.
  25. A grim and draggy romance in which even the clothes and sets are dismal.
  26. Soderbergh slices, dices and Cuisinarts the script into flashbacks, scene shifts, stop motion and other distracting foolery.
    • 86 Metascore
    • 40 Critic Score
    The movie lets down the material. It's to cool: all attitude, no sizzle.
  27. An easy charm, a cleverly unforced sense of humor and a benignity toward all its genially oddball characters. If moviegoers skip this one, they'll be missing a real treat.
    • Time
  28. A brilliant exercise in popular but palpable surrealism.

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