Time's Scores

For 2,973 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Paterson
Lowest review score: 0 Life Itself
Score distribution:
2973 movie reviews
  1. At once smug and lazy, qualities fatal to comedy.
  2. Niftily quirky.
    • Time
  3. There's a definite limit to the number of moron jokes we can absorb in 100 minutes, and their movie exceeds it.
    • Time
  4. The pulse of Curtis Hanson's direction is lethargic; the comic bits are so slack and deadpan you could mistake the film for an earnest drama--an Afterschool Special for troubled kids and their pooped parents.
  5. The film is one-note; misery is the only game in town.
  6. The best movie of this very young millennium.
    • Time
  7. Sharing its subject's virtues, it is a lovely addition to the annals of the Greatest Generation.
  8. You're entitled to ask for more than that in a comedy, but these days you're often obliged to settle for a lot less.
  9. To Western eyes, this meandering parable registers as a perplexity and a disappointment.
  10. Curiously intense, alertly principled, refreshingly uncynical movie.
    • Time
  11. Not so good is the absence of hip cross-references to the classic horror tropes.
  12. One of the worst messes in years.
  13. If the stories sometimes use Creative Writing 101 devices (like a quasi-prophetic homeless woman), the total effect is as spare and haunting as the film's arid, beautifully shot setting.
  14. In Washington's finely shaded performance he's a low-pressure system, illuminated by distant flashes of lightning.
    • Time
  15. The fascinating film equivalent of a humane execution.
  16. Never achieves more than feckless amiability.
  17. Vivid, relevant and of elevating scariness.
  18. In this space epic, no one will hear you laugh.
  19. Ends up less than the sum of its many, often interesting parts.
    • Time
  20. Just gives us Andy, the pop postmodernist, and permits us to make what we will of him, which is a fascinating activity.
  21. Essentially a liberal soap opera.
  22. Cutting through the epic gesturings of Andy Tennant's direction, he (Yun-Fat Chow) provides reason enough to return one last time to this otherwise weary romance
    • Time
  23. Handsome, well-acted, richly textured adaptation of Alexander Pushkin's novel.
  24. The blend of digital animation and live action is first rate.
  25. Curiously, if fitfully, intriguing.
  26. The tone is cloying, the running time bloated.
    • Time
  27. A hard-striving, convoluted movie, which never quite becomes the smoothly reciprocating engine Anderson ...would like it to be.
  28. A small epic with subtle strengths.
  29. At the core, though, one finds a slacky, sappy film. The human mystery that breathed so easily in "Shawshank" is often forced here.
    • Time
  30. There are a reserve and a realism in Huston's work that make her very modest film more affecting than you might expect.

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