It's such a shame that Raskulls is brought down by weak level design.

For better or worse, The Evil Within is essentially Mikami’s survival horror greatest hits.

The idea of a world with a severe oil shortage is a terrifying notion that hits close to home, but the game surrounding that idea is much less engaging.

It’s just a shame it’s all over so quickly as a more epic adventure with Po and friends would have been most welcome.

If you can name every one of Kingdom Hearts' characters in your sleep, then 358/2 Days is certainly for you and you'd be foolish to miss out on an integral piece of the storyline puzzle. Just don't expect the average gamer to be able to relate to you.

Despite succumbing to some of the series’ pitfalls, which Sanzaru seems to have knowingly fell into, Thieves in Time is a remarkably faithful recreation of the classic 3D platforming the series was known for; and as such, it’s easy to get lost in the nostalgia of it all.

Final Fantasy Fables: Chocobo Tales is a mash-up of a variety of different ideas, and although none of them are executed perfectly, the game still manages to be quite entertaining.

One of the best visual experiments of the last few years.

As with any episodic content, We Negotiate with Terrorists ends on a cliffhanger, a most amusing one at that.

We’re just left with one more game that relies on frustrating elements to make a short game seem longer, and one more game that settles at just average.

Gunslinger feels like a by-the-numbers shooter with a narrative gimmick that, put in the right hands, could’ve made for a truly compelling experience. As it stands, it overall feels like a way to pad out the length (it’s already pretty short at about five hours).

Could Super Princess Peach have been a better game? Yes, it most certainly could have. But is this still a fun game that you should give a shot? Definitely.

So, King Of Fighters might be a much-loved series amongst its hardcore fans and it might deliver in all the areas that those familiar with the franchise would expect, but measured toe-to-toe against modern fighting games it just doesn’t fare well.

Beatbuddy has style and charm in abundance, but lacks the mechanics to be truly enjoyable.

There's nothing here that casual fans will feel they have to see, but for those still looking for deeper insight into this world, or simply looking for more Mass Effect, this is another few hours of solid entertainment.

Hydro Thunder Hurricane is marred primarily by its own high standards, and as a result it feels less like an XBLA title than a cut down full release; it's a full game struggling under the shackles of the downloadable medium.

As a card game The Eye of Judgment succeeds. As a video game it fails.

Sadly, this is another case of a game falling victim to the tie-in; cutting corners to meet a short deadline. If it were possible for more time to be spent fine-tuning everything this would be a much better game.

If you've ever gotten caught up in a multiplayer game of Jam at the arcade or experienced the console conversions during the mid-'90s, this NBA Jam reboot is likely the closest anyone's come to getting it right since Midway's Hangtime series.

It's a solid game regardless of its franchise, and for Sonic that's as much of a breakthrough as anyone could hope for.

Batman: The Brave and the Bold misses a few beats, but the overall composition is wholly loveable. Unfortunately, it's also obscenely short.

Generally speaking, Back to the Future: The Game is still worth some attention for fans of the movies. Its appropriate choices in art and audio, along with its 200% dedication to the films, will definitely keep Future fanatics off the manure. However, when it comes to the gameplay, my advice would be to try and not take it too seriously.

It gives you immediate fun; the 6-minute challenge is perfect for when you are waiting for someone. The return of old school scoreboard gives it replay value. It's just pure and simple, unadulterated fun.

Perhaps the only disappointment that comes with Calling All Cars! is the lack of content. With only basic offerings online and offline, it feels sort of empty.

It's a silly game with an awful camera – particularly indoors – a bad draw distance, repetitive missions and a paltry story, but the unabashed mayhem it conjures and lays at your finger tips makes it surprisingly easy to recommend. It might not reinvent the genre or introduce anything new, but Prototype 2's tweaks to its original formula make for a highly entertaining game.

These faults aside, Armageddon takes the core elements that attracted all of us to the series in the first place and combines them to create a solid game that series fans can't afford to miss.

Between the online and single-player modes, EA's attempt at rebooting their Medal of Honor franchise after three years missing in action results in a competent game.

It's difficult to criticise EDGE for being a bad game when it's simply a well-executed product of frustrating concept. Until the latter stages, it's a simple albeit handicapped walk through a series of refreshing virtual environments.