For 20,323 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,408 out of 20323
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Mixed: 8,448 out of 20323
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Negative: 2,467 out of 20323
20323
movie
reviews
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- By Critic Score
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Reviewed by
Laura Kern
There are stunning locales but not much subtlety on display in Milarepa, a straight-as-an-arrow mythical-historical telling of a mystic’s early life.- The New York Times
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Reviewed by
A.O. Scott
The reckoning with the past, which has occupied West German society since the 1960s, has been painful and divisive, which makes the calm, empirical spirit of this film all the more impressive.- The New York Times
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Laid back and affectionate, “Cheese” is the movie version of a dear friend you could spend all day with.- The New York Times
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Aside from a stunning three-minute tracking shot as the gang pursues Nick through a parking garage, and Mr. Bacon’s hauntingly pale, dark-eyed visage, Mr. Wan’s film is a tedious, pandering time-waster.- The New York Times
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Reviewed by
Jeannette Catsoulis
On one level, a stereotypical mash of Greek cruelty, queer poetry slams and rabid activist rhetoric. But beneath the tired crudeness and college-romp clichés, the movie is gently perceptive about the malleable nature of sexuality and the barriers we construct to hide our confusion.- The New York Times
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Reviewed by
Jeannette Catsoulis
An effervescent comedy coasting on the charisma of its stars.- The New York Times
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Reviewed by
Stephen Holden
Think of it as a kind of “Twilight Zone 2007” in which the paranoia endemic to an industry that runs on illusion, hype and extravagant grandiosity comes home to roost.- The New York Times
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- The New York Times
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The movie is consistently engrossing and sometimes touching, thanks to its hard yet subtle characterizations and Mr. To’s refusal to condescend.- The New York Times
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Reviewed by
Jeannette Catsoulis
Though buoyed by Anthony Marinelli’s moody score and Denis Maloney’s gutsy cinematography, Self-Medicated suffers from severe dramatic droop.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Despite some pretty seasonal photography and evocative scenes of the nuns’ rigorous daily rituals, which involve many hours of prayer, The Monastery is a flighty, disorganized film with a blurry timeline and a wandering attention span.- The New York Times
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Reviewed by
Jeannette Catsoulis
A movie that reveals its toxic intentions only gradually. Until it does, there is much to enjoy in the prickly odd-couple relationship of Henry (Billy Crudup) and Rudy (Tom Wilkinson), successful writing partners and longtime friends.- The New York Times
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Reviewed by
Rachel Saltz
Again and again you want to shout at the screen: “Turn back. All will be forgiven.” This tale of risk, though, ends not with man conquering nature but in calamitous failure.- The New York Times
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Reviewed by
Jeannette Catsoulis
Luridly earnest and laughably immoral, Illegal Tender is an old genre movie with a new look. Call it Hispanixploitation.- The New York Times
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Reviewed by
Andy Webster
The kids at my screening loved it. Besides, at its heart, Mr. Atkinson’s movie, a huge hit overseas, speaks in an international language.- The New York Times
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Reviewed by
Stephen Holden
Because The Nanny Diaries is essentially a two-character story whose supporting players are wooden props, it would help if the actors playing the two were evenly matched. But Ms. Johansson’s Annie, who narrates the movie in a glum, plodding voice, is a leaden screen presence, devoid of charm and humor.- The New York Times
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Reviewed by
Stephen Holden
For Mr. Lurie, who specializes in political subjects, Resurrecting the Champ is an encouraging return to film following the rise and fall of his television series "Commander in Chief."- The New York Times
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Reviewed by
Neil Genzlinger
The film, especially in its resolution, feels a bit like a “Twilight Zone” episode and might have been better at that length, but the acting’s pretty good, and the cinematography keeps things lively.- The New York Times
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The maudlin, grotesque western September Dawn, about the massacre on Sept. 11, 1857, of about 120 settlers by Mormons (and their Paiute Indian mercenaries), apes "Schindler’s List" in hopes of creating a Christian Holocaust picture.- The New York Times
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- The New York Times
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Reviewed by
Laura Kern
Even naysayers of reality TV’s simplistic structure, which the film openly borrows, may find themselves rooting for a couple of choice -- and having fun in the process. The real-estate game can actually be a laughing matter when you’re not a contestant.- The New York Times
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Reviewed by
Stephen Holden
At around the halfway point, its characters’ haranguing voices begin to grate on you. People in their early 20s, even pretty people, lose their appeal when they dwell this obsessively on their own inchoate turmoil.- The New York Times
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Less notable for its story than for what the movie itself represents: an evolutionary entry in the so-called Do It Yourself (or D.I.Y.) independent film movement.- The New York Times
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Reviewed by
Manohla Dargis
Horny is as horny does in the sweetly absurd high school comedy Superbad.- The New York Times
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There’s no dearth of rude humor on screens right now, but Death at a Funeral stands apart because its characters -- mostly reserved upper-middle-class British folk who have gathered to bury a patriarch -- are determined to keep a stiff upper lip no matter what.- The New York Times
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The movie is scarier if you know nothing about it going in. It has no larger agenda. It’s not an allegory, a satire or a commentary. It’s just a modestly relentless suspense picture that propels its characters through a series of dreamscapes.- The New York Times
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Reviewed by
Stephen Holden
Instead of seriously investigating corruption, money laundering and the buying of politicians, Manda Bala would rather spend its time showing slimy brown frogs slithering over one another as they are dumped from one container into another.- The New York Times
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Reviewed by
Manohla Dargis
An unnerving, surprisingly affecting documentary about our environmental calamity, is such essential viewing.- The New York Times
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Reviewed by
Manohla Dargis
Whatever the case, The Invasion lurches and drags and teeters on the brink of death from scene to scene; it plays as if it had been made by someone in a trance, though not a cool one.- The New York Times
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