For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
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- By Critic Score
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Reviewed by
A.O. Scott
The main audience for this dim little sex comedy has no particular interest in seeing Ms. Alba act. They want to see her in her underwear and also to confront one of the central cultural questions of our time: will she take her top off?- The New York Times
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Laura Kern
Ms. Bynes, with her cherubic face, expressive eyes and comic timing, helps create a positive, pleasing diversion that caters to the geek in all of us.- The New York Times
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Manohla Dargis
Mr. Pitt is himself a supernova luminary, of course, and part of the attraction of this film is how his celebrity feeds into that of his character, adding shadings to what is, finally, an overconceptualized if under-intellectualized endeavor.- The New York Times
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Stephen Holden
Such a well-acted, literate adaptation of Karen Joy Fowler’s 2004 best seller that your impulse is to forgive it for being the formulaic, feel-good chick flick that it is.- The New York Times
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Reviewed by
Stephen Holden
The Man of My Life is a sumptuously illustrated but shallow fable of the grass-is-greener conflict between freedom and commitment.- The New York Times
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The story seems to be occurring in a China of the imagination, an airless place at once sensually ripe and icily formal. Like “Far From Heaven,” it denies its characters and viewers the ecstatic release they crave.- The New York Times
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Reviewed by
Stephen Holden
Somewhere around its midpoint, Across the Universe captured my heart, and I realized that falling in love with a movie is like falling in love with another person. Imperfections, however glaring, become endearing quirks once you’ve tumbled.- The New York Times
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Reviewed by
Jeannette Catsoulis
A coming-of-age tale so treacly it doesn’t just tug your heartstrings, it attempts to glue them to your ribs.- The New York Times
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Andy Webster
It is such a breathless, delirious stew, it’s impossible not to be entertained, provided -- this is crucial -- you have a sense of humor.- The New York Times
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A.O. Scott
The rigor of Mr. Cronenberg’s direction sometimes seems at odds with the humanism of Mr. Knight’s script, but more often the director’s ruthless formal command rescues the story from its maudlin impulses. Mr. Knight aims earnestly for your heartstrings, but Mr. Cronenberg insists on getting under your skin. The result is a movie whose images and implications are likely to stay in your head for a long time.- The New York Times
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Reviewed by
A.O. Scott
However you judge the movie’s politics, and whatever its flaws, there is something inarguable, something irreducibly honest and right, about Mr. Jones’s performance.- The New York Times
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Reviewed by
Jeannette Catsoulis
Though playing at times like an extended sitcom, Ira & Abby radiates a breathless charm, due in no small part to Ms. Westfeldt’s sharp dialogue and engagingly unmannered performance.- The New York Times
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Stephen Holden
King of California may look and feel realistic, but it is really a Don Quixote-like fable about nonconformity and pursuing your impossible dream to the very end.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Mr. Pitt is a reasonably photogenic specimen. But this actor, whose typical screen character is a broken, androgynous man-child, is disastrously miscast.- The New York Times
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Reviewed by
A.O. Scott
Don’t be fooled. The Brave One, though well cast and smoothly directed, is just as crude and ugly as you want it to be.- The New York Times
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Reviewed by
A.O. Scott
As the latest tribute -- Jim Brown’s loving documentary, Pete Seeger: The Power of Song -- makes clear, he’s still busy, still angry, still hopeful, still singing.- The New York Times
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Reviewed by
A.O. Scott
I found Mr. Zobel’s film touching and amusing, but it also left me a bit queasy.- The New York Times
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Reviewed by
A.O. Scott
More likely to be recalled as a moderately satisfying entertainment than remembered as a classic.- The New York Times
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Stephen Holden
When F. Scott Fitzgerald remarked that the rich “are different from you and me,” he might have been thinking of someone like the moody billionaire from Fierce People.- The New York Times
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Jeannette Catsoulis
Horror without suspense is like sex without love: you can appreciate the technicalities, but ultimately there’s no reason to care.- The New York Times
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Stephen Holden
In the Shadow of the Moon is such a morale booster. The power of its archival images hasn’t diminished with familiarity.- The New York Times
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Stephen Holden
There is more raw vitality pumping through Romance & Cigarettes, John Turturro’s passionate ode to the sensual pulse of life in a working-class neighborhood of Queens, than in a dozen perky high school musicals. This is a movie in which a dirty mind is a good thing. Call it “The Singing Id.” Prudes, be forewarned.- The New York Times
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- The New York Times
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- Critic Score
A deranged, sometimes desperate parody of an inspirational losers-make-good comedy. Three gags miss for every one that hits.- The New York Times
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Reviewed by
Jeannette Catsoulis
Mr. Fox may be a romantic, but he understands that love is rarely all you need.- The New York Times
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- The New York Times
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- Critic Score
A late appearance by a supporting character -- a pushy plumber and aspiring writer named Jim Fortunato (Michael Imperioli), who offers his mentally damaged young ward (played by Mr. Auster’s own daughter, Sophie) as a servant and possible concubine -- pushes the movie from bland pretension into distastefulness.- The New York Times
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Reviewed by
Laura Kern
There are stunning locales but not much subtlety on display in Milarepa, a straight-as-an-arrow mythical-historical telling of a mystic’s early life.- The New York Times
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Reviewed by
A.O. Scott
The reckoning with the past, which has occupied West German society since the 1960s, has been painful and divisive, which makes the calm, empirical spirit of this film all the more impressive.- The New York Times
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