The New York Times' Scores

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For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,401 out of 20313
  2. Mixed: 8,446 out of 20313
  3. Negative: 2,466 out of 20313
20313 movie reviews
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  1. Valentino: The Last Emperor
    Watching the movie is a little like gorging on chocolate and Champagne until that queasy moment arrives when you realize you’ve consumed far too much.
  2. Sunshine Cleaning
    All in all, it's a mess, and much as Ms. Blunt pouts, Ms. Adams twinkles, and Mr. Arkin growls, there's nothing they can do to clean it up.
  3. Miss March
    The problem with Miss March is that it isn't very funny.
  4. The Last House on the Left
    Replacing the earlier movie's more depraved sequences with sustained tension and truly unnerving editing, the director proves adept at managing mayhem in cramped spaces.
  5. The Cake Eaters
    Superior acting elevates a small, overcrowded ensemble piece set in rural upstate New York into something a little deeper and truer than the mawkish disease-of-the-week movie it threatens to become.
  6. The Edge of Love
    The story here, plucked from Thomas's life and embellished, proves almost entirely devoid of interest.
  7. The Perfect Sleep
    Easy on the eyes but brutal on the ears.
  8. Race to Witch Mountain
    Modest and diverting, rough and bland, with some good (if not quite Bette Davis caliber) actors and so-so special effects.
  9. Severed Ways: The Norse Discovery of America
    Though there's no doubt that Mr. Stone is as serious as a heart attack when it comes to creating an air of authenticity -- hence the sloppily butchered chickens and authorial defecation -- he never settles on a coherent tone for the movie.
  10. Tokyo Sonata
    Tokyo Sonata, looks like a family melodrama -- if a distinctly eccentric variant on the typical domestic affair -- there is more than a touch of horror to its story of a salaryman whose downsizing sets off a series of cataclysmic events.
  11. Brothers at War
    Well shot but generically scored, Brothers at War has its share of potent moments, most of them with Mr. Rademacher’s family in the States.
  12. This Is the Life
    In the illuminating This Is the Life, DuVernay not only fills in an important formative gap in California’s hip-hop history, she displays the inventive eye that would later lead to her future cinematic successes.
  13. Watchmen
    As it is, the film is more curiosity than provocation, an artifact of a faded world brought to zombie half-life by the cinematic technology of the present.
  14. Phoebe in Wonderland
    Soon after that the movie simply stops dead in its tracks, as though the money had run out and the project had been called off in the middle of a scene that makes no psychological or dramatic sense. It leaves you frustrated and annoyed.
  15. Everlasting Moments
    The result is an experience that, even as it feels a bit familiar, is nonetheless engrossing and satisfying.
  16. Fados
    This veteran Spanish director has, in his latest, created both a tribute to an art form and a performance archive.
  17. Sherman's Way
    The director, Craig Saavedra, generates surprising warmth from the familiar tropes of the odd-couple road movie. Shooting mostly in the verdant sweep of California's wine country -- and with a superb supporting cast -- he allows Mr. Le Gros room to engage.
  18. Tokyo!
    Both in its parts and in the sum of them Tokyo! is playfully and sometimes disorientingly apocalyptic.
  19. Explicit Ills
    It's a beautiful message: surely there's no arguing with "Hey, hey, ho, ho, poverty has got to go!" But there is much to argue with, and much to regret, about a film whose director thinks he needs to drop an anvil on our heads when art would suffice.
  20. Reunion
    Reunion overflows with catharsis -- at least for those on screen. This may not be quite the moment to solicit our sympathy for self-absorbed beneficiaries of Ivy League privilege.
  21. 12
    With its thunderous drama and larger-than-life characters, which lend it a brawling energy, 12 is never dull.
  22. Red Riding Trilogy
    The Red Riding trilogy looks fine blown up on the big screen, though it’s easier to watch at home, where the remote offers fast relief from a grim fiction that, with its murky palette and unyielding cruelty, serves up a nihilistic vision that is unyielding, hermetic, unpersuasive and finally self-indulgent.
  23. Crossing Over
    If Mr. Kramer's outrage felt honest, his film would be easier to respect. But time and again, he undermines his own righteousness by pumping up the violence and stripping down his talent.
  24. Jonas Brothers: The 3D Concert Experience
    Isn't a movie so much as a devotional object, a kind of secular fetish designed to induce rapture.
  25. Street Fighter: The Legend of Chun-Li
    Reveling in the vivid Bangkok locations, Geoff Boyle’s photography is crisp and bright, and Dion Lam’s action choreography unusually witty.
  26. The Trouble with Romance
    Unlike Michael Knowles's similarly plotted and vastly superior "Room 314," The Trouble With Romance is visually stagnant and tonally bewildered.
  27. An American Affair
    Were it a farce instead of an earnest, paranoid thriller with pretensions to historicity, An American Affair might not seem so offensively exploitative. The fact that it is quite well acted, especially by Ms. Mol, who has the air of a sophisticated 1960s party animal down pat, only compounds the insult.
  28. Examined Life
    A modest, intermittently engaging film.
  29. Madea Goes to Jail
    There is something both satisfying and frustrating about Madea Goes to Jail. Mr. Perry dutifully gives his audience what it wants, but you can't help feeling that he might also have more to offer: more coherent narratives, smoother direction, better movies.
  30. Eleven Minutes
    Might be described as a low-rent answer to Douglas Keeve's documentary about Isaac Mizrahi, "Unzipped," a movie that also revealed the fundamental silliness of fashion, though it had some glamour attached.
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