The New York Times' Scores

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For 20,269 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,377 out of 20269
  2. Mixed: 8,428 out of 20269
  3. Negative: 2,464 out of 20269
20269 movie reviews
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  1. The Eyes of My Mother
    Unfolding with a minimum of dialogue, Francisca’s maturation from watcher to doer would be laughable if performed with less nuance or photographed with less originality.
  2. The Duelist
    The clichéd story line pursues turgidity with a relentless determination.
  3. Best and Most Beautiful Things
    Ms. Smith does not fit easily into any box, and neither does this thought-provoking film.
  4. Two Trains Runnin'
    This captivating movie, like the blues itself, is at once a recognition of those somber truths and a gesture of protest against them.
  5. Things to Come
    Ms. Hansen-Love surveys the territory with clear eyes, but also with an unmistakable shading of pity and with ideas, in particular about Nathalie’s sexuality and the political compromises of her generation, that seem more like assumptions than insights.
  6. Sky on Fire
    This is a Hong Kong action picture in the classical mode, balancing mayhem with sentimentality, offering up bone-crunching and jaw-dropping set pieces, and pulling out all the stops for a finale teeming with stressful twists and turnabouts — not to mention kicks, punches, gunshots and explosions.
  7. Videophilia (and Other Viral Syndromes)
    While “Videofilia” is tough to absorb in one viewing, it is hard to escape the sense that Mr. Molero has employed his relentless formal invention in service of some fairly banal moralizing about the dangers of strangers and the internet — a warning that seems late for the here and now.
  8. Jackie
    The film has the requisite surface fidelity.... But it also has moments of lightness and strangeness, as well as kinks and sour notes, which strengthen the sense that these are people, not figurines in a dutiful, paint-by-numbers biopic.
  9. SiREN
    The film, directed by Gregg Bishop and released by the Chiller Films horror factory, has a few good special effects, but it’s too noisy and scattershot to be suspenseful.
  10. Man Down
    Mr. Montiel may have had honorable intentions in creating this movie. But what he made is neither a viable work of art nor an effective call to action. It’s a sadistic and ghoulish spectacle.
  11. Pet
    The pace is patient, the acting solid and the special effects emphasize craft over flash as the characters rejigger our perceptions from one scene to the next.
  12. One More Time with Feeling
    Even in the throes of grief, Mr. Cave retains his mystique as a rock shaman.
  13. Dear Zindagi
    This is a movie that drops quotations from Faulkner and Einstein, but it rarely feels pedantic or platitudinous, thanks to the breezy, assured delivery of Mr. Khan.
  14. Old Stone
    Mr. Ma paints a persuasively bleak scene that could use more psychological and philosophical nuance to go with its painstaking grimness.
  15. Bobby Sands: 66 Days
    Mr. Byrne’s film is a sober, evenhanded recapitulation of Sands’s imprisonment and death that places him in a historical context.
  16. Mifune: The Last Samurai
    It’s a brisk and energetic primer for those who don’t know his movies or are ready to watch them again. And it doubles as a history of the chanbara (sword fighting) genre, providing an opportunity to sample clips from seldom-seen or partially lost silent films.
  17. Tank 432
    This British thriller is a high-concept tease that slogs its way through a morass of barely differentiated characters and visuals before reaching an unsatisfying conclusion.
  18. Seasons
    The movie’s cinematographers may hog the limelight, but it’s the sweat of the sound engineers that brings their work to life.
  19. Always Shine
    Always Shine is a deft, assured movie with a sly self-reflexive undercurrent containing commentary on sexism and self-idealization that’s provocative, and sometimes disturbing.
  20. Baden Baden
    It’s very fresh and often very funny stuff, communicated in a direct, unforced style.
  21. Evolution
    It’s an impeccable, creepy and genuinely transporting movie.
  22. Miss Sloane
    Partly because Miss Sloane is more a character study than a coherent political drama, it fumbles the issue it purports to address, and it eventually runs aground in a preposterous ending.
  23. Lion
    As a purely emotional experience it succeeds without feeling too manipulative or maudlin. I mean, it is manipulative and maudlin, but in a way that seems fair and transparent. Still, it isn’t quite satisfying.
  24. Moana
    There are some touching and amusing zigzags on the way to the film’s sweet and affirmative conclusion.
  25. Rules Don't Apply
    The wonder of the movie, which Mr. Beatty wrote and directed from a story he wrote with Bo Goldman, is that it is so good-humored. Fools and idiots abound, but demonic, systemic evil does not.
  26. Allied
    It’s not so much a work of art as a triumph of craft, and therefore a reminder of the deep pleasures of old-fashioned technique and long experience.
  27. Bad Santa 2
    Even the profanity has lost its zing in this cut-rate retread, which mostly prompts admiration for how far Mr. Zwigoff ran with one joke.
  28. Off the Rails
    An assured and thoughtful debut.
  29. Magnus
    [An] insipid and uninformative portrait of singularity and obsession.
  30. Life on the Line
    Underappreciated occupations deserve better than the cliché-clogged, utterly predictable Life on the Line, a terrible movie about the workers who keep the electrical grid functioning.
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