The New York Times' Scores

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For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,380 out of 20278
  2. Mixed: 8,434 out of 20278
  3. Negative: 2,464 out of 20278
20278 movie reviews
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  1. Futura
    Anyone with a heart will be stirred by the generous, critical, humanist spirit shared by the kids in front of the camera and the grown-ups on the other side.
  2. A Taste of Hunger
    The effect is a movie that resembles nothing so much as the centerpiece of the Malus menu — a hot dog made with elevated ingredients.
  3. The Fallout
    Ortega nails her role as a levelheaded teen who, nevertheless, is still a teen, reeling from an unthinkable event on top of the usual growing pains.
  4. Sundown
    Sundown lands more like a one-note thought exercise than a fully fleshed out story.
  5. Compartment No. 6
    Part of what makes Compartment No. 6 engrossing and effective is how Kuosmanen plays with tone.
  6. Beyond the Infinite Two Minutes
    While there is much to admire in this scrappy, micro-budgeted debut feature, its sci-fi shenanigans are too convoluted and its visuals too claustrophobic to sustain interest.
  7. Introduction
    Shot in black and white (with Hong serving, for the first time, as cinematographer) and clocking in at a little more than an hour, Introduction is both lucid and elusive.
  8. Salt in My Soul
    Salt in My Soul is extremely painful to watch, especially as it shows the roller coaster of Smith’s recurring hospitalizations. But it does paint a vivid portrait of who she was and what she believed.
  9. The Tiger Rising
    The metaphors are so obvious that the film becomes trapped in its own cage of archetypes and clichés, and unlike the tiger, there is no champion to open the gates to a more original cinematic world.
  10. Nocturna: Side B — Where the Elephants Go to Die
    Calzado uses more experimental techniques to expand his narrative, paralleling the flickering impermanence of filmed images with physical and psychological decay.
  11. Nocturna: Side A — The Great Old Man’s Night
    Sad and strange and deeply upsetting, “Side A” profits from Claudio Beiza’s velvety, gray-green images and a soundtrack pulsing with heartbeats and the distressing whine of Ulysses’s hearing aid.
  12. The Royal Treatment
    The movie comes across as a deliberately, almost defensively, inane trifle; a cupcake whose icing reads, “Enjoy the tooth decay.”
  13. Lunana: A Yak in the Classroom
    The gently efficient story feels like an attempt to illustrate Bhutan’s real-life “Gross National Happiness” initiative.
  14. Donkeyhead
    Despite her minor rebellions, Mona remains a frustratingly opaque character; a stereotypically troubled woman whose eventual awakening merits a shrug at most.
  15. Definition Please
    More touching than riotous, Definition Please proves to be impressively nuanced once it begins revealing why Monica is so prickly around Sonny.
  16. The Last Thing Mary Saw
    The Last Thing Mary Saw is as surprising as it is frustrating.
  17. The King's Daughter
    Here’s a tragic tale: Once upon a time, an action-adventure drama began production. Nearly eight years, a title change and a new distribution plan later, the movie finally sees the light of day. Nothing about it feels worth the wait.
  18. A Shot Through the Wall
    Though attentive to calls for police accountability, and the media’s role in reducing complex issues into simple narratives, Long’s schematic script ramps up theatrics at the expense of more challenging insights.
  19. Munich: The Edge of War
    A plodding bureaucratic procedural that features many, many characters strategizing in various spaces with furrowed brows and clenched jaws, mostly in relentless medium close-up.
  20. Simple Passion
    While keeping a stalwart female perspective, Simple Passion follows an arc so standard it could be called banal.
  21. Why Is We Americans?
    It’s a story that spans past and present, arts and politics, and kin and country — and the movie, with its haphazard editing, struggles to contain it all.
  22. Who We Are: A Chronicle of Racism in America
    It’s a confrontational film, but never an alienating one, and so much of what’s in it is persuasive.
  23. Brazen
    Brazen occasionally scratches the same itch as does a cop procedural, or a Lifetime drama so formulaic you foresee every beat.
  24. Dear Mother
    Adapted by Lafitte from a 2013 play by Sébastien Thiery, Dear Mother is the kind of screwball comedy whose absurd premise and speedy pacing very nearly allow you to overlook the fact that it’s not exceedingly bright or witty.
  25. Belle
    Colors and hearts explode in Belle, and your head might too while watching this gorgeous anime.
  26. A Cops and Robbers Story
    The repetition of verbal and visual storytelling points to the limited scope of this film. A Cops and Robbers Story explores Pegues’s split loyalties, but the talking head interviews tend to isolate characters whose very intimacy is the subject of the film.
  27. Hotel Transylvania: Transformania
    Despite some flourishes (such as a mirror-like crystal cave), “Transformania” feels locked into the routine rhythms of its plotting and makes one-note jokes out of its human incarnations.
  28. The Pink Cloud
    Even as the lockdown accelerates intimacy and conflict between the protagonists, their actions feel inconsequential compared with the greater world outside.
  29. Scream
    Throttled by a corrosive self-awareness, the latest Scream is a slasher movie with resting smug face, so enamored of its own mythology that its characters speak of little else.
    • 96 Metascore
    • 90 Critic Score
    Sansho the Bailiff
    Its impulses, which are profound but not transcendental, follow an esthetic program that is also a moral progression, and that emerges, with superb lucidity, only from the greatest art.
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