For 20,278 reviews, this publication has graded:
-
46% higher than the average critic
-
5% same as the average critic
-
49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
-
Positive: 9,380 out of 20278
-
Mixed: 8,434 out of 20278
-
Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Maya Phillips
Here’s an equation for third-period math: Take “Superbad,” “Booksmart,” and, hell, any teen-party movie, add in a useless overarching conceit, subtract all originality. The result is The Binge, a new Hulu original that is only exceptional in its mind-numbing inanity.- The New York Times
- Posted Aug 27, 2020
- Read full review
-
Reviewed by
-
-
Reviewed by
Caryn James
Johnny Mnemonic looks and feels like a shabby imitation of Blade Runner and Total Recall. It is a disaster in every way.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
One may wonder how Tate Taylor, who has overseen high-profile, conventional, ostensibly respectable Hollywood product like “The Girl on the Train” and “The Help,” came to direct this amoral, repellent bag of sick, a movie whose biggest ambition in life is to start a bidding war at a late 1990s Sundance Film Festival and then bomb at the box office. Call it water finding its own level, maybe.- The New York Times
- Posted Feb 11, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Devika Girish
Those who disagree that abortion is akin to murder are unlikely to be persuaded, and even those on the fence might struggle to sit through the hammy acting and poor production values.- The New York Times
- Posted Apr 1, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Kristen Yoonsoo Kim
Donny’s Bar Mitzvah — which is littered with chaotic party scenes of horny, dysfunctional attendees — oscillates between offensive and offensively unamusing.- The New York Times
- Posted Mar 23, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
It’s not just the title character who fails to thrive. The filmmaking is on occasion, to put it kindly, fractured.- The New York Times
- Posted Apr 29, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Jeannette Catsoulis
Treacly and manipulative, Dear Evan Hansen turns villain into victim and grief into an exploitable vulnerability. It made me cringe.- The New York Times
- Posted Sep 23, 2021
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
- The New York Times
- Posted Jun 10, 2021
- Read full review
-
- The New York Times
- Posted Jun 3, 2021
- Read full review
-
-
Reviewed by
Teo Bugbee
The movie treats illness as a series of contrivances, an engine that keeps the plot pistoning forward, and the result of this approach is a film that feels lifeless, or worse, reductive.- The New York Times
- Posted Jul 22, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Walter Goodman
Written and directed by Frank Henenlotter, this oozer specializes in unspecial effects and unspeakable acting. Strictly for the brain damaged.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Amy Nicholson
Who’s the real victim here? The audience — yet Kemper’s no-nonsense pixie who suffers a dozen thumbtacks to the face runs a close second.- The New York Times
- Posted Nov 11, 2021
- Read full review
-
Reviewed by
-
-
Reviewed by
Wesley Morris
The only thing I want less than a thriller about a school shooting is a thriller whose other main character is the main character’s iPhone.- The New York Times
- Posted Feb 25, 2022
- Read full review
-
Reviewed by
-
-
Reviewed by
Wesley Morris
It’s all a mess of ideology and theology, of flowing robes, flying fists, karma, camp, cant and can’t: can’t act, can’t kick, can’t marshal any art.- The New York Times
- Posted Mar 17, 2022
- Read full review
-
Reviewed by
-
-
Reviewed by
Beandrea July
Despite her strong effort, even Thompson can’t deliver the film’s attempt at a three-dimensional female protagonist. There is truly no magic here.- The New York Times
- Posted Sep 29, 2022
- Read full review
-
Reviewed by
-
-
Reviewed by
Glenn Kenny
This endeavor might have tried the alternative title “Die Hard on a Budget,” except even that would have been hopelessly optimistic.- The New York Times
- Posted Jan 5, 2023
- Read full review
-
Reviewed by
-
-
Reviewed by
Calum Marsh
Between its old-hat story, flagrantly distasteful humor and lousy visual effects, Virtually Heroes feels as if it’s been sitting on a shelf for a lot longer than 10 years. It probably should have remained there.- The New York Times
- Posted Jan 19, 2023
- Read full review
-
Reviewed by
-
-
Reviewed by
Calum Marsh
This tedious, unfunny, screamingly unoriginal romantic adventure film is so flimsy and so insubstantial that it’s practically vaporous.- The New York Times
- Posted Apr 20, 2023
- Read full review
-
Reviewed by
-
-
Reviewed by
Brandon Yu
The film is so graceless and bizarre in its attempts at tugging at the viewer’s emotions that it often feels like a work of parody.- The New York Times
- Posted Apr 21, 2023
- Read full review
-
Reviewed by
-
-
Reviewed by
Vincent Canby
The movie, which Mr. Aldrich directed from a screenplay by Christopher Knopf, is cheap and nasty without having any redeeming vulgarity and absolutely no conviction of truth.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Erik Piepenburg
Now that the third and mercifully final film has flumped into theaters, this empty trilogy offers few worthwhile returns other than well-duh horror lessons that should (but won’t) sink in: Leave good horror alone, and relentless cat-and-mouse games do not a movie make.- The New York Times
- Posted Feb 5, 2026
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
This imbecilic, mean-spirited farce, which sneers at adults, leaves you wondering: where are the Three Stooges when we really need them?- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Stephen Holden
The Singing Forest was written and directed by Jorge Ameer, whose film "Strippers" opened three years ago and remained the single worst movie I had ever reviewed -- until now.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Ned Martel
It is hard to know what exactly Mr. Palumbo is trying to say in his debased film.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
So inept on every level, you wonder why the distributor didn't release it straight to video, or better, toss it directly into the trash.- The New York Times
- Read full review
-
Reviewed by
-
- The New York Times
- Read full review
-
-
Reviewed by
Laura Kern
The only thing this so-called cautionary tale will inspire audiences to do is to never sit through another insultingly awful piece of exploitative trash "conceived" by David DeFalco.- The New York Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Stephen Holden
Even by the standards of its bottom-feeding genre, Dirty Love clings to the gutter like a rat in garbage.- The New York Times
- Read full review
-
Reviewed by