The New York Times' Scores

For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20278 movie reviews
  1. Here’s an equation for third-period math: Take “Superbad,” “Booksmart,” and, hell, any teen-party movie, add in a useless overarching conceit, subtract all originality. The result is The Binge, a new Hulu original that is only exceptional in its mind-numbing inanity.
  2. Johnny Mnemonic looks and feels like a shabby imitation of Blade Runner and Total Recall. It is a disaster in every way.
  3. One may wonder how Tate Taylor, who has overseen high-profile, conventional, ostensibly respectable Hollywood product like “The Girl on the Train” and “The Help,” came to direct this amoral, repellent bag of sick, a movie whose biggest ambition in life is to start a bidding war at a late 1990s Sundance Film Festival and then bomb at the box office. Call it water finding its own level, maybe.
  4. Those who disagree that abortion is akin to murder are unlikely to be persuaded, and even those on the fence might struggle to sit through the hammy acting and poor production values.
  5. Donny’s Bar Mitzvah — which is littered with chaotic party scenes of horny, dysfunctional attendees — oscillates between offensive and offensively unamusing.
  6. It’s not just the title character who fails to thrive. The filmmaking is on occasion, to put it kindly, fractured.
  7. Treacly and manipulative, Dear Evan Hansen turns villain into victim and grief into an exploitable vulnerability. It made me cringe.
  8. Movies don't get more derivative or less comic than this.
  9. Rogue Hostage is shoddy work.
  10. An insufferable movie.
  11. The movie treats illness as a series of contrivances, an engine that keeps the plot pistoning forward, and the result of this approach is a film that feels lifeless, or worse, reductive.
  12. Written and directed by Frank Henenlotter, this oozer specializes in unspecial effects and unspeakable acting. Strictly for the brain damaged.
  13. Who’s the real victim here? The audience — yet Kemper’s no-nonsense pixie who suffers a dozen thumbtacks to the face runs a close second.
  14. The only thing I want less than a thriller about a school shooting is a thriller whose other main character is the main character’s iPhone.
  15. It’s all a mess of ideology and theology, of flowing robes, flying fists, karma, camp, cant and can’t: can’t act, can’t kick, can’t marshal any art.
  16. Despite her strong effort, even Thompson can’t deliver the film’s attempt at a three-dimensional female protagonist. There is truly no magic here.
  17. This endeavor might have tried the alternative title “Die Hard on a Budget,” except even that would have been hopelessly optimistic.
  18. Between its old-hat story, flagrantly distasteful humor and lousy visual effects, Virtually Heroes feels as if it’s been sitting on a shelf for a lot longer than 10 years. It probably should have remained there.
  19. This tedious, unfunny, screamingly unoriginal romantic adventure film is so flimsy and so insubstantial that it’s practically vaporous.
  20. The film is so graceless and bizarre in its attempts at tugging at the viewer’s emotions that it often feels like a work of parody.
  21. The movie, which Mr. Aldrich directed from a screenplay by Christopher Knopf, is cheap and nasty without having any redeeming vulgarity and absolutely no conviction of truth.
  22. Now that the third and mercifully final film has flumped into theaters, this empty trilogy offers few worthwhile returns other than well-duh horror lessons that should (but won’t) sink in: Leave good horror alone, and relentless cat-and-mouse games do not a movie make.
  23. This imbecilic, mean-spirited farce, which sneers at adults, leaves you wondering: where are the Three Stooges when we really need them?
  24. A futuristic vomitorium of bosoms and bullets.
  25. The Singing Forest was written and directed by Jorge Ameer, whose film "Strippers" opened three years ago and remained the single worst movie I had ever reviewed -- until now.
  26. It is hard to know what exactly Mr. Palumbo is trying to say in his debased film.
  27. So inept on every level, you wonder why the distributor didn't release it straight to video, or better, toss it directly into the trash.
  28. Incoherent mess of a film.
  29. The only thing this so-called cautionary tale will inspire audiences to do is to never sit through another insultingly awful piece of exploitative trash "conceived" by David DeFalco.
  30. Even by the standards of its bottom-feeding genre, Dirty Love clings to the gutter like a rat in garbage.

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