The New York Times' Scores

For 20,278 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20278 movie reviews
  1. A movie that feels like punishment for a crime you can't remember committing.
  2. Rarely has a film exhibited a bigger disconnect between urban realism and utter ludicrousness.
  3. Did I mention that Upside Down is simply awful?
  4. The only reason I can think of to watch Vivi Friedman's flat, satirical farce The Family Tree - and it's not a good enough reason - is the opportunity to play a game of spot the semi-star.
  5. To say that Justin Zackham’s farce The Big Wedding takes the low road doesn’t begin to do justice to the sheer awfulness of this star-stuffed, potty-mouthed fiasco.
  6. His (Fleischer) first feature, "Zombieland," was a half-witty genre parody. This one might be described as genre zombie-ism: the hysterical, brainless animation of dead clichés reduced to purposeless, compulsive killing. Too self-serious to succeed as pastiche, it has no reason for being beyond the parasitic urge to feed on the memories of other, better movies.
  7. The lovebirds' dialogue has the sophistication of a junior high school romance, and Mr. Schaeffer appears to have pasted his story together from the button-pushing plotlines of other films.
  8. The miracle of the new 3-D dance film Battle of the Year is how it can be so relentlessly boring while there is so much frenetic activity on screen.
  9. The Hangover Part III, directed by Todd Phillips from a screenplay he wrote with Craig Mazin, is a dull, lazy walkthrough that along with "The Big Wedding" has a claim to be the year's worst star-driven movie.
  10. Veering from ridiculous to revolting, The Tortured would like to be about more than singed nipples and seared skin. And it is: It's also about cracked toes and lanced eardrums.
  11. The writer and director, Jeff Wadlow, can’t obscure the movie’s misogyny, and he also has a tough time staging a scene and selling a joke. His worst offense is that he has no understanding of the power, gravity and terrible beauty of violent imagery, which means he has no grasp of cinema.
  12. There is also stultifyingly earnest proselytizing and an absolute humor vacuum. Who conceived this ponderous, quasi-evangelical hokum, anyway?
  13. Men are pigs, and women are sick of it, says Girls Against Boys, a dumb, dreary, let's-get-back-at-them slasher in which pulverized genitals pass for feminist critique.
  14. This tedious chronicle has the interest level of a home movie of a vacation with bickering and yammering left intact.
  15. It also offers cold, sterile, cheap-looking computer animation vastly inferior to that of most video games. Ron Paul acolytes, help yourself. Everyone else, stay away.
  16. What does it add up to? Um ... I have no idea and don’t really care. Just because the characters waste their time doesn’t mean you should waste yours watching them circle the drain.
  17. Neither suspenseful nor even comprehensible, John Swetnam’s dashed-off script (carelessly directed by Olatunde Osunsanmi) throws up plenty of red herrings — and a stupendously idiotic ending — but not a single character worth caring about.
  18. A vile, witless sex comedy.
  19. As directed by the actor Dennis Dugan, everyone seems to be yelling their lines and making huge hand gestures instead of acting.
  20. What Horrible Bosses 2 lacks in nasty repartee, it tries to make up for in poorly staged comedy chases and break-ins. It is the Hollywood equivalent of a rambunctious little boy pointing to the toilet and squealing, “Mommy, look what I made!”
  21. The documentary is not really about these older people but about this couple.
  22. This catastrophe of a movie zigzags drunkenly between action-adventure and surreal comedy with some magical realism slopped over it like ketchup.
  23. A terrible movie about a bland, morose young man’s search for love.
  24. If there is any humor to be gleaned from this concept, it is nowhere to be found in a movie so shoddily made that there is little continuity between scenes and not a laugh or even a titter.
  25. A sex comedy can sometimes get by, even if it is deficient in one of the two things that term promises. But a sex comedy that is short on both sex and comedy is unlikely to please anyone.
  26. Sadly, the only thing audiences are likely to find horrific is the acting. Or the possibility that any of these people might make another movie.
  27. Even if we can get past unlikely details (like a mental institution that allows patients to play with scissors), the drab locations and dull performances suck the air out of a story (by Mr. Irving and Rick Santos) that’s every bit as troubled as its unappealing heroine.
  28. Attention must be paid when a movie is as aggressively awful as Harry and the Hendersons, though it's so pin-headed that it could be the last of its inbred line. It's not likely to spawn.
  29. The humor, when it isn’t overcooked, can be downright insulting or worse.
  30. This terrible attempt at a political thriller for the religious right is aimed not at Christians in general but at a certain breed of them, the kind who feel as if the rest of the world were engaged in a giant conspiracy against their interpretation of good and truth.

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