For 20,278 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,380 out of 20278
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Mixed: 8,434 out of 20278
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Negative: 2,464 out of 20278
20278
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jeannette Catsoulis
A movie that feels like punishment for a crime you can't remember committing.- The New York Times
- Posted Jun 2, 2011
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Reviewed by
Stephen Holden
Rarely has a film exhibited a bigger disconnect between urban realism and utter ludicrousness.- The New York Times
- Posted Jan 26, 2012
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- The New York Times
- Posted Mar 14, 2013
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Reviewed by
Stephen Holden
The only reason I can think of to watch Vivi Friedman's flat, satirical farce The Family Tree - and it's not a good enough reason - is the opportunity to play a game of spot the semi-star.- The New York Times
- Posted Aug 25, 2011
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Reviewed by
Stephen Holden
To say that Justin Zackham’s farce The Big Wedding takes the low road doesn’t begin to do justice to the sheer awfulness of this star-stuffed, potty-mouthed fiasco.- The New York Times
- Posted Apr 25, 2013
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A.O. Scott
His (Fleischer) first feature, "Zombieland," was a half-witty genre parody. This one might be described as genre zombie-ism: the hysterical, brainless animation of dead clichés reduced to purposeless, compulsive killing. Too self-serious to succeed as pastiche, it has no reason for being beyond the parasitic urge to feed on the memories of other, better movies.- The New York Times
- Posted Jan 10, 2013
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Neil Genzlinger
The lovebirds' dialogue has the sophistication of a junior high school romance, and Mr. Schaeffer appears to have pasted his story together from the button-pushing plotlines of other films.- The New York Times
- Posted Jan 26, 2012
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Reviewed by
Miriam Bale
The miracle of the new 3-D dance film Battle of the Year is how it can be so relentlessly boring while there is so much frenetic activity on screen.- The New York Times
- Posted Sep 19, 2013
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Stephen Holden
The Hangover Part III, directed by Todd Phillips from a screenplay he wrote with Craig Mazin, is a dull, lazy walkthrough that along with "The Big Wedding" has a claim to be the year's worst star-driven movie.- The New York Times
- Posted May 22, 2013
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Reviewed by
Jeannette Catsoulis
Veering from ridiculous to revolting, The Tortured would like to be about more than singed nipples and seared skin. And it is: It's also about cracked toes and lanced eardrums.- The New York Times
- Posted Jun 15, 2012
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Reviewed by
Manohla Dargis
The writer and director, Jeff Wadlow, can’t obscure the movie’s misogyny, and he also has a tough time staging a scene and selling a joke. His worst offense is that he has no understanding of the power, gravity and terrible beauty of violent imagery, which means he has no grasp of cinema.- The New York Times
- Posted Aug 15, 2013
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Andy Webster
There is also stultifyingly earnest proselytizing and an absolute humor vacuum. Who conceived this ponderous, quasi-evangelical hokum, anyway?- The New York Times
- Posted Nov 23, 2012
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Reviewed by
Jeannette Catsoulis
Men are pigs, and women are sick of it, says Girls Against Boys, a dumb, dreary, let's-get-back-at-them slasher in which pulverized genitals pass for feminist critique.- The New York Times
- Posted Jan 31, 2013
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Reviewed by
Nicolas Rapold
This tedious chronicle has the interest level of a home movie of a vacation with bickering and yammering left intact.- The New York Times
- Posted Mar 7, 2013
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Reviewed by
Andy Webster
It also offers cold, sterile, cheap-looking computer animation vastly inferior to that of most video games. Ron Paul acolytes, help yourself. Everyone else, stay away.- The New York Times
- Posted Mar 21, 2013
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Reviewed by
Stephen Holden
What does it add up to? Um ... I have no idea and don’t really care. Just because the characters waste their time doesn’t mean you should waste yours watching them circle the drain.- The New York Times
- Posted May 2, 2013
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Reviewed by
Jeannette Catsoulis
Neither suspenseful nor even comprehensible, John Swetnam’s dashed-off script (carelessly directed by Olatunde Osunsanmi) throws up plenty of red herrings — and a stupendously idiotic ending — but not a single character worth caring about.- The New York Times
- Posted Jul 18, 2013
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- The New York Times
- Posted Jan 30, 2014
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Reviewed by
Caryn James
As directed by the actor Dennis Dugan, everyone seems to be yelling their lines and making huge hand gestures instead of acting.- The New York Times
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Stephen Holden
What Horrible Bosses 2 lacks in nasty repartee, it tries to make up for in poorly staged comedy chases and break-ins. It is the Hollywood equivalent of a rambunctious little boy pointing to the toilet and squealing, “Mommy, look what I made!”- The New York Times
- Posted Nov 25, 2014
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Reviewed by
Miriam Bale
The documentary is not really about these older people but about this couple.- The New York Times
- Posted Oct 3, 2013
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Reviewed by
Stephen Holden
This catastrophe of a movie zigzags drunkenly between action-adventure and surreal comedy with some magical realism slopped over it like ketchup.- The New York Times
- Posted Nov 14, 2013
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Neil Genzlinger
A terrible movie about a bland, morose young man’s search for love.- The New York Times
- Posted Feb 6, 2014
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Stephen Holden
If there is any humor to be gleaned from this concept, it is nowhere to be found in a movie so shoddily made that there is little continuity between scenes and not a laugh or even a titter.- The New York Times
- Posted Jul 10, 2014
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Reviewed by
Neil Genzlinger
A sex comedy can sometimes get by, even if it is deficient in one of the two things that term promises. But a sex comedy that is short on both sex and comedy is unlikely to please anyone.- The New York Times
- Posted Apr 3, 2014
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Reviewed by
Jeannette Catsoulis
Sadly, the only thing audiences are likely to find horrific is the acting. Or the possibility that any of these people might make another movie.- The New York Times
- Posted Mar 13, 2014
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Reviewed by
Jeannette Catsoulis
Even if we can get past unlikely details (like a mental institution that allows patients to play with scissors), the drab locations and dull performances suck the air out of a story (by Mr. Irving and Rick Santos) that’s every bit as troubled as its unappealing heroine.- The New York Times
- Posted Mar 27, 2014
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Reviewed by
Vincent Canby
Attention must be paid when a movie is as aggressively awful as Harry and the Hendersons, though it's so pin-headed that it could be the last of its inbred line. It's not likely to spawn.- The New York Times
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Reviewed by
Andy Webster
The humor, when it isn’t overcooked, can be downright insulting or worse.- The New York Times
- Posted Jun 26, 2014
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Reviewed by
Neil Genzlinger
This terrible attempt at a political thriller for the religious right is aimed not at Christians in general but at a certain breed of them, the kind who feel as if the rest of the world were engaged in a giant conspiracy against their interpretation of good and truth.- The New York Times
- Posted Jul 17, 2014
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Reviewed by