For 20,280 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,381 out of 20280
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Mixed: 8,435 out of 20280
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Negative: 2,464 out of 20280
20280
movie
reviews
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- By Critic Score
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Reviewed by
Janet Maslin
A warm, surprising, gently incandescent film that discreetly describes a family tragedy.- The New York Times
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Reviewed by
Janet Maslin
Beyond its grit and nonchalance, this story has a resigned, reflective, hard-earned wisdom that's unusual in an American film about such familiarly lurid subject matter. It's even more unusual in a film by Spike Lee.- The New York Times
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Reviewed by
Janet Maslin
Though he and his co-stars tackle their roles with mischievous humor, Beeban Kidron's direction stays flat even when the actors are funny.- The New York Times
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Caryn James
It is refreshing to see so much style and life in the old undead tale, and to watch this strong cast with its perfect deadpan attitudes.- The New York Times
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Reviewed by
Janet Maslin
Mr. Clark's vision of these characters is so bleak and legitimately shocking that it makes almost any other portrait of American adolescence look like the picture of Dorian Gray...Kids is far too serious to be tarred as exploitation, and its extremism is both artful and devastatingly effective. Think of this not as cinema verite but as a new strain of post-apocalyptic science fiction, using hyperbole to magnify a kernel of terrible, undeniable truth.- The New York Times
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Stephen Holden
Angels have proliferated in popular culture in such profusion lately that maybe they needed a comeuppance. A few more movies like The Prophecy should stop the whole celestial bandwagon right in its tracks.- The New York Times
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Reviewed by
Janet Maslin
Like "The Quick and the Dead," Desperado wavers uneasily between myth making and parody, so that too many scenes drag on long after they've lost their punch.- The New York Times
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Reviewed by
Janet Maslin
This modest, enormously likable film, about love and temptation and ties that bind, is about brotherhood most of all. [9 August 1995, p.C9]- The New York Times
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Reviewed by
Stephen Holden
The movie's extensive martial arts sequences, in which combatants bounce off each other doing triple handsprings, suggest a slightly more earthbound version of the aerial ballets in Hong Kong action-adventure films.- The New York Times
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- The New York Times
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Reviewed by
Caryn James
The movie The Baby-Sitters Club offers the same comfort factor as the books, but suffers from a definite lack of excitement.- The New York Times
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Reviewed by
Janet Maslin
Goes straight to cult status without quite touching one important base: the audience's emotions. This movie finally isn't anything move than an intricate feat of gamesmanship, but it's still quite something to see.- The New York Times
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Janet Maslin
I Just Wasn't Made for These Times, a documentary about Mr. Wilson that ought to fascinate anyone who's ever turned on a car radio in America, does more than induce this legendary rock recluse to speak for himself. . . . This film also illuminates the music itself and makes interesting, accessible sense of Mr. Wilson's very real genius.- The New York Times
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Janet Maslin
False and condescending films in this genre are nothing new, but Dangerous Minds steamrollers its way over some real talent.- The New York Times
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Reviewed by
Janet Maslin
Here, instead, is Keanu Reeves in one of his off roles, sleepwalking dutifully but seeming to share the audience's bewilderment over how he wound up in this awkward, slow-moving story.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
The movie maintains a refreshingly light touch in spinning a fable about individualism and conformity.- The New York Times
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Reviewed by
Janet Maslin
If all of Virtuosity were as tightly controlled as that, it would exert a greater fascination than it finally does.- The New York Times
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Reviewed by
Stephen Holden
It is wonderful at conveying a sense of suffocating ennui. Too wonderful, since the story is so sketchily told and the dialogue is so fragmentary that it doesn't quite cohere. The characters remain hazy ciphers in the torpid atmosphere of a place you'll never want to visit.- The New York Times
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Reviewed by
Janet Maslin
It's rambling and unfocused, but still fresh enough to break the usual Hollywood mold.- The New York Times
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Reviewed by
Janet Maslin
It lacks the coherent fantasy of truly enveloping science fiction, preferring to concentrate on flashy, isolated stunts that say more about expense than expertise. [28 July 1995]- The New York Times
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Caryn James
This paranoid fantasy is so resonant that it makes The Net an enjoyably creepy thriller, even though Irwin Winkler belongs to the nothing-is-too-obvious school of directing.- The New York Times
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Janet Maslin
Operation Dumbo Drop is painlessly good-humored by any lights, but the viewers most likely to enjoy all this are those most easily driven to giggles by the idea of elephant poop.- The New York Times
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Reviewed by
Janet Maslin
Wonderfully funny behind-the-scenes look at the perils of film making, no-budget style.- The New York Times
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Janet Maslin
Even if Clueless runs out of gas before it's over, most of it is as eye-catching and cheery as its star. [19 July 1995]- The New York Times
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Reviewed by
Janet Maslin
With its long silences washed over by banal, overused music, The Indian in the Cupboard is best watched for its ingenious tricks of scale and for an invitingly peaceful look. [14 July 1995, p.C3]- The New York Times
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Reviewed by
Stephen Holden
Although Under Siege 2 isn't credible for a single moment, its director, Geoff Murphy, has done a smoothly efficient job of coordinating the action sequences.- The New York Times
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Reviewed by
Janet Maslin
Nine Months is slick, phony and uneven, but it's often raucously funny too. And Mr. Grant displays enough intelligence and sportsmanship to emerge from this ordeal as a major Hollywood star.- The New York Times
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Reviewed by
Caryn James
The director, Roger Donaldson, best known for the Kevin Costner thriller No Way Out, keeps the film moving. But there is only so much suspense he can generate from this stock story and familiar-looking special effects. Species may work best for viewers who don't like to be too scared by horror movies; it's reassuringly familiar.- The New York Times
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Reviewed by
Janet Maslin
You can know every glitch that made this such a dangerous mission, and Apollo 13 will still have you by the throat.- The New York Times
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