The New York Times' Scores

Select another publication »
For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,412 out of 20335
  2. Mixed: 8,455 out of 20335
  3. Negative: 2,468 out of 20335
20335 movie reviews
view
per page
  1. Gigantic
    With its off-center dialogue and upscale industrial settings, Gigantic strains to be original. But beneath its indie affectations it is really another contemplation of generational misunderstanding.
  2. Paris 36
    So shameless in its pandering, sentimental vision of Frenchness as to constitute something of a national embarrassment.
  3. The Song of Sparrows
    Although The Song of Sparrows has some of the trappings of a naturalistic drama, it is really a series of strict moral lessons pieced together into an austere Islamic sermon.
  4. Forbidden Lie$
    Cool-headed, lighthearted and outrageously entertaining.
  5. Lifelines
    Starts promisingly, with a sharp comedic bite and genuine compassion for this fraught family dynamic, but soon gives way to the kind of compressed, schematic psychodrama endemic to (if no more welcome on) the stage.
  6. Tulpan
    Might be described as an epic landscape film, a sweetly comic coming-of-age story or a lyrical work of social realism. But the setting -- a windswept, sparely populated steppe in southern Kazakhstan -- gives the movie a mood that sometimes feels closer to that of science fiction.
  7. Goodbye Solo
    Grace is also what defines Mr. Bahrani's filmmaking. I can't think of anything else to call the quality of exquisite attention, wry humor and wide-awake intelligence that informs every frame of this almost perfect film.
  8. Monsters vs Aliens
    The movie is curiously unmemorable, partly because nearly all of its humor depends on your having seen something like it before, even if you haven't.
  9. Spinning Into Butter
    Less a movie than an essay.
  10. The Education of Charlie Banks
    Probes class consciousness with rather more sensitivity than originality.
  11. 12 Rounds
    There are, as you may have guessed, 12 rounds of this arbitrary nonsense. Annoying as the conceit may be, it neatly functions as a means to gauge how much is left to endure.
  12. American Swing
    It leaves you feeling queasy.
  13. The Haunting in Connecticut
    Gives you the creeps, the giggles and the groans in almost equal measure.
  14. Guest of Cindy Sherman
    At once a fascinating behind-the-scenes glimpse, bittersweet autobiography and witty trip down art-world memory lane, Guest of Cindy Sherman isn't out to settle scores or exploit access, public or otherwise.
  15. Shall We Kiss?
    The players in this mouth-watering Gallic soufflé are so attractive, well mannered and comfortably grounded in the bourgeois world that you needn’t fear for their well-being, minor heartaches notwithstanding.
  16. Knowing
    The draggy, lurching two hours of Knowing will make you long for the end of the world, even as you worry that there will not be time for all your questions to be answered.
  17. Sin Nombre
    What keeps the movie from tipping into full-blown exploitation like "City of God," which turns third-world misery into art-house thrills, is Mr. Fukunaga's sincerity. What keeps you watching is his superb eye.
  18. I Love You, Man
    A fitfully funny comedy.
  19. Duplicity
    Superior entertainment, the most elegantly pleasurable movie of its kind to come around in a very long time.
  20. Bob Funk
    Looks like a comedy, acts like a comedy and sounds like a comedy, but it isn't funny. This is a problem in a movie that aims for laughs.
  21. The Great Buck Howard
    An agreeable show business satire with a warm heart.
  22. Skills Like This
    Drawing much of its energy from an eclectic and fully integrated soundtrack, Skills Like This gazes indulgently on 20-something aimlessness and the comfort of assigned roles. In Mr. Miranda's hands sloth can be more appealing than you might think.
  23. Valentino: The Last Emperor
    Watching the movie is a little like gorging on chocolate and Champagne until that queasy moment arrives when you realize you’ve consumed far too much.
  24. Sunshine Cleaning
    All in all, it's a mess, and much as Ms. Blunt pouts, Ms. Adams twinkles, and Mr. Arkin growls, there's nothing they can do to clean it up.
  25. Miss March
    The problem with Miss March is that it isn't very funny.
  26. The Last House on the Left
    Replacing the earlier movie's more depraved sequences with sustained tension and truly unnerving editing, the director proves adept at managing mayhem in cramped spaces.
  27. The Cake Eaters
    Superior acting elevates a small, overcrowded ensemble piece set in rural upstate New York into something a little deeper and truer than the mawkish disease-of-the-week movie it threatens to become.
  28. The Edge of Love
    The story here, plucked from Thomas's life and embellished, proves almost entirely devoid of interest.
  29. The Perfect Sleep
    Easy on the eyes but brutal on the ears.
  30. Race to Witch Mountain
    Modest and diverting, rough and bland, with some good (if not quite Bette Davis caliber) actors and so-so special effects.
Page:

Top Trailers

See all »
See all trailers »