The New York Times' Scores

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For 20,335 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,412 out of 20335
  2. Mixed: 8,455 out of 20335
  3. Negative: 2,468 out of 20335
20335 movie reviews
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  1. The Informers
    Nearly every time Mr. Jordan, working from a script by Mr. Ellis and Nicholas Jarecki, tries for similar effects, he goes badly awry, so that you snicker when the movie is trying to be poignant and groan when it aims to make a joke.
  2. Obsessed
    The movie’s most disturbing aspect, of which the filmmakers could not have been unaware, is the physical resemblance between Mr. Elba and Ms. Larter to O. J. and Nicole Brown Simpson. It lends Obsessed a distasteful taint of exploitation.
  3. Fighting
    Not everything that happens in Fighting entirely makes sense -- it’s a fable, after all, and a fable doesn't necessarily have to -- but it breathes with a rough, exuberant realism that you rarely see in movies of its kind.
  4. Il Divo
    As operatic cinema, it ranks alongside the best of Martin Scorsese and Francis Ford Coppola.
  5. The Soloist
    The film is imperfect, periodically if unsurprisingly sentimental, overly tidy and often very moving.
  6. Throw Down Your Heart
    The gentle, upbeat documentary Throw Down Your Heart chronicles the African pilgrimage of the American banjo virtuoso Béla Fleck in search of the origins of his chosen instrument.
  7. Tyson
    Mr. Toback's film, partly because it restricts itself to Mr. Tyson's point of view, offers a rare and vivid study in the complexity of a single suffering, raging soul. It is not an entirely trustworthy movie, but it does feel profoundly honest.
  8. Empty Nest
    The film dithers along with Leonardo, whose self-involved tedium -- and the movie's -- is occasionally interrupted by fantasy sequences.
  9. Earth
    This is nature defanged and declawed for kiddie consumption, so the emphasis is on awwww-filled moments.
  10. Treeless Mountain
    The problem is that while the children are lovely because they are children, there is nothing inherently interesting about them or their lives.
  11. State of Play
    A superficially clever, self-important and finally incoherent thriller.
  12. 17 Again
    The director, Burr Steers, whose other credits include “Igby Goes Down” and stints directing TV shows, keeps people and things moving fast enough so that you don’t have time to worry about the details, like the inanity of the story.
  13. American Violet
    The movie's staunchly liberal point of view extends to the 2000 presidential election, which is shown unfolding in the background. Al Gore's concession speech is used to suggest that the systemic racism in Melody is a symptom of a broader climate of injustice.
  14. Crank: High Voltage
    Boorish, bigoted and borderline pornographic.
  15. Every Little Step
    The premise of Every Little Step is no less inspired for seeming so simple and obvious, and it pays tribute to the durability and continued relevance of “A Chorus Line,” which first opened in New York in 1975, before many of the performers in the movie were born.
  16. Is Anybody There?
    What balances the movie is Mr. Caine's exceptional portrayal of old age as the accumulation of a lifetime's experience. In his performance the child, the youthful rogue and the forgetful codger all live at once.
  17. Lemon Tree
    A wrenching, richly layered feminist allegory as well as a geopolitical one.
  18. Sleep Dealer
    The plot of Sleep Dealer is a bit thin, and the performances are earnest and dutiful. But there is sufficient ingenuity in the film’s main ideas to hold your attention, and the political implications of the allegorical story are at once obvious and subtle.
  19. Anvil! The Story of Anvil
    Mr. Reiner and Mr. Kudlow may not quite merit full-metal glory, but they don't deserve oblivion either, and Anvil! The Story of Anvil makes both a case and a place for their band.
  20. Dragonball: Evolution
    May or may not appeal to fans of the Japanese fantasy franchise it is based on, but aficionados of apocalyptic teenybopper kung fu extravaganzas are in for a real treat.
  21. Hannah Montana: The Movie
    It's just as awesome as the tv show only bigger and prettier.
  22. The Mysteries of Pittsburgh
    A clumsy and confused adaptation of Michael Chabon's 1988 novel.
  23. Observe and Report
    If you thought Abu Ghraib was a laugh riot then you might love Observe and Report, a potentially brilliant conceptual comedy that fizzles because its writer and director, Jody Hill, doesn't have the guts to go with his spleen.
  24. Lymelife
    Despite such floundering, Lymelife keeps you hooked, mostly through Mr. Hutton, Mr. Baldwin and Kieran Culkin as Scott's older brother, Jimmy.
  25. Adventureland
    Somehow the story of a young man's coming of age never gets old, at least when it is told with the kind of sweetness and intelligence Adventureland displays.
  26. Sugar
    It is both sad and hopeful, but the film's sorrow and its optimism arise from its rarest and most thrilling quality, which is its deep and humane honesty.
  27. Alien Trespass
    A charmingly sentimental but ultimately pointless hommage to the sci-fi classics of yesteryear, Alien Trespass proves only that while styles and technology have moved on, the affection for corn is everlasting.
  28. Bart Got a Room
    The movie imprisons its talented cast (including Alia Shawkat as Danny’s overlooked soul mate and Brandon Hardesty as his worldly best friend) in roles that leave little room for anything but caricature.
  29. The Escapist
    Shapes a standard prison-break drama into a metaphysical study of freedom and reparation.
  30. Fast & Furious
    Inoffensive if uninspired.
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