For 20,271 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,377 out of 20271
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Mixed: 8,430 out of 20271
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Negative: 2,464 out of 20271
20271
movie
reviews
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Reviewed by
Janet Maslin
Shakespeare meets Sherlock, and makes for pure enchantment in the inspired conjecture behind Shakespeare in Love.- The New York Times
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Dana Stevens
It represents something stranger and, to those of us with only a secondhand or thirdhand knowledge of that history, more disturbing: a survivor's conviction that there were aspects of the experience itself that can only be described as beautiful.- The New York Times
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Reviewed by
A.O. Scott
A rich sense of mystery pervades this movie. You succumb to its strangeness the way that a child is enveloped in a bedtime story, trusting the teller even when you don’t fully understand the tale or know where it’s going.- The New York Times
- Posted Nov 29, 2018
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Manohla Dargis
A tour de force that is at once an affecting portrait of a people in flux and a soulful, generous-hearted autobiographic testament from one of our greatest living filmmakers.- The New York Times
- Posted May 8, 2025
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Stephen Holden
If there's one movie that ought to be studied by military and civilian leaders around the world at this treacherous historical moment, it is The Fog of War, Errol Morris's sober, beautifully edited documentary portrait of the former United States defense secretary Robert S. McNamara.- The New York Times
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Lisa Kennedy
Exquisite use of close-ups, fluid editing and a deeply observant sound design renders Mack’s story tactile but also poetic, making plain that the salt here is the stuff of tears, the stuff of sorrows and of joys.- The New York Times
- Posted Nov 2, 2023
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A.O. Scott
Encountered in an appropriately exploratory frame of mind, it can produce something close to bliss.- The New York Times
- Posted Mar 4, 2011
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Stephen Holden
Mr. Ledger magically and mysteriously disappears beneath the skin of his lean, sinewy character. It is a great screen performance, as good as the best of Marlon Brando and Sean Penn.- The New York Times
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- The New York Times
- Posted Mar 15, 2012
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The weird and wonderful history of H. M. S. Bounty is magnificently transferred to the screen in Mutiny on the Bounty, which opened at the Capitol Theatre yesterday. Grim, brutal, sturdily romantic, made out of horror and desperate courage, it is as savagely exciting and rousingly dramatic a photoplay as has come out of Hollywood in recent years.- The New York Times
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A.O. Scott
Spider-Man: Into the Spider-Verse contains a vital element that has been missing from too many recent superhero movies: fun.- The New York Times
- Posted Dec 13, 2018
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Teo Bugbee
The film’s most impressive quality is its nuanced understanding of how political circumstances create different spheres of life.- The New York Times
- Posted Jun 8, 2023
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A.O. Scott
There is no comfort in Coen’s vision, but his rigor — and Washington’s vigor — are never less than exhilarating.- The New York Times
- Posted Dec 22, 2021
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A.O. Scott
Particle Fever is a fascinating movie about science, and an exciting, revealing and sometimes poignant movie about scientists.- The New York Times
- Posted Mar 4, 2014
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Dana Stevens
Certainly one of the strangest and most interesting movies of the year, and I suspect that in years to come a number of other strange and interesting movies will show traces of its influence.- The New York Times
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Janet Maslin
Unless the viewer has ever been inside an anthill, Microcosmos is sure to reveal a strange and transfixing secret universe, one in which even the physics of splashing raindrops looks suddenly new.- The New York Times
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Calum Marsh
The animals act like real animals, not like cartoons or humans, and that restraint gives their adventure an authenticity that, in moments of both delight and peril, makes the emotion that much more powerful. With the caveat that I’m a cat lover, I was deeply moved.- The New York Times
- Posted Nov 21, 2024
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Stephen Holden
The evenness of its emotional pitch almost incidentally helps the film become an unusually deep exploration of sports, machismo and the competitive spirit.- The New York Times
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Life Itself is a work of deftness and delicacy, by turns a film about illness and death, about writing, about cinema and, finally, and very movingly a film about love.- The New York Times
- Posted Jul 3, 2014
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A.O. Scott
The Shape of Water is partly a code-scrambled fairy tale, partly a genetically modified monster movie, and altogether wonderful.- The New York Times
- Posted Nov 30, 2017
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Ben Kenigsberg
For the director, putting family members on camera clearly had a therapeutic value. Witnessing that unburdening feels almost ancillary, even intrusive. But Rewind could only be made by this filmmaker in this way, and that gives it an unsettling fascination.- The New York Times
- Posted May 7, 2020
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Dana Stevens
While this film can seem politically simplistic, it is nonetheless psychologically astute, and more complicated than it at first appears.- The New York Times
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Reviewed by
Ben Kenigsberg
In its humor, its fairy tale origins and the characters’ rounded features, it plays more like a vintage Disney work, only nimbler and freer.- The New York Times
- Posted Nov 20, 2014
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A.O. Scott
Even though Bisbee ’17 depicts a wholesome and harmonious community undertaking, it is a profoundly haunted and haunting film. What we are witnessing is not the commemoration of a past disaster but its reanimation. Every important thing this movie is about is still alive.- The New York Times
- Posted Sep 4, 2018
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Bosley Crowther
Of Adam's Rib we might say, in short, that it isn't solid food but it certainly is meaty and juicy and comically nourishing.- The New York Times
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A.O. Scott
The pleasures of this movie are abundant. The pacing is as swift as a speeding bullet. There are wonderfully evoked lived-in San Francisco locations... And there are splendid set pieces that showcase the perpetually-underrated Don Siegel's great skill a director. This film is efficient, unpretentious and much wittier and more stylish than your average cop movie.- The New York Times
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Reviewed by
Janet Maslin
It weaves life and art into a rich tapestry of love, loss and compassion.- The New York Times
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Reviewed by
Manohla Dargis
It's hard to imagine anyone but Mr. Pitt in the role. He's relaxed yet edgy and sometimes unsettling.- The New York Times
- Posted Sep 22, 2011
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Manohla Dargis
In many respects Ceausescu turns out to be as much the author of this brilliant documentary as the director, Andrei Ujica, who waded through more than 1,000 hours of filmed state propaganda, official news reports and home movies to create a cinematic tour de force that tracks the rise, reign and grim fall of its subject.- The New York Times
- Posted Sep 8, 2011
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Jeannette Catsoulis
With marvelous discipline, Mr. Shapiro crams a wealth of material into a tight 77 minutes, smoothly communicating the group effort required to achieve the perfect shot.- The New York Times
- Posted Oct 31, 2012
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