The New York Times' Scores

For 20,271 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20271 movie reviews
  1. Shakespeare meets Sherlock, and makes for pure enchantment in the inspired conjecture behind Shakespeare in Love.
  2. It represents something stranger and, to those of us with only a secondhand or thirdhand knowledge of that history, more disturbing: a survivor's conviction that there were aspects of the experience itself that can only be described as beautiful.
  3. A rich sense of mystery pervades this movie. You succumb to its strangeness the way that a child is enveloped in a bedtime story, trusting the teller even when you don’t fully understand the tale or know where it’s going.
  4. A tour de force that is at once an affecting portrait of a people in flux and a soulful, generous-hearted autobiographic testament from one of our greatest living filmmakers.
  5. If there's one movie that ought to be studied by military and civilian leaders around the world at this treacherous historical moment, it is The Fog of War, Errol Morris's sober, beautifully edited documentary portrait of the former United States defense secretary Robert S. McNamara.
  6. Exquisite use of close-ups, fluid editing and a deeply observant sound design renders Mack’s story tactile but also poetic, making plain that the salt here is the stuff of tears, the stuff of sorrows and of joys.
  7. Encountered in an appropriately exploratory frame of mind, it can produce something close to bliss.
  8. Mr. Ledger magically and mysteriously disappears beneath the skin of his lean, sinewy character. It is a great screen performance, as good as the best of Marlon Brando and Sean Penn.
  9. A quietly rapturous film about love and redemption.
    • 87 Metascore
    • 100 Critic Score
    The weird and wonderful history of H. M. S. Bounty is magnificently transferred to the screen in Mutiny on the Bounty, which opened at the Capitol Theatre yesterday. Grim, brutal, sturdily romantic, made out of horror and desperate courage, it is as savagely exciting and rousingly dramatic a photoplay as has come out of Hollywood in recent years.
  10. Spider-Man: Into the Spider-Verse contains a vital element that has been missing from too many recent superhero movies: fun.
  11. The film’s most impressive quality is its nuanced understanding of how political circumstances create different spheres of life.
  12. There is no comfort in Coen’s vision, but his rigor — and Washington’s vigor — are never less than exhilarating.
  13. Particle Fever is a fascinating movie about science, and an exciting, revealing and sometimes poignant movie about scientists.
  14. Certainly one of the strangest and most interesting movies of the year, and I suspect that in years to come a number of other strange and interesting movies will show traces of its influence.
  15. Unless the viewer has ever been inside an anthill, Microcosmos is sure to reveal a strange and transfixing secret universe, one in which even the physics of splashing raindrops looks suddenly new.
  16. The animals act like real animals, not like cartoons or humans, and that restraint gives their adventure an authenticity that, in moments of both delight and peril, makes the emotion that much more powerful. With the caveat that I’m a cat lover, I was deeply moved.
  17. The evenness of its emotional pitch almost incidentally helps the film become an unusually deep exploration of sports, machismo and the competitive spirit.
    • 87 Metascore
    • 100 Critic Score
    Life Itself is a work of deftness and delicacy, by turns a film about illness and death, about writing, about cinema and, finally, and very movingly a film about love.
  18. The Shape of Water is partly a code-scrambled fairy tale, partly a genetically modified monster movie, and altogether wonderful.
  19. For the director, putting family members on camera clearly had a therapeutic value. Witnessing that unburdening feels almost ancillary, even intrusive. But Rewind could only be made by this filmmaker in this way, and that gives it an unsettling fascination.
  20. While this film can seem politically simplistic, it is nonetheless psychologically astute, and more complicated than it at first appears.
  21. In its humor, its fairy tale origins and the characters’ rounded features, it plays more like a vintage Disney work, only nimbler and freer.
  22. Even though Bisbee ’17 depicts a wholesome and harmonious community undertaking, it is a profoundly haunted and haunting film. What we are witnessing is not the commemoration of a past disaster but its reanimation. Every important thing this movie is about is still alive.
  23. Of Adam's Rib we might say, in short, that it isn't solid food but it certainly is meaty and juicy and comically nourishing.
  24. The pleasures of this movie are abundant. The pacing is as swift as a speeding bullet. There are wonderfully evoked lived-in San Francisco locations... And there are splendid set pieces that showcase the perpetually-underrated Don Siegel's great skill a director. This film is efficient, unpretentious and much wittier and more stylish than your average cop movie.
  25. It weaves life and art into a rich tapestry of love, loss and compassion.
  26. It's hard to imagine anyone but Mr. Pitt in the role. He's relaxed yet edgy and sometimes unsettling.
  27. In many respects Ceausescu turns out to be as much the author of this brilliant documentary as the director, Andrei Ujica, who waded through more than 1,000 hours of filmed state propaganda, official news reports and home movies to create a cinematic tour de force that tracks the rise, reign and grim fall of its subject.
  28. With marvelous discipline, Mr. Shapiro crams a wealth of material into a tight 77 minutes, smoothly communicating the group effort required to achieve the perfect shot.

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