The New York Times' Scores

For 20,271 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20271 movie reviews
  1. If you’ve ever wondered what “holding space” looks like in practice, the director Margaret Brown’s deeply attentive documentary Descendant provides moving examples.
  2. “En el Séptimo Día” pulls off the tricky feat of feeling utterly natural as it ratchets with the mechanics of drama and suspense.
  3. Jane will delight those familiar with Ms. Goodall and provide a vibrant introduction for newcomers.
  4. A conversation falters. Another bottle is opened. Three people share drinks and their universe is completely reordered.
  5. If you think about Jaws for more than 45 seconds you will recognize it as nonsense, but it's the sort of nonsense that can be a good deal of fun, if you like to have the wits scared out of you at irregular intervals.
  6. There is hardly a shortage of movies about rock ’n’ roll, but there are few as perfect — which is to say as ragged, as silly, as touching or as true — as We Are the Best!.
  7. It is a spotty, uneven drama in which the entire opening phase representing the basic-training program in a gladiatorial school is lively, exciting and expressive, no matter how true to history it is, and the middle phase is pretentious and tedious, because it is concerned with the dull strife of politics.
  8. Dylan was interested in how movies stop time, but he also told Ginsberg that he wanted “to be entertained,” adding, “If I see a movie that really moves me around I’m totally astounded.” To watch Rolling Thunder Revue is to understand what he meant.
  9. McQueen, who attended one of these schools, uses this small, hopeful story to illustrate how one generation, by means of an ingenious workaround to bigotry, fought to secure the future of the next.
  10. Each shot is a kind of sight gag, a visual and philosophical joke with absurdity in the setup and sorrow in the punchline. But this time, more of the jokes are one-liners, in which the premise and the payoff are one and the same.
  11. Nomadland is patient, compassionate and open, motivated by an impulse to wander and observe rather than to judge or explain.
  12. Raw, melancholy and unquestionably mature, Hope understands that some wounds may never be healed. Even so, it takes a brave movie to hold that stance until its very last second.
  13. Its explanatory title doesn’t begin to convey just how exhilarating or inspiring a documentary this truly is, and how excellent a trip this well-respected French director takes you on.
  14. The animation is a marvel - all the more so because the most demanding sequences seem almost casually tossed off. The world of Wallace and Gromit is one of the few genuinely eccentric places left in the movies, a place where lumpy, doughy characters achieve a peculiar dignity in spite of their grotesque features and the ridiculousness of their circumstances.
  15. About Elly is gorgeous to look at. The ever-changing sky and sea lend it a moodiness so palpable that the climate itself seems a major character dictating the course of events; the weather rules.
  16. The novel is life-specific, but what makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice.
  17. Go see this movie. Take your children, even though they may occasionally be confused or fidgety. Boredom and confusion are also part of democracy, after all. Lincoln is a rough and noble democratic masterpiece - an omen, perhaps, that movies for the people shall not perish from the earth.
  18. Post-Soviet Russia in Andrei Zvyagintsev's somber, gripping film Elena is a moral vacuum where money rules, the haves are contemptuous of the have-nots, and class resentment simmers. The movie, which shuttles between the center of Moscow and its outskirts, is grim enough to suggest that even if you were rich, you wouldn't want to live there.
  19. The ancient Greeks believed that character should be revealed through action. I can’t think of another film that has upheld this notion so thoroughly and thrillingly. There is certainly no other actor who can command our attention — our empathy, our loyalty, our love — with such efficiency.
  20. The Banshees of Inisherin might feel a little thin if you hold it to conventional standards of comedy or drama. It’s better thought of as a piece of village gossip, given a bit of literary polish and a handsome pastoral finish.
  21. At times, most often when Mr. Bennett is onscreen, Love & Friendship is howlingly funny, and as a whole it feels less like a romance than like a caper, an unabashedly contrived and effortlessly inventive heist movie with a pretty good payoff.
  22. The film, Mr. Aster’s debut feature, is engaging, unsettling and unpredictable, generating a mood of anxious fascination punctuated by frequent shocks and occasional nervous giggles. But I also found it a bit disappointing.
  23. While its subject means that "Listen to Me” is easy to like, Mr. Riley’s shaping of Brando’s words can make the movie, every so often, difficult to fully embrace.
  24. Turns out to be a smashing success, a juggernaut of an action-adventure saga that owes noithing to the past. To put it simply, thi is a home run.
  25. Gideon’s Army is a bare film with no narrator and a minimal soundtrack. That’s all it needs to grab you by the throat.
    • 87 Metascore
    • 90 Critic Score
    About as gentle, warm and lovely a color movie as any pet owner could wish at least, for the kids.
  26. [Nyoni] says all she needs to with each lapidary image, with every resonant silence and with the undaunted power of Shula’s gaze.
  27. A thorny masterpiece.
  28. A most intriguing film.
  29. Sustains a documentary authenticity that is as astonishing as it is offhand. Even when you're on the edge of your seat, it never sacrifices a calm, clear-sighted humanity for the sake of melodrama or cheap moralizing.

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