For 20,271 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,377 out of 20271
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Mixed: 8,430 out of 20271
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Negative: 2,464 out of 20271
20271
movie
reviews
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Reviewed by
Lisa Kennedy
If you’ve ever wondered what “holding space” looks like in practice, the director Margaret Brown’s deeply attentive documentary Descendant provides moving examples.- The New York Times
- Posted Oct 21, 2022
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Reviewed by
Ben Kenigsberg
“En el Séptimo Día” pulls off the tricky feat of feeling utterly natural as it ratchets with the mechanics of drama and suspense.- The New York Times
- Posted Jun 7, 2018
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Reviewed by
Ben Kenigsberg
Jane will delight those familiar with Ms. Goodall and provide a vibrant introduction for newcomers.- The New York Times
- Posted Oct 19, 2017
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Reviewed by
Austin Considine
A conversation falters. Another bottle is opened. Three people share drinks and their universe is completely reordered.- The New York Times
- Posted Mar 23, 2023
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Reviewed by
Vincent Canby
If you think about Jaws for more than 45 seconds you will recognize it as nonsense, but it's the sort of nonsense that can be a good deal of fun, if you like to have the wits scared out of you at irregular intervals.- The New York Times
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Reviewed by
A.O. Scott
There is hardly a shortage of movies about rock ’n’ roll, but there are few as perfect — which is to say as ragged, as silly, as touching or as true — as We Are the Best!.- The New York Times
- Posted May 29, 2014
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Reviewed by
Bosley Crowther
It is a spotty, uneven drama in which the entire opening phase representing the basic-training program in a gladiatorial school is lively, exciting and expressive, no matter how true to history it is, and the middle phase is pretentious and tedious, because it is concerned with the dull strife of politics.- The New York Times
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Reviewed by
Manohla Dargis
Dylan was interested in how movies stop time, but he also told Ginsberg that he wanted “to be entertained,” adding, “If I see a movie that really moves me around I’m totally astounded.” To watch Rolling Thunder Revue is to understand what he meant.- The New York Times
- Posted Jun 12, 2019
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Reviewed by
Jeannette Catsoulis
McQueen, who attended one of these schools, uses this small, hopeful story to illustrate how one generation, by means of an ingenious workaround to bigotry, fought to secure the future of the next.- The New York Times
- Posted Dec 10, 2020
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Reviewed by
A.O. Scott
Each shot is a kind of sight gag, a visual and philosophical joke with absurdity in the setup and sorrow in the punchline. But this time, more of the jokes are one-liners, in which the premise and the payoff are one and the same.- The New York Times
- Posted Apr 29, 2021
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Reviewed by
A.O. Scott
Nomadland is patient, compassionate and open, motivated by an impulse to wander and observe rather than to judge or explain.- The New York Times
- Posted Feb 18, 2021
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Reviewed by
Jeannette Catsoulis
Raw, melancholy and unquestionably mature, Hope understands that some wounds may never be healed. Even so, it takes a brave movie to hold that stance until its very last second.- The New York Times
- Posted Apr 15, 2021
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Reviewed by
Manohla Dargis
Its explanatory title doesn’t begin to convey just how exhilarating or inspiring a documentary this truly is, and how excellent a trip this well-respected French director takes you on.- The New York Times
- Posted Jun 22, 2017
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Reviewed by
Dana Stevens
The animation is a marvel - all the more so because the most demanding sequences seem almost casually tossed off. The world of Wallace and Gromit is one of the few genuinely eccentric places left in the movies, a place where lumpy, doughy characters achieve a peculiar dignity in spite of their grotesque features and the ridiculousness of their circumstances.- The New York Times
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Reviewed by
Stephen Holden
About Elly is gorgeous to look at. The ever-changing sky and sea lend it a moodiness so palpable that the climate itself seems a major character dictating the course of events; the weather rules.- The New York Times
- Posted Apr 7, 2015
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Reviewed by
Manohla Dargis
The novel is life-specific, but what makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice.- The New York Times
- Posted Aug 6, 2015
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Reviewed by
A.O. Scott
Go see this movie. Take your children, even though they may occasionally be confused or fidgety. Boredom and confusion are also part of democracy, after all. Lincoln is a rough and noble democratic masterpiece - an omen, perhaps, that movies for the people shall not perish from the earth.- The New York Times
- Posted Nov 8, 2012
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Reviewed by
Stephen Holden
Post-Soviet Russia in Andrei Zvyagintsev's somber, gripping film Elena is a moral vacuum where money rules, the haves are contemptuous of the have-nots, and class resentment simmers. The movie, which shuttles between the center of Moscow and its outskirts, is grim enough to suggest that even if you were rich, you wouldn't want to live there.- The New York Times
- Posted May 17, 2012
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Reviewed by
A.O. Scott
The ancient Greeks believed that character should be revealed through action. I can’t think of another film that has upheld this notion so thoroughly and thrillingly. There is certainly no other actor who can command our attention — our empathy, our loyalty, our love — with such efficiency.- The New York Times
- Posted Oct 17, 2013
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Reviewed by
A.O. Scott
The Banshees of Inisherin might feel a little thin if you hold it to conventional standards of comedy or drama. It’s better thought of as a piece of village gossip, given a bit of literary polish and a handsome pastoral finish.- The New York Times
- Posted Oct 21, 2022
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Reviewed by
A.O. Scott
At times, most often when Mr. Bennett is onscreen, Love & Friendship is howlingly funny, and as a whole it feels less like a romance than like a caper, an unabashedly contrived and effortlessly inventive heist movie with a pretty good payoff.- The New York Times
- Posted May 12, 2016
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Reviewed by
A.O. Scott
The film, Mr. Aster’s debut feature, is engaging, unsettling and unpredictable, generating a mood of anxious fascination punctuated by frequent shocks and occasional nervous giggles. But I also found it a bit disappointing.- The New York Times
- Posted Jun 7, 2018
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Reviewed by
Manohla Dargis
While its subject means that "Listen to Me” is easy to like, Mr. Riley’s shaping of Brando’s words can make the movie, every so often, difficult to fully embrace.- The New York Times
- Posted Jul 28, 2015
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Reviewed by
Janet Maslin
Turns out to be a smashing success, a juggernaut of an action-adventure saga that owes noithing to the past. To put it simply, thi is a home run.- The New York Times
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Reviewed by
Stephen Holden
Gideon’s Army is a bare film with no narrator and a minimal soundtrack. That’s all it needs to grab you by the throat.- The New York Times
- Posted Jun 27, 2013
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About as gentle, warm and lovely a color movie as any pet owner could wish at least, for the kids.- The New York Times
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Reviewed by
Manohla Dargis
[Nyoni] says all she needs to with each lapidary image, with every resonant silence and with the undaunted power of Shula’s gaze.- The New York Times
- Posted Mar 6, 2025
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Sustains a documentary authenticity that is as astonishing as it is offhand. Even when you're on the edge of your seat, it never sacrifices a calm, clear-sighted humanity for the sake of melodrama or cheap moralizing.- The New York Times
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Reviewed by