For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ben Kenigsberg
Lacorazza’s deftness with actors, feel for the setting and aesthetic decisions — shooting in the snapshot-like 1.66-to-1 aspect ratio, or leaving the characters’ Spanish without subtitles — help the drama ring true.- The New York Times
- Posted Sep 19, 2024
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- The New York Times
- Posted Feb 1, 2024
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Reviewed by
Amy Nicholson
The jokes spill forth so fast that there’s no time for the shtick to get soggy.- The New York Times
- Posted May 2, 2024
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Nicolas Rapold
Science fiction has become such a mainstay of lumbering franchises that it’s hard not to root for left-field small-scale twists on the genre like the fizzy, funny Molli and Max in the Future.- The New York Times
- Posted Feb 8, 2024
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Alissa Wilkinson
Murphy, fresh off his “Oppenheimer” Oscar win, is both producer and star of this film. His performance is unsurprisingly searing and nuanced, especially since Bill is not much of a talker.- The New York Times
- Posted Nov 7, 2024
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Alissa Wilkinson
Most interestingly, we listen in on young Beninese as they discuss the wider repercussions in an open forum. . . It’s a rich conversation that rapidly lays out the controversies and bigger issues at stake.- The New York Times
- Posted Oct 25, 2024
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Nicolas Rapold
In the end, Dandelion feels like one artist’s emotional prequel, leaving us wishing for even more.- The New York Times
- Posted Jul 11, 2024
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Alissa Wilkinson
Copa 71 is engrossing, but it struck me that like another documentary about a forgotten moment in history — the Oscar-winning “Summer of Soul” (2021) — this movie reveals the power of recording history for future generations.- The New York Times
- Posted Jul 2, 2024
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Alissa Wilkinson
It’s still fascinating to imagine a time, not all that long ago, in which painting, sculpture, jazz, literature and more were considered keys to the exporting of American influence around the world.- The New York Times
- Posted Jun 6, 2024
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Ben Kenigsberg
You might devour less after watching Food, Inc. 2, and what you eat will probably be healthier.- The New York Times
- Posted Apr 11, 2024
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Vincent Canby
Delon is fine and the movie has the cool delicacy and preci sion one ordinarily associates with something no more philosophical than a Swiss watch. Melville, however, is a philosopher and “The Godson” is as much parable as fascinating melodrama.- The New York Times
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Alissa Wilkinson
It’s surprisingly moving, more a testament to the human drive toward community and connection in even the most unexpected of spaces.- The New York Times
- Posted Jan 17, 2025
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Reviewed by
Alissa Wilkinson
Kahn manages to assemble the story in a way that escapes feeling like a series of object lessons.- The New York Times
- Posted Apr 11, 2024
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Reviewed by
Alissa Wilkinson
Surprisingly, the film goes much further than expected. Streaming services are loaded with documentaries about scammy internet-era companies, but “MoviePass, MovieCrash” finds the barely told story in all the juicy facts.- The New York Times
- Posted May 29, 2024
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Reviewed by
Elisabeth Vincentelli
The film is especially good about contextualizing the band’s emergence in the midst of condescension (at best) from the mainstream media.- The New York Times
- Posted Apr 10, 2024
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Reviewed by
Elisabeth Vincentelli
Almost a quarter of a century in, the Bridget Jones movies are coalescing into an evocative portrayal of a character coming to terms with both her imperfections and her strengths in real time.- The New York Times
- Posted Feb 13, 2025
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Reviewed by
Bosley Crowther
It's a brutal and disagreeable story, probably a little far-fetched, and without Mr. Schulberg's warmest character—the wistful widow who bestowed her favors on busted pugs. But with all the arcana of the fight game that Mr. Yordan and Mr. Robson have put into it—along with their bruising, brutish fight scenes—it makes for a lively, stinging film.- The New York Times
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- The New York Times
- Posted Jun 13, 2024
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Reviewed by
Manohla Dargis
The only news here — and, really, the greatest surprise — is how thoroughly this ribald, at times predictably unflattering movie humanizes its protagonist, a classic American striver.- The New York Times
- Posted Oct 10, 2024
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Natalia Winkelman
The Girl With the Needle is most intriguing when it lingers in its disturbing fictions, which come to life with exceptional style.- The New York Times
- Posted Dec 5, 2024
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Reviewed by
Beatrice Loayza
The payoff feels somewhat slight, but the foreplay — the will-they-or-won’t-they and the will-he-find-out — builds up with energy and flare. Maybe climaxes are overrated, anyway.- The New York Times
- Posted Aug 29, 2025
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Reviewed by
J. Hoberman
Made nearly half a century ago and long hiding in plain sight, Martha Coolidge’s “Not a Pretty Picture” is at once an autobiographical documentary, a Pirandellian psychodrama, an acting exercise, a personal exorcism and a powerful political tract.- The New York Times
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Ben Kenigsberg
"Miller’s Point” is a Christmas movie more invested in atmosphere, and the qualities of wintry light, than in holiday cheer — and that somehow makes it all the more warm.- The New York Times
- Posted Nov 7, 2024
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Elisabeth Vincentelli
Like many of the best golden-age melodramas, this HBO film fully commits to both unabashed emotion and a complicated female lead, a role filled by Jessica Lange with a finely tuned mix of showmanship and nuance.- The New York Times
- Posted May 30, 2024
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Reviewed by
Robert Daniels
This violent franchise has rarely felt so assured, so relaxed and knowingly funny. If Bad Boys: Ride or Die means that Smith, post-slap, will remain a bad boy for life, there are worse punishments to endure.- The New York Times
- Posted Jun 4, 2024
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Reviewed by
Chris Azzopardi
Throughout the film, Hurwitz showcases comedy as more than just a source of laughter, but of healing, catharsis and as an agent for queer liberation, particularly during the Stonewall riots in 1969 and, later, the AIDS epidemic.- The New York Times
- Posted Jun 18, 2024
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Reviewed by
Chris Azzopardi
A winking ode to queer youth who still dream — too fiercely, too soon — amid self-discovery and family disruption, Griffin in Summer gives aching shape to a child’s need for order in a world that defies their understanding.- The New York Times
- Posted Aug 29, 2025
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Reviewed by
Alissa Wilkinson
I expect every viewer of How to Come Alive With Norman Mailer will have some quibble with it, but it’s an accomplishment nonetheless — a model for how to reimagine a standard documentary structure to accommodate a multifaceted subject without smoothing over the rough spots and slapping on a halo.- The New York Times
- Posted Jun 28, 2024
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Ben Kenigsberg
Hummingbirds is pretty tight filmmaking at less than 80 minutes, and the laid-back presentation makes the political commentary register strongly from the periphery.- The New York Times
- Posted Jun 20, 2024
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Reviewed by
Vincent Canby
One of the most candid, most fascinating portraits ever made of a motion picture director at work.- The New York Times
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Reviewed by