For 20,313 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,401 out of 20313
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Mixed: 8,446 out of 20313
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Negative: 2,466 out of 20313
20313
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Nathan Lee
Take Out is the season’s freshest, most sympathetic movie about making your way in modern-day Manhattan with a little help from your friends.- The New York Times
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However you look at it, "Here Comes Mr. Jordan" is rollicking entertainment.- The New York Times
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Reviewed by
Glenn Kenny
The movie convincingly posits that Fonda was, cinematically, the embodiment of America itself. Horwath has gathered a vast amount of archival material from film, television, radio and more to make his case.- The New York Times
- Posted Apr 3, 2025
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Beatrice Loayza
[Somai’s] exquisite visual compositions (of lonely bedrooms, concrete piers, and nocturnal courtyards) infuse even the film’s racy images with a somber sense of longing and introspection, finding beauty and humanity in the midst of the macabre.- The New York Times
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Glenn Kenny
The movie quickly establishes itself as a revenge narrative, and each bad guy goes down in a way designed to suit the viewer’s justified bloodlust.- The New York Times
- Posted May 29, 2025
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Frank S. Nugent
One of the liveliest, gayest, wittiest and naughtiest comedies of a long hard season.- The New York Times
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Bosley Crowther
If you're for warm and gentle whimsey, for a charmingly fanciful farce and for a little touch of pathos anent the fateful evanescence of man's dreams, then the movie version of "Harvey" is definitely for you.- The New York Times
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Stephen Holden
The film reminds us again and again that Monk was as important a jazz composer as he was a pianist.- The New York Times
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Jeannette Catsoulis
The result is a movie so sweet and soothing you’ll be forced to admit that sometimes the universe — or, in this case, Netflix — gives you exactly what you need.- The New York Times
- Posted May 14, 2025
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Brandon Yu
The film, directed by Victoria Mahoney, is a sure-footed romp that tightens the screws, most immediately by flexing a bigger cast and broadening the lore of the original comic book series.- The New York Times
- Posted Jul 2, 2025
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Jeannette Catsoulis
Imogen Poots’s fantastically expressive performance as the adult Lidia transforms this movie (the feature directing debut of Kristen Stewart) from punishing to mesmerizing.- The New York Times
- Posted Dec 4, 2025
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Manohla Dargis
The intrigue is far-fetched and surprising — this is one movie you can’t write in your head — and delivered with increasing winks and charm.- The New York Times
- Posted Jan 15, 2026
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Manohla Dargis
Washington’s most successfully sustained sparring partner is Jeffrey Wright, who plays Paul, the family’s chauffeur. He comes into focus through his beliefs, his attire and salient details (including a banner for the Five Percenters, an offshoot of the Nation of Islam), though primarily through Wright’s discreet, moving performance.- The New York Times
- Posted Aug 14, 2025
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Glenn Kenny
The ensemble is packed with seasoned acting professionals across the board, who more than sell their drunk scenes and deliver more than a few laughs on their way to redemption.- The New York Times
- Posted Jun 12, 2025
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Alissa Wilkinson
Jane Austen Wrecked My Life is both pleasantly diverting and sneakily wise.- The New York Times
- Posted May 22, 2025
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Alissa Wilkinson
Deaf President Now! skillfully draws the lines for all viewers. It’s not just a story about a moment in history: It’s also about the ways the movement for deaf education led to the broader disability rights arguments, and how everyone’s rights depend on everyone else’s.- The New York Times
- Posted May 15, 2025
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Nicolas Rapold
What clinches the portrait is the sure-handed direction and Kana’s organic performance of a daunting character. Dramatically, Yamanaka finds unpredictable ways into and out of scenes, and she has an eye for the poignant details amid the angst.- The New York Times
- Posted May 15, 2025
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Natalia Winkelman
Here is a movie whose atavistic excursion through time transfixes, even as its psychology remains as fuzzy as a photograph smeared by motion.- The New York Times
- Posted Jan 15, 2026
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Beatrice Loayza
Urchin doesn’t break the mold, but it’s a confident, quietly affecting drama that strikes above the standard character study.- The New York Times
- Posted Oct 9, 2025
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Bosley Crowther
Say this, in sum, for "Breathless": it is certainly no cliché, in any area or sense of the word. It is more a chunk of raw drama, graphically and artfully torn with appropriately ragged edges out of the tough underbelly of modern metropolitan life.- The New York Times
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Frank S. Nugent
Alfred Hitchcock, England's jovial and rotund master of melodrama, has turned out another crisply paced, excellently performed film in "The Girl Was Young."- The New York Times
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Vincent Canby
Topaz is not only most entertaining. It is, like so many Hitchcock films, a cautionary fable by one of the most moral cynics of our time.- The New York Times
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Lisa Kennedy
With its rough-hewed realism, “Will” is remarkable not so much for its craft as for its philosophical depth in portraying the tensions between a struggling individual and his community, which can be both supportive and enabling.- The New York Times
- Posted Jun 12, 2025
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Brandon Yu
The action sequences are fluid and immersive, the art is frequently striking and the music (catchy, if formulaic earworms) is a properly wielded and dynamic storytelling tool.- The New York Times
- Posted Jun 19, 2025
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Jeannette Catsoulis
If some of the cabin’s lore is on the silly side, Maslany sells Liz’s terror so convincingly that the urge to giggle is dampened. Her lock on the film’s tone is absolute.- The New York Times
- Posted Nov 13, 2025
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Beatrice Loayza
Il Dono manages to strike a balance between damnation and idolatry of its medieval setting. We’re sucked in, enraptured, even as we feel its lives fading away.- The New York Times
- Posted Jul 24, 2025
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Alissa Wilkinson
It’s a useful framework for understanding leaders around the world, and Baranov is the ideal cipher, someone who intimately understands how easily people’s minds are swayed and molded.- The New York Times
- Posted May 14, 2026
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Not a pretty picture to contemplate nor is it by any means a well-made picture. But "Shoe-Shine" mirrors the anguished soul of a starving, disorganized and demoralized nation with such uncompromising realism that the roughness of its composition is overshadowed by its driving, emotional force.- The New York Times
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Reviewed by
Bosley Crowther
A frankly fanciful farce, a rondo of refined ribaldries and an altogether delightful picture with Cary Grant and Irene Dunne chasing each other around most charmingly in it.- The New York Times
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Alissa Wilkinson
Meddeb keeps her focus on several young Sudanese activists. It’s a wise choice, creating an intimate portrait of their dreams and fears.- The New York Times
- Posted Aug 28, 2025
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Reviewed by