The New York Times' Scores

For 20,313 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20313 movie reviews
  1. An uncannily intimate portrait of a couple adapting their relationship to a disease that affects the mind, The Eternal Memory doesn’t aim to hold spectators’ hands.
  2. Nothing here’s overthought or pumped up. To invoke the words of a different beacon of catchiness, “Wham!” is a teenage dream. You could drink it from a coconut.
  3. Once Upon a Time in Uganda reminds you how the art of moviemaking can make dreams real.
  4. China’s leadership has a history of suppressing art that spotlights the failings of its ruling class and ideology, which is exactly what Li’s film does, with a script that feels only occasionally overwritten. That he succeeds without making it feel like homework — which is to say beautifully, humanely — is presumably what made the film so threatening.
  5. The documentary “Glitch” is slyer and smarter than some of its paint-by-numbers dramatized contemporaries, and the story it prefers to tell is more interesting and complex than the battle of two domineering egoists who came up with a novelty app.
    • 84 Metascore
    • 80 Critic Score
    If we were never to see the Ventures again, “Radiant” lets us part with them on a high note, but hopefully this end is just the beginning.
  6. Like other love stories of the period, Gueule d'Amour has a melodramatic surface, yet it hits a nerve in anyone who has ever spent too much time thinking about the wrong person.
  7. The familial and personal tensions give it something extra, elevating it beyond the standard historical documentary.
  8. The film’s coherence is a reflection of both the skill of the filmmaker, and the heroic efforts of Aurora herself to ensure that her view of history would not be forgotten.
  9. Behind the film's easygoing mood there is firm directorial control. This, together with Mr. Roemer's keen sense of personality and place and his wry humor, accounts for why The Plot Against Harry holds up so well.
  10. Marty makes a warm and winning film, full of the sort of candid comment on plain, drab people that seldom reaches the screen.
    • 78 Metascore
    • 80 Critic Score
    It is a cool, balanced, proportionate spirit, affectionate but unillusioned, and wonderfully suited to the intricacies (and the idiosyncracies) of the subject matter. Sembene does not grab you; he engages you.
    • 78 Metascore
    • 80 Critic Score
    Amazing air duels and an impressive study of aviators are depicted in Wings, Paramount's epic of the flying fighters of the World War.
  11. Winter Kills isn't exactly a comedy, but it's funny. And it isn't exactly serious, but it takes on the serious business of the Kennedy assassination.
  12. If you need a refresher on what “systemic” looks like, these thinkers offer it.
  13. Diana wants our respect — and by the end of the movie, she’s earned it. While she’s one of the prickliest protagonists you’ll see this year, she’s so raw and earnest and apologetically herself that you adore her anyway — from the safe distance of the screen.
    • 76 Metascore
    • 80 Critic Score
    What Time Limit has to say is sobering, important and exciting and, though its principals are caught in circumstances that are extraordinary, it meticulously arrives at terrible truths that are timeless and universal.
  14. It has sweep, romance, violence and spectacle, but what makes it finally work as well as it does is that it largely avoids the ennobling clichés that turn characters into ideals and movies into exercises in spurious nostalgia — well, that and Mads Mikkelsen.
  15. Not much happens, but the people are beautiful and so too are their bikes, rumbling beasts that tribe members ride and ride on that familiar closed loop known as Nowheresville, U.S.A.
  16. Sensitive music by Mr. Pintoff and some wonderfully wry dialogue, subtly laced with motivations, top off this animated jewel.
  17. Inspired by Pete Gleeson’s 2016 documentary about two Finnish backpackers, “Hotel Coolgardie,” The Royal Hotel is after something more subtle than pure horror.
  18. Directed by Maggie Betts from a script she wrote with Doug Wright, The Burial develops into a lively courtroom drama with wide-ranging pertinence. Of course its two lead actors give the bravura performances you’d expect from them, but they don’t eat the scenery — they take the material seriously and invest in it with welcome nuance.
  19. Amid the looming threats to a cherished home, Peck’s accomplishment is to let the Reels family own their emotional space.
  20. Pondering the downside of notoriety and our willingness to exchange safety for fame, Dream Scenario is often funny and frequently surreal.
  21. Lee
    “Lee” feeds the desire to seek out more of her images. Winslet’s performance demands that we consider the force behind the camera.
  22. Yu’s direction is confident, and he manages to convey how a little apartment can transform from domestic comfort by day to claustrophobic agony by night. His restraint throughout keeps us guessing.
  23. There’s an uncommon sweetness to this film, which is less about running away from something and more about discovering the road of life is littered with goodness, if you know where to look.
  24. Though at times squirmingly unpleasant, Hoard is never a drag. The insolence of the filmmaking and the artlessness of the leads energize a plot of stunning recklessness and unexpected humor.
  25. The director and animator Robert Morgan has crafted a narratively slender, visually sophisticated first feature.
  26. While some of the backstage material has an official feel (Batiste and Jaouad are listed among the many executive producers, along with Barack and Michelle Obama), the documentary does not shy from showing private moments.

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