For 20,311 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,399 out of 20311
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Mixed: 8,446 out of 20311
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Negative: 2,466 out of 20311
20311
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Neil Genzlinger
[Amy Berg's] instincts about how to pace a true story serve her well with this imaginary one, and so do the performances by Ms. Fanning and especially Ms. Macdonald.- The New York Times
- Posted May 14, 2015
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Stephen Holden
As much as the film is shadowed by a keen awareness of mortality, One Cut, One Life often pulses with an almost ecstatic vitality. In its vision of human existence, life is as messy and unpredictable as it is precious.- The New York Times
- Posted May 13, 2015
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Reviewed by
Neil Genzlinger
The film genre that might be called Old People Behaving Hilariously gets an appealing new entry with The 100-Year-Old Man Who Climbed Out the Window and Disappeared, a sometimes daffy, often droll Swedish movie.- The New York Times
- Posted May 7, 2015
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Glenn Kenny
The movie balances amiable humor and standard believe-in-yourself bromides with better than average action sequences.- The New York Times
- Posted Mar 21, 2018
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- The New York Times
- Posted May 28, 2015
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Reviewed by
A.O. Scott
The most fascinating — and the most moving — thing about this sprawling, sincere and boisterous movie is its tone.- The New York Times
- Posted Apr 14, 2016
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Reviewed by
Vincent Canby
In its stripped-down, cannily cinematic way, it's one of the most imaginative Australian films yet released in this country. It has no pretensions to do anything except entertain in the primitive, occasionally jolting fashion of the first nickelodeon movies, whose audiences flinched as streetcars lumbered silently toward the camera.- The New York Times
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Reviewed by
Janet Maslin
This film has showier stunts than its predecessors, and a better sense of humor. It also has Tina Turner, in chain-mail stockings.- The New York Times
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A.O. Scott
The story pops and swerves; the images are by turns comical, banal and ravishing; and the result is a briskly shaken cocktail made of equal parts provocation and comfort. You come away with a buzz that is invigorating and pleasantly familiar.- The New York Times
- Posted May 19, 2015
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Jeannette Catsoulis
Stretched to 80 minutes, the story (by the director Leah Meyerhoff) almost breaks; that it holds together without compromising its simplicity or emotional authenticity only proves that, contrary to the maxim, you don’t need a gun if you’ve got the right girl.- The New York Times
- Posted May 28, 2015
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Stephen Holden
The voice casting and the visual representations of the characters the boy encounters on his journeys are superb.- The New York Times
- Posted Aug 4, 2016
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Reviewed by
Ken Jaworowski
Indeed, few satisfying answers arise here. But there’s bravery in asking the questions, and this film knows something about courage.- The New York Times
- Posted Jun 22, 2017
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Reviewed by
Helen T. Verongos
A dark, satisfying work that can be forgiven for the moments it succumbs to Hollywood convention.- The New York Times
- Posted Jun 18, 2015
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Reviewed by
Andy Webster
Besides a clever, blithely ribald script by Bradley Jackson, the movie benefits from a potent “Saturday Night Live”-empowered cast.- The New York Times
- Posted Jun 18, 2015
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Reviewed by
Daniel M. Gold
At slightly more than an hour, the film may not be definitive, and its chronology is a little fuzzy. Even so, Rubble Kings is a fascinating, valuable work of social, music and New York history, a celebration of a peaceful revolution by those who helped birth it.- The New York Times
- Posted Jun 18, 2015
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Reviewed by
Andy Webster
Impressive acting (especially from Mr. Suliman and Yael Abecassis as Yonatan’s mother) enhances this thoughtful drama, directed with a sure hand by Mr. Riklis, a film veteran.- The New York Times
- Posted Jun 25, 2015
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Reviewed by
Jeannette Catsoulis
Slow and steady, and with remarkable assuredness, Keith Miller’s Five Star plays mean-streets drama in the lowest of keys.- The New York Times
- Posted Jul 23, 2015
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Reviewed by
A.O. Scott
Ms. Granik’s tact and curiosity are remarkable. So is her subject’s openness.- The New York Times
- Posted Jul 2, 2015
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Stephen Holden
Breathe conveys an uncanny insight into the psychology of late adolescence, when lingering childhood fantasies can combust with burgeoning adult sexuality in a swirl of uncontrollable feelings.- The New York Times
- Posted Sep 10, 2015
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Reviewed by
Daniel M. Gold
Only a few scenes fail to draw laughs in a movie that’s unexpectedly smart and consistently amusing.- The New York Times
- Posted Aug 19, 2015
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Reviewed by
Manohla Dargis
A wistful meditation on the world, its beauties, mysteries and injustices.- The New York Times
- Posted Jul 30, 2015
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Reviewed by
Stephen Holden
This warm, robust movie ultimately transcends the formulas with which it flirts to become a far more subtle and honest result than a machine-tooled tear-jerker like “The Theory of Everything.” When the film doesn’t try to build up the usual suspense found in movies about competition, you sigh with relief.- The New York Times
- Posted Sep 10, 2015
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Reviewed by
Stephen Holden
More than most docudramas about fairly recent events, it is so well written and acted that it conveys a convincing illusion of veracity.- The New York Times
- Posted Oct 15, 2015
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Reviewed by
Janet Maslin
Barcelona, like "Metropolitan," indulges in long, hair-splitting discussions without resorting to broad gags or worrying about wearing out its welcome.- The New York Times
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Reviewed by
Nicolas Rapold
Shot with available light, the suburban rambles are portrayed so naturally that it’s hard to believe they are scripted.- The New York Times
- Posted Aug 6, 2015
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Reviewed by
Manohla Dargis
There’s much to enjoy in Baby Driver, including the satisfactions of genuine cinematic craft and technique, qualities that moviegoers can no longer take for granted.- The New York Times
- Posted Jun 27, 2017
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Reviewed by
Robert Daniels
This violent franchise has rarely felt so assured, so relaxed and knowingly funny.- The New York Times
- Posted Jun 7, 2024
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- The New York Times
- Posted Aug 13, 2015
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Reviewed by
Nicolas Rapold
Directing his first feature after some shorts, John Magary digs into his characters with fresh eyes and a sly sense of adventure.- The New York Times
- Posted Aug 20, 2015
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Reviewed by
Andy Webster
The film is remarkable, considering its minimal means and surprising lack of bloodshed, given the genre. Does it stay with you? A little.- The New York Times
- Posted Sep 2, 2015
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