The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,900 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12900 movie reviews
  1. Has something a bit edgier in mind than the usual, soft-focused wedding bell high jinks. For the most part, that's exactly what it delivers -- an amusing, smartly cast romantic comedy told from a guy's perspective.
  2. As the heart and soul of the film, Chiwetel Ejiofor once again impresses.
  3. A hodgepodge of popular kids' elements crammed into a mishmash of a movie.
  4. XXY
    The story of a young hermaphrodite who's not sure if she's emotionally a boy or a girl manages to be both raw-edged and moving.
  5. This family film is willing to tackle important issues such as burgeoning sexuality, alcoholism and a troubled home life but does so in a bland and unconvincing story.
  6. Baby Boom serves up plenty of smart, knowing laughs early on, but by the time it hits the third act (or would that be trimester?), it barely crawls to the finish line.
  7. Why Hugh Jackman was so excited by Mark Bomback's script to star and produce the film is as big a mystery as why such talents-on-a-roll as Ewan McGregor and Michelle Williams joined the cast.
  8. Lacks the fresh charm that made their first such an unexpected (if guilty) pleasure.
  9. The result is infectiously enjoyable.
  10. Too narrowly focused.
  11. With subtle laughs but solid emotional thrust, it will play very well with older audiences.
  12. The dull production obviously sees itself as an updated "Cincinnati Kid" for the World Poker Tour set, but the end result and its characters have all the originality and dramatic depth of a TV telecast.
  13. This ridiculous thriller would be hard-pressed to last much longer than its title in theaters before doing time on DVD, as is already the case in many overseas territories.
  14. Will please its core audience but won't enthrall anyone over the age of 16. (Even that might be stretching the point.)
  15. Solid rom com finds another Judd Apatow acolyte moving into the spotlight.
  16. Boasting two terrific performances by Uma Thurman and Evan Rachel Wood as the adult and teenage versions of the same character.
  17. A particularly nasty slice of medical-themed horror, Marc Scholermann's film is the sort of thriller in which the tenderest scene depicts an autopsy.
  18. Although he makes an amusing comic foil, Spurlock is ill-equipped to either evaluate or report on Middle East foreign policy. His methodology is disturbingly casual and conclusions woefully simplistic.
  19. Jay Lee's grotesque little horror film makes up for in audacity what it might lack in finesse.
  20. Managing to make the films of Michael Moore and Morgan Spurlock look like dry, scholarly treatises by comparison, Expelled: No Intelligence Allowed more than lives up to its subtitle.
  21. There are undeniably arresting moments along the way, thanks to Dafoe's subtly intense performance and the well-crafted visuals.
  22. Without the gore, this old school slasher rehash is one anemic bore.
  23. "Kings" covers familiar territory but does so with ruthless efficiency, intense performances and a densely packed plot designed to highlight the moral issues that most concern Ayer and Ellroy.
  24. A compelling and illuminating story of four people who form an unlikely and momentary friendship of considerable depth.
  25. The picture continuously shuffles moods like tunes on an iPod without ever making any lasting commitments.
  26. The plot holds no surprises, but the eventual climactic foot chase and showdown suffice (if barely) to satisfy genre expectations.
  27. It's a piece of unabashed myth-making from first-time writer-director Sunny Abberton, himself a member of the infamous surf tribe from the working-class beachside suburb of Maroubra, in Sydney.
  28. Poirier is a master at dialogue. His script crackles with sharp lines and he gives all his scenes a splendid comic undertow.
  29. This movie wants to help make things better. But it also -- fervently, and for a purpose -- holds a grudge.
    • 67 Metascore
    • 70 Critic Score
    Several stories, or scraps of stories, are woven together in the making of Jellyfish ("Meduzot"), linked by common themes and a shared sense of humor, poetry and loss.

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