The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,897 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12897 movie reviews
  1. This debut doc would have benefited from some statistics to back up its ample expert testimony. Numbers would be useful, for instance, to show how SAT scores fail to correlate with college performance or success later in life. It also would be more rounded if it gave time to the SAT's advocates instead of using footage of old speeches to represent their side.
  2. The message tends to melt into a paint-by-numbers screenplay that pushes too many genre buttons to be thoroughly exciting.
  3. The film strongly argues against the use of elephants for such things as giving rides to tourists and performing in circuses. What gives those arguments their moral force is the animals themselves, demonstrating intelligence, sociability and emotion.
  4. The most thrilling aspect of director Per Fly's drama is watching the interactions between co-stars Theo James and Ben Kingsley. Even as James sucks all the energy out of the room with his inert performance, Kingsley creates oxygen with his dynamic, wildly entertaining turn.
  5. Though its production is humble and its account full of images many won't want to see, the case represents crucial knowledge for Americans concerned with the boundaries of the First Amendment.
  6. British thriller Beast takes a fistful of tired old tropes — like a hunt for a serial killer, and the ‘ol Joe Eszterhas-style is-he-or-isn’t-he-a-baddie tease — and manages to fashion something fresh, fierce and quite striking from them.
  7. It is full of the signifiers of musical devotion but lacks the hummably acerbic insight of the best music it namechecks.
  8. The performers do what they can with the tired material, with Starr mining his doofus character for all it's worth and Perlman making a committed investment that doesn't pay off. Despite their strenuous efforts and the picturesque Catskill Mountains locations, The Escape of Prisoner 614 comes to feel as laborious as its title.
  9. The movie is stuffed with talent and buffed with hipster-indie polish. It’s also frequently silly, only fitfully involving and often surprisingly banal despite its outré premise.
  10. With so many ingredients to stir into this overflowing pot, you have to hand it to the two experienced teams of Marvel collaborators who had a feel for how to pull this magnum opus off.
  11. Despite the estimable talent on hand both behind and in front of the camera, the story never comes to convincing life and doesn’t, in the end, have anywhere particularly surprising or interesting to go.
  12. The result is a riveting portrait, one that doesn't quite dispel what's maddening about Dolezal.
  13. One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions — some by artists who weren't alive at the time), Sara Driver's Boom for Real: The Late Teenage Years of Jean-Michel Basquiat more than does justice to its acknowledged subject, partly by refusing to divorce him from his context.
  14. Awkward performances and dialogue undercut interest in the characters so much that none of their raw, fleshy deaths matter a hoot, and by the time the rip-roaring triple ending rolls around, many viewers will have lost count of who’s still standing and who’s food for the birds.
  15. Nana proves another valuable addition to the Holocaust documentary canon, exploring Maryla's important legacy in devoting much of her later years to educating people about the horrors she experienced and witnessed.
  16. Paradise is predictably problematic for the protagonists of Jet Trash, a flashily seductive and darkly comic crime-thriller that sidewinds between grimy London and the sun-kissed coasts of Goa.
  17. The writing and direction of Public Schooled put a bright spin on high-school antics, and the ace cast makes the grade, led by Judy Greer's long-proven down-to-earth magic and the deft physical comedy of Daniel Doheny.
  18. Though the story is fictional, the imagery is grounded in a powerful documentary reality.
  19. An attractive cast led by a vibrant, all-in Paula Patton and spiffy visuals courtesy of renowned cinematographer Dante Spinotti make the sleaze and predictable plotting go down a bit easier than they would have otherwise, but there's still no disguising the project's fundamentally lurid underpinnings.
  20. The whole point of Lives Well Lived is to showcase inspiring individuals, and in that regard it succeeds handsomely. Director Bergman effectively alleviates the visual tedium of a series of talking heads by including plenty of home movies, vintage photographs and archival footage of historical events that figure in the commentary.
  21. Chronicling the lives of the same six women survivors after the end of the war, After Auschwitz proves an inspiring testament to the indomitability of the human spirit.
  22. Beyond the film’s technical expertise and the political issues that it raises, it works best simply as a tribute to a group of talented and courageous women who missed out on opportunities that might have benefited us all.
  23. The cast does what it can with this thin material, but even at its best, 4/20 Massacre is duller than exploitation cinema has any right to be.
  24. At various moments throughout the movie, Turner and McDermott suggest something far more complicated and messy than the noir-tinged exercise that unfolds.
  25. Overflowing with wholesome vibes yet not sappy, the film provokes warm feelings, even if its subject doesn't really demand feature-length treatment.
  26. Buoyed by a reliably appealing star turn from James, this handsome tearjerker mostly sidesteps the tweeness of its title to become, somehow, both an old-fashioned romance and a detective story trumpeting gender equality.
  27. This would be an interesting subject to explore at length, with a host who didn't seem to be padding an opportunity for self-promotion with the trappings of science. Unfortunately, Friedkin goes overboard in the short film's final scenes, describing a second encounter with the possessed woman that was far more dramatic than this one.
  28. Though Cordula Kablitz-Post's feature debut Lou Andreas-Salome, The Audacity to be Free views this very unconventional woman through the conventions of the biopic, its drama benefits from a viewer's ignorance of her story.
  29. A disturbing drama of teen disaffection, Vincent Grashaw’s feature provides an essential and insightful perspective that will resonate with audiences attuned to the challenges of adolescence.
  30. Raso takes Kodachrome (shot entirely on Kodak motion picture film) as a departure point to keenly deconstruct the bonds that hold families together and the betrayals that drive them apart, relying on an unshowy style that emphasizes the actors’ captivating performances.

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