The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,913 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12913 movie reviews
  1. It provides both deep musical pleasures and a touching farewell to the former Beatle.
  2. Stiller performs a good balancing act not only with his many jobs on this movie but also in keeping the big picture firmly in mind. It's not always easy to be both silly and smart, but Stiller for the most part pulls it off.
  3. An invaluable addition to the rock history cinema archives.
    • 55 Metascore
    • 80 Critic Score
    A luminous performance from Cate Blanchett lies at the heart of Joel Schumacher's impressive drama.
  4. Structurally, Predator is a classic behind-enemy-lines/buddy movies. Nothing much new, just well done.
  5. This gripping Brazilian documentary shows a bus hijacking that spirals out of control because of police incompetence.
  6. David Mamet’s harsh, hard-talking drama about shady, desperate real estate salesmen makes for an actors’ showcase with a surprisingly conventional whodunit backdrop in the movie version of Glengarry Glen Ross.
  7. Like a juicy steak served to a man suffering on a diet of micro-greens and tofu, Runaway Jury will be devoured by fans of movie melodramas.
  8. Raimi has not lost his knack for stylish action, and a couple of the pieces -- particularly the concluding scene in the discount department store where Ash works in the present -- are audience-rousers. [19 Feb 1993]
    • The Hollywood Reporter
  9. Has the punch of a good Western with a clean and direct script plus an adventurous use of songs and folk paintings.
  10. Challenges audiences with an unrelieved portrait of self-destruction and horrific violence. American movies don't get much grimmer than this.
  11. Catch Me If You Can represents a distinct change of pace for director Steven Spielberg. This is a lighter movie than he has made in a long while, and you sense his relief that nothing much is at stake.
  12. Almost unbearably moving at times, Julie Betuccelli's simple but sublime debut feature presents a portrait of maternal love and female fortitude that will reduce the stoniest of viewers to tears.
    • 91 Metascore
    • 80 Critic Score
    Carpenter creates excellent tension throughout and he avoids excessive blood and gore in the murder sequences. The violent actions are mostly implied more than graphically depicted, which serves to heighten the effect.
  13. The film is an example of social activism at its best; it's not only enlightening, but it's an engrossing story that a smart television audience should embrace.
  14. Perfect holiday entertainment, albeit for those small fry who can read English subtitles.
  15. Hits on all cylinders -- a smart blend of acting, direction, editing, design, costumes and effects.
  16. Blind Shaft, a well-acted and well-produced film, is a quiet though searing indictment of contemporary China.
    • 74 Metascore
    • 80 Critic Score
    These are rich, aging men in a young man's game, and the discrepancy between image and reality, captured by the filmmakers, makes for engrossing material.
  17. It is a film that should be required viewing by all citizens, especially students, if we hope not to repeat this awful chapter.
    • 85 Metascore
    • 80 Critic Score
    Director Brad Bird (TV's King of the Hill, The Simpsons), adapting the original children's book by the late British poet laureate Ted Hughes, has created a wonderful character in the huge childlike visitor from space.
  18. What makes this movie work is Jennifer Lopez's electric performance as Selena, capturing the charismatic aspects of Selena's stage persona and the essence of her maturity as a growing woman.
  19. Other than the actors, their costumes, and a few props, everything in Sky Captain and the World of Tomorrow is digital illusion, and the effects are often exhilarating.
  20. In a season of proliferating issue-oriented documentaries, Voices of Iraq stands out by the sheer nature of its provenance: Iraqis themselves filmed the footage during a six-month period this year.
  21. A classy and clever French thriller. Jean-Pierre Darroussin's performance as a browbeaten husband is entertaining, and Kahn's script brings wit and imagination to a straightforward story.
  22. Kim Ki-duk keeps dialogue to a minimum and actions simple in what is virtually a two-character piece. Humor arrives organically, often resulting in hearty laughs.
  23. Simply lets the sinfully gorgeous music and emotions sweep over an audience.
  24. All elements click in "Sun," a shimmering, deeply felt film.
  25. That a ragtag group of intellectuals and misfits could so blindside the FBI and hold the media in its grip is an especially sobering aspect of this dynamically told story.
    • 57 Metascore
    • 80 Critic Score
    A zinger-filled crowd-pleaser that open-minded Elvis fans (but by no means all) will have fun with.

Top Trailers