The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,900 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12900 movie reviews
  1. Offering nary a single funny moment in its seemingly endless 84 minutes, the film...provides evidence that cinematic sketch comedy is clearly a lost art. The inevitable outtakes seen during the end credits seem to indicate that the actors, at least, were having fun. Too bad none of it managed to find its way onto the screen.
  2. Barely managing to fill its brief running time despite its surfeit of smuttily vulgar gags, 3 Geezers! proves a less than subtle argument for euthanasia.
  3. Comes up so short it effectively demonstrates that there are actually a few rungs below Z-grade fare.
  4. Bereft of interesting characters, clever dialogue and any semblance of humor or visual coherence, Exists offers nothing to justify its cinematic existence.
  5. By now, it's clear that every Adam Sandler movie is dada of the high-concept, low-hanging-fruit variety, in which the Happy Madison stock company uses filmmaking (loosely termed) as an excuse to take an extended tropical vacation.
  6. Utterly lacking nuance and any sense of proportion, the irresponsible film depicts Democrats not as possessing misguided political ideas but rather as "depraved crooks" and "hateful people."
  7. Laughably inept on every technical level and representing the sort of badness that falls far short of being campy fun, Contract to Kill is strictly DOA.
  8. Amateurish on many levels and at some point seeming to have been made up on the spot (which would be quite a feat for animation), the collaboration between directors Thorbjorn Christoffersen and Stefan Fjeldmark is a strong contender for the year's worst film, and not in a fun way.
  9. Nearly eight years on from the signing of all the brand extension contracts, here is the primarily pop-star-voiced animated musical UglyDolls, an imbecilic eyesore that could lay claim to being one of the worst movies ever made if it was worth such hyperbole.
  10. A cross-cultural buddy-cop flick so bottom-of-the-barrel it would've been hooted off screens even when such things were in commercial demand.
  11. If there was a shred of life in the movie's performances (Snipes is joined in his phone-it-in appearance by Anne Heche and the obligatory pro wrestler Seth Rollins), or in Stockwell's direction, some in the audience might actually make that rarely true claim, "This is so bad it's good." They'd probably still be wrong.
  12. The resulting effort proves so exploitative that its end credits' dedication to the victims and first responders feels tawdry. 9/11 represents a cheapo disaster movie wrapping itself in the piety of one of the nation’s most tragic events.
  13. Demented absurdist comedy that doesn’t just push the envelope in terms of offensive and disgusting content, it folds it neatly and uses it for toilet paper. Desperately striving for cult status that it will never achieve, Assholes could be described as forgettable. Except, sadly, it isn’t.
  14. For all of its incendiary arguments, Death of a Nation is ultimately tedious and repetitive. No one expects, of course, that D'Souza would make a thoughtful, balanced or historically accurate documentary. But is it unreasonable to hope that he make one that doesn't bore the pants off us?
  15. The filmmaking and performances are so amateurish that any possibility of even the guiltiest of pleasures are quickly erased.
  16. Starring a miscast Hilary Duff in the title role, The Haunting of Sharon Tate deserves the instant obscurity for which it is certainly destined.
  17. It is not just a tough sit; it is nearly impossible to get through.
  18. Like his (Farrands) previous effort, this film takes a real-life tragedy and manages to treat it in horribly tawdry and tediously uninteresting fashion.
  19. Numbingly dumb and impersonally executed, you'd call it derivative if only it managed to steal anything worth using from the many movies it apes.
  20. Grizzly II: Revenge is so bad, it's just bad.
  21. To say that Melania is a hagiography would be an insult to hagiographies. This is a film that fawns so lavishly over its subject that you feel downright unpatriotic not gushing over it.

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