Writer-director de Souza, with the help of five editors and 12 assistant editors, is unable to tell a coherent story or put together a decent fight sequence. There are likewise far too many characters to keep track of, undercutting what instant allegiances one forms for those heroes or villains that make a strong impression. [27 Dec 1994]

The plot, of course, is merely an excuse for an endless series of gags, and the percentage of them that score is fairly high. But since the jokes are based over and over on the fact that Lloyd and Harry are really, really dumb, a certain repetitive factor sets in.

Talkington indulges in a lot of directorial flourishes, some of which work and some of which don't, but they definitely lift the proceedings above the mundane. [28 Nov 1994]

Once the stardust settles and the generations of "Star Trek" fans pass in judgment, this splendid production may emerge as the best movie to date inspired by the multiple-series TV phenomenon created by the late Gene Roddenberry. [15 Nov. 1994]

A stunning achievement. [14 Oct 1994]

Borrowing liberally from the likes of "RoboCop," "Mad Max" and, of course, "Teenage Mutant Ninja Turtles," "Double Dragon" struggles and ultimately fails to find a satisfying tone (and pace) of its own. [03 Nov 1994]

Stargate is a blast from the past in many ways, but it imaginatively employs the latest special effects technology to give audiences new thrills. [24 Oct 1994]

In this brilliant depiction of the early years of TV and the phenomenal powers it asserted in breaking down the walls of America's living rooms and homogenizing our culture, director Robert Redford has crafted a superb piece of cracked Americana. Buena Vista will win heartfelt plaudits from mature audiences and, come awards season, will certainly increase its viewership through anticipated nominations. [9 Sept 1994]

In the lead roles, both Robbins and Freeman are outstanding, layering their performances with snippets of individuality: Their small, daily sustenances and minor triumphs are wonderfully inspiring.

Lee's direction is utterly masterful: delicate, lively, rambunctious and spontaneous all at once. The performances are similarly splendid, particularly Sihung Lung as the embroiled father and Chien-Lien Wu as his careerist daughter. [03 Aug 1994]

Contrasting Forrest's unassuming innocence with the upheavals and rancor of the times, the film is a wisely goofy commentary on the stupidity of smartness.

Director Mulcahy's fast-moving dynamic, aided by cinematographer Stephen H. Burum's rhythmic shots, editor Peter Honess' zesty punctuation and composer Jerry Goldsmith's titanic score, brings necessary bulk to The Shadow's surface dimension. [01 Jul 1994]

A scrumptiously delightful moviegoing experience.

Vague and unsastisfying, but not as immediately dismissable as Propaganda's 1993 shocker dud "Kalifornia," "Dream Lover" has going for it the lure of Spader and Amick going for broke and a plot that will bring on post-screening discussions. Either masterfully restrained or badly out of whack, depending on how one interprets the conclusion, "Dream Lover" is problematic enough to earn only passing notice in the marketplace. [11 Apr 1994]

It's a bust. The characters are bland; the dialogue is lame; and the situational comedy and inevitable dramatics are mediocre at best. The quietly released Warner Bros. film might play well on naval bases and ships at sea, but everyone else will steer clear. [25 Apr 1994]

Although the story line is somewhat stretched and overly neat, "The Paper" is a tight and entertaining read, uh, view. [14 March 1994]

Polanski's crisp and twisted direction unravels one kinky film. [18 Mar 1994]

Throwing verbal spears, constantly working themselves into a frenzy and then backing off, Davis and Spacey use their talents as serious actors to enhance what could have turned into a repetitive and unsatisfying curse-fest. [07 Mar 1994]

Bad cop crosses paths with even badder hit woman in the stylistic but ultimately unsatisfying"Romeo Is Bleeding. Gary Oldman's gritty lead performance is not enough to save writer Hilary Henkin's modern-day noir fable from shooting itself in the foot. [4 Feb 1994]

Car 54, Where Are You? makes the other recent big-screen adaptations of old TV series seem like episodes of "Masterpiece Theater" in comparison. [27 Jan 1994]

An excellent documentary film. [3 Nov 1993]

Director Rachel Talalay squeezes the life out of the suspense sequences by dragging them on for too long, and doesn't always hit the macabre witty tone the gruesome murders seem to call for. [30 Dec 1993]

Despite the premise's admittedly thin motivational set-up, "Act 2" skits along on exuberant charm and zippity humor. [10 Dec 1993]

As written by John Milius and Larry Gross and directed by Walter Hill, "Geronimo: An American Legend" makes interesting characters dull as dirt, makes a great story confusing (while taking predictable liberties with the truth) and, worst of all, trivializes the subject matter it tries to splendidly mount. [06 Dec 1993]

Weakest of the performers is Chris O'Donnell as D'Artagnan. He's certainly young enough to portray Dumas' "Don Quixote of 18," but most traces of D'Artagnan's hot-blooded, big-hearted Gascony traits have been blunted in favor of mere eager stubbornness. [12 Nov 1993]

The mangy humor provides a steady stream of laughs, but Look Who's Talking Now won't be confused with the better breeds of film comedy. [3 Nov 1993]

Just identifying the references is a feast for film buffs, but the comedy here is so specifically film-oriented that the laughs, with rare exception, have no deeper resonance. The gags, both sight and verbal, come fast and furious, and more than a few connect. But the ultimate result is wearying, as if one were forced to sit through an endless succession of "Carol Burnett Show" parodies. Another problem is that the films parodied are often less than stellar; "Sleeping With the Enemy," for instance, was already a tired thriller rehash. [19 Oct 1993]

Overall, Ordinary Magic is not a bad film. Those looking for family entertainment with a tinge of radical revisionism could do a lot worse. [01 Nov 1993]