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| TriStar Pictures | Release Date: November 5, 1993 |
Starring:
Charles Barkley, Danny DeVito, David Gallagher, Diane Keaton, George Segal, John Travolta, Kirstie Alley, Lysette Anthony, Olympia Dukakis, Tabitha Lupien
Summary:
The dogs can talk at a family of 4, where mom loses her job the same day dad gets a job as pilot for a cute, single boss.
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AS cotton-candy, pap movies go, Look Who's Talking Now! offers plenty of smiles, a few laughs and a terrific pair of talking woofers. Not since Mr. Ed have animals with a verbal attitude been so engaging. [5 Nov 1993, p.10E]
Though Alley, Travolta, and their canine counterparts do their zany best to be irresistible, Look Who’s Talking Now! probably won’t become a yuletide classic. Even so, the happy ending of this harmless comedy serves one purpose: reassuring doubting kids that Santa really does exist, a lesson parents might like — at least until the li’l ones climb into the big guy’s lap and ask for a dog for Christmas.
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Another paper-thin premise comes back to haunt moviegoers. [5 Nov 1993, p.5]
Even Charles Barkley's big-screen acting debut can't camouflage a wandering script built on formulas and cliches. As for John Travolta and Kirstie Alley, suffice it to say that their pets steal every scene, and, when the dogs aren't present, the furniture takes the honor. Look Who's Talking Now has about as much appeal as the pile that Rocks leaves on the back seat of James' cab.
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Unsurprisingly this film is weak. The final film in a weak trilogy, filled with weak characters, who have weak dialogue and feature in a, you guessed it, weak plot. Thankfully Travolta's next film would be Pulp Fiction giving his career a well-needed boost, it's a shame the same couldn't said for Allie.
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The amazing thing in Ropelewski's film is just how much of this lowest-common-denominator pabulum has been recycled from the foul spillage of the previous two films. Once again, needlessly, we're treated to lengthy scenes of the family singing and clowning about with treacly plasticity, fantasizing, dreaming, whining, mewling... it's all too much, grating on your nerves and leaving you desperately in need of a healthy dose of cinematic sanity. Or, at the very least, genuine humor.
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