The Hollywood Reporter's Scores

  • Movies
  • TV
For 12,919 reviews, this publication has graded:
  • 51% higher than the average critic
  • 4% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The Lord of the Rings: The Two Towers
Lowest review score: 0 Dirty Love
Score distribution:
12919 movie reviews
  1. Interweaving clumsily staged action sequences with endless pontificating about evil mega-corporations privatizing public resources, the mediocre environmental-themed thriller A Dark Truth wears its good intentions on its sleeve.
  2. A novel cultural focus, highlighting Guyanese citizens of Indian ancestry, isn't enough to sustain interest in the lifeless film, which will attract few outside the Indo-Guyanese community.
    • 49 Metascore
    • 40 Critic Score
    A bankable cast, a hint of controversy and high production values may play in their favor commercially, but Bosch and her producer-husband Ilan Goldman have come dangerously close to making a feel-good movie about the Holocaust.
  3. The film never achieves any real depth in its unabashedly admiring portrait. What might have made a mildly interesting short feels vastly attenuated even with its brief 72-minute running time.
  4. Aggressively quirky but lacking any real wit - unless you consider a lengthy monologue about the taste of semen to be side-splittingly funny - the film based on David Gilbert's satirical novel is a non-starter.
  5. Sadly, this film's POV conceit -- in which all scenes are shot by the characters, whether they have a plausible reason to hold the camera up or not -- quickly becomes as grating as Kelly herself.
  6. Mixing soap-opera melodramatics with pithy one-liners, the film never achieves a coherent tone, with the uneven performances by the ensemble adding to the problem.
  7. This bloody exercise in camp quickly wears out is welcome, although its copious doses of nudity and gore, as well as its undeniably catchy title, should help it stand out on video shelves.
  8. This meta-theatrical attempt at creating a comically subversive film is far too self-indulgent to provide insight into its important themes.
    • 67 Metascore
    • 40 Critic Score
    Patience-taxingly boilerplate.
  9. Unfortunately, Allegiance is less sure-footed in the filmmaking department, rendering its potentially suspenseful storyline stilted and uncompelling.
  10. Essentially "Alien" set in a self-storage facility, the British low-budget horror flick Storage 24 doesn't manage to rise above the limitations of its bare-bones concept.
  11. Trying to be amusing and respectfully serious at the same time, Austrian director Wolfgang Murnberger's film remains in limbo, saddled with an over-worked story, characters and setting.
  12. It has hypnotic visual style and a dense, driving soundscape. But it’s also too monotonous and thematically empty to be seriously provocative.
  13. Unfortunately, while director/co-writer Ed Gass-Donnelly displays an admirable restraint in his general eschewing of gratuitous gore, quick editing and flashy visuals, the results have a generally soporific feel.
  14. Scodelario, of the Maze Runner films and Andrea Arnold's Wuthering Heights, is just about the only member of the cast who seems to believe she's expected to be more than a thin generic functionary or flamboyant scene-stealer.
  15. Aims to be a cutting-edge portrait of cutthroat political machinations. But it's a mostly toothless affair that, like so many of our current political figures, proves alienating.
  16. A few smart laughs hint at what might have been, but thanks to sitcom-y mugging and a tepidness beneath the intended hilarity, David E. Talbert’s romantic comedy is stuck in a holding pattern for much of its running time.
  17. Considering the importance of the still active 93-year-old poet’s art and social activism, the film seems slight and discursive, more of an introduction than a definitive portrait.
  18. Designed as a family film adventure promoting positive values, it’s a sort of teenage "Raiders of the Lost Ark" that will provide mild diversion for very young audiences.
  19. There’s a crucial shortage of heart here, from the messy storytelling to the hit-or-miss humor and unattractive visuals.
  20. Although directed in effectively creepy fashion by Roberto Buso-Garcia, the film’s leisurely pacing and overall restraint will likely leave genre fans dissatisfied even as its lack of depth will turn off art-house patrons.
  21. Paying slavish homage to culty genre predecessors from the sixties, seventies and eighties, this steamy tale of a hunky screenwriter, his ethereal blood-sucking paramour and her bad-girl sister can't quite decide whether to be seductively stylish or knowingly cheesy.
  22. A mockumentary obviously inspired by his landmark 1990 series The Civil War, misses the Christopher Guest mark by a mile.
  23. For all the earnestness with which the filmmakers replicate the muted colors and attitudes of the post-war era, they ultimately fail to say anything truly interesting about either the past or the present, resulting in a work that feels as superficial as it does slick.
  24. The action is practically non-stop from beginning to end, but is never remotely exciting due to the Cuisinart-style editing that reduces it all to an incomprehensible, messy blur.
  25. Setting aside the movie’s tediously lame dialogue, self-conscious performances and frequently predicable scares, the narrative’s compulsively shifting chronology intermittently manages to engage, although it does little to obscure the distracting shortcomings of both plot and character development.
  26. Part adventure saga, part elaborate home movie, the documentary showcases both the emotional and physical pitfalls faced by this emotionally fraught crew.
  27. An amusing premise yields few yuks.
  28. Even with all its familiar action tropes, less-than-fresh special effects and loopy plotting, the most depressing element in the Wachowski siblings' latest sci-fi mash is that, as they conceive it, human society has been around for more than a billion years but is still presided over by a rivalrous British-style royal family that treacherously behaves as if it were the 1550s.

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