The Guardian's Scores

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For 6,556 reviews, this publication has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 London Road
Lowest review score: 0 Melania
Score distribution:
  1. Positive: 2,481 out of 6556
  2. Mixed: 3,756 out of 6556
  3. Negative: 319 out of 6556
6556 movie reviews
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  1. No Exit
    It’s an airport novel that’s now an airplane movie.
  2. Ronnie's
    Much of the film’s pleasure lies in the glimpses of Soho over the decades: a wealth of photographs, sound clips and archive footage bring the club and the neighbourhood to life. Free of obtrusive talking heads, contributors feature as voices only, and none overstays their welcome.
  3. Hellbender
    Although made on a tiny budget, this highly original exercise in folk horror punches well above its weight with snappy dialogue, trippy visual effects and impressive camerawork.
  4. Studio 666
    The estimable Dave Grohl of the Foo Fighters has bafflingly decided to try everyone’s patience with this insufferable vanity project: a violent gonzo grossout that sadly conforms to the horror-comedy tendency of being neither properly scary nor properly funny.
  5. The Beatles: Get Back - The Rooftop Concert
    This engrossing film is a time capsule of London itself – the faces not so very different from those you would see in the 40s or 50s.
  6. Texas Chainsaw Massacre
    Against considerable odds, a very, very low bar has been met and then shuffled over with this mostly effective and incredibly nasty update, a jolting little slasher that should repulse and satisfy those with a suitably depraved idea of what they are clicking into.
  7. Dog
    Dog lovers eager for a dog movie primarily about a dog will be reassured by the knowledge that Dog does feature plenty of dog but they might be a little surprised about what else the film has to offer, an odd and atonal ramble across the US where the dog comes first and plotting comes a long way after.
  8. For Lucio
    Perhaps it’s more for insiders and specialists, but this film is a taste of Italian life.
  9. Robe of Gems
    It is a disturbing and unsettling piece of work, a psycho-pathological moodboard of a film, in which guilt, horror and shame poison the atmosphere.
  10. Rimini
    Perhaps this one doesn’t take Seidl’s creative career much further down the road to (or away from) perdition, but it is managed with unflinching conviction, a tremendous compositional sense and an amazing flair for discovering extraordinary locations.
  11. Peter von Kant
    There is something lighter, almost flippant and French-farcical about this new Von Kant: a man brought low by l’amour, inviting from the audience hardly more than a worldly, sympathetic shrug.
  12. The Passengers of the Night
    This is a film that doesn’t set out to push your emotional buttons all that hard, or even at all. But it covers a surprising amount of narrative ground and there is always something engaging and tender to it.
  13. Nobody's Hero
    The film stands or falls by its claims to deadpan comedy – but this is heavy-handed and unsatisfying.
  14. The Real Charlie Chaplin
    This film may not have all that much new material but it piercingly asks the right questions about Chaplin’s elusive reality.
  15. The Line
    [An] engrossing, unnerving but unexpectedly sympathetic drama of family dysfunction.
  16. They Live in the Grey
    In a way the film’s best bits are the quiet scenes where the audience is primed to expect something awful is about to happen, only to find the point is not a jump scare but a harrowing emotional insight.
  17. The Outfit
    It’s an entertaining, fairly overwrought piece, a little tightly buttoned.
  18. Dark Glasses
    Dario Argento’s return to directing after a 10-year absence has its moments of macabre and melodramatic invention.
  19. Both Sides of the Blade
    Claire Denis’s new film is a seductively indirect love triangle, a drama of the mind as much as the heart. It’s intriguing if contrived and anticlimactic, though acted at the highest pitch of sensual conviction.
  20. The Chaperone
    All the corny romance stuff is about as intrinsic to the film’s soft appeal as the scrupulously well-made frocks, encompassing late Edwardian lace and flapper-style dropwaist numbers, and dozens of well-turned cloche hats.
  21. Here Before
    The question of whether this is a ghost story or if Laura is experiencing a kind of psychological breakdown twists and turns in ways that lost me by the end. Still, it’s is a very accomplished debut from Gregg, and acted with subtlety and sensitivity by Riseborough.
  22. Flux Gourmet
    Flux Gourmet is sometimes funny and always exotic, and every moment has his distinctive authorial signature. But I am starting to wonder if his style is becoming a hipster mannerism with less substance, and a less live-ammo sense of actual danger.
  23. Incredible But True
    Incredible But True has a wacky premise that Dupieux very possibly had no idea how to develop. And yet I found myself laughing quite a lot of the time. The sheer silliness and zen pointlessness is entertaining.
  24. Froth
    The threading together of the different stories is overly opaque at times, but Evgeny Rodin’s atmospheric cinematography is a marvel, imbuing a Tarkovsky-esque ethereality to a land that has fallen out of step with the modern world.
  25. Gehraiyaan
    While the lurid twists and turns are enjoyable in a 90s erotic thriller kind of way, the sudden shift towards suspense hampers Padukone’s performance.
  26. Bigbug
    With his work now migrating online and his jerry-rigged methods increasingly outsourced to post-production effects, Jeunet can’t avoid the impending digitization of cinema, nor life. Still, he’s not going down without landing a few good fingers to the ribs first.
  27. Uncharted
    It’s a huge greenscreen action-adventure with a reasonable bang-buck ratio, but a box office algorithm where its heart is supposed to be.
  28. Marry Me
    Jennifer Lopez is radioactively humourless and Owen Wilson is robotically bland in this stinker.
  29. The Sky Is Everywhere
    Decker infuses Nelson’s screenplay with a potent dose of whimsical fantasy, morphing Lennie’s tortuous bereavement into a lonely house, a romantic musical journey and a garden where other complicated, confusing emotions grow.
  30. I Want You Back
    It’s a far better version of a romantic comedy than we’re used to streaming of late.
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